Wickerman Festivals 8 and 9

Wickerman 8 was held in 2009 and had a decent bill. The indefatigable Billy Bragg was in residence and was at that point going through his Woody Guthrie phase. There was some folk rock provided by Meersault from Edinburgh and Celtic folk from the Solus Tent headliners Pearl and the Puppets.

The Dickies belted out ‘Banana Splits’ for the umpteenth time, already thirty years old at that stage. Holding the punk flag were the perennial UK Subs, the Sharks and Penetration, Johnny Robb was in town with Goldblade and there were covers from the Counterfeit Clash.

Also playing were Root System, Mr Kil, Drums of Death, Luva, Anna, The Box, Marc Wilson, Kid British and there was glam rock and tartan attire from Glasgow’s Velcro Quartet. There were very retro performances from Candi Staton and Dreadzone. 

Idlewild, as ever, blasted out a solid set and I was impressed by Edinburgh’s We Were Promised Jetpacks as they were a refreshingly noisy bunch in the vein of Twilight Sad.  The Zutons covered the scouse angle and Magic Numbers are always soothing with their close harmonies and Californian vibe.  The headliners after the burning were the Human League who were very good value.  

The band of the weekend was an utterly joyous set in the scooter tent from Bad Manners. I think Buster Bloodvessel is the only remaining original and he is quite frankly nothing short of certifiable! He is now surrounded by younger band mates and the saxophonist was a revelation and the closing ‘Can-Can’ was riotous.

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The inimitable Buster Bloodvessel. Image Credit brightonsource.co.uk.

On the Saturday we always liked to have a communal bet on the horse racing prior to heading off to the festival. There was at one point in time a bookmaker in Kirkcudbright but now no more. In later years we also had enjoyable afternoons in Castle Douglas and Dalbeattie.

The absolute nadir was one year when it seemed we couldn’t even find the winner in a one-horse race and stacked our hopes on a horse called Tony Tie in the last. It didn’t even depart the stalls as it decided to eject its jockey! On the converse side one year we got the first three winners up in a Lucky 15, a fourth winner would have won us thousands, but the three timer was sufficient to cover the entire festival ticket costs for our five strong crew!

Wickerman 9 in 2010 had its share of slightly wonky legends as Tony Christie, Ed Ten Pole Tudor, The Saw Doctors, The Buzzcocks and The Undertones were in residence. Ocean Colour Scene ploughed their usual furrow; however Go Team provided their usual joyous jaunty set. Also on the bill were the nattily titled Earl Grey and the Loose Leaves, Mitchell Musuem, Midnight Lion, Fenech Soler, Lee Mottram, The Banana Sessions, The String Contingent, The Sex Pistols Experience, GoGoBot and Dr Huxtable.

There was a terrific set of post rock from Glasgow’s There Will Be Fireworks and Teenage Fanclub provided a soothing set with much of the material off their recent ‘Shadows’ release. Completing the Glasgow angle were the rock band Sons and Daughters. Tim Burgess and the Charlatans were in town alongside Sunderland’s Futureheads and 808 State played the main stage after the burning.

At one point we were ensconced in the Acoustic Tent, and I turned around and saw Alex Kapranos of Franz Ferdinand fame standing directly behind me. He later hit the stage to perform some acoustic FF tracks and he went down a storm with the audience.

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Alex Kapranos. Image Credit Zimbio.

Preston Venue 26 – 53 Degrees Club Part 1

Following the closure of the old Preston Polytechnic venue back in the 90’s it took a fair period of time before a new venue was incorporated into the updated University of Central Lancashire (UCLAN).

On the original site on Fylde Road the new £6.5million venue 53 Degrees was launched in 2005, with the first gig being an AC/DC tribute band and the first proper band was a very young Subways. The venue closed in 2015 with the final gig responsibility being given to the Inspiral Carpets.

There were two separate halls, the main downstairs venue with a capacity of 1500 but in this particular blog, I am going to concentrate on the Preston 53 Degrees Club venue located upstairs with a capacity of 400.

Access was gained from the rear of the building up a flight of stairs that dropped you into a corridor reminiscent of Manchester Hop & Grape. The doorway to the left took you into the venue with bar opposite and the stage down to the right. It was a fairly intimate venue but was located in a thin level room which made viewing a challenge when it was heavily populated. The beer as at many venues was of a pretty foul quality.

I have witnessed 15 gigs there in total and my first foray there was in June 2006 to see a full roster of bands. First up were the Architects followed Komakino, a five-piece band from Derby who were a regular support band at that stage to the likes of Bloc Party and the Editors. They subsequently split up in 2008.  

The main support was Love Ends Disaster! formed whilst at University in Loughborough and Nottingham. They were a decent live act and a couple of years later were receiving airplay from the likes of Colin Murray and Huw Stephens on Radio 1, when I saw them again at the Rescue Rooms in Nottingham. They subsequently disbanded in 2012.

The headline act was Cooper Temple Clause hailing from Wokingham and their first two albums in 2002/2003 received some considerable acclaim. I would put them in the post-hardcore mould, and they created a fine clattering racket!

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Cooper Temple Clause. Image Credit YouTube.

My second visit there was on a Bank Holiday Sunday on 06/05/07 following attending Preston North End’s last game of the season where we beat Birmingham 1-0 but just missed out on the play-offs by a single point, probably a blessing in disguise!

The band on show was Mumm-Ra who I had witnessed the year before when I went to see Amusement Parks on Fire at Manchester Night and Day. They were a tad fey and lightweight for my tastes.     

Three days later I went to see 65 Days of Static who I had first picked up on via their multiple inclusion in John Peel’s Festive Fifty off their 2004 debut album ‘The Fall of Math’. They are in the post rock genre but with a more electronic bent and emanate from Sheffield and are still now ploughing their trade.

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65 Days of Static. Image Credit blogspot.com

They have always been good value live and were supported by Josh T Pearson from Texas who was previously in the lauded Lift to Experience. He was performed as a solo act at this time and was a slightly odd act as his singing was more in the vein of a stream of consciousness!   

On 26/09/07 I went to see one of the perennial stalwarts of the last 20 years Idlewild who as ever were consistently good. They were supported by Twilight Sad who are a fellow Scottish post punk shoegaze band and they had only just released their debut album on Mogwai’s label Rock Action Records. They had a fearsome live reputation and they lived up to that mantle as a thunderously loud act.