Manchester Venue 107 – AATMA

One of the continuing delights of Manchester is the proliferation of different and unique venues that continue to spring up on the gig circuit. One such venue is Manchester AATMA, which when I first visited it was known under its previous moniker as Kraak Gallery. It is literally buried deep in the back streets of the Northern Quarter and was once a derelict former textile mill. It is arguably comparable to Islington Mill with its commendable DIY ethic and industrial vibe and is a multipurpose event space with a 150 capacity.  

I first became aware of its existence in 2012 and I have visited eleven times in total. The first challenge I faced was finding the venue, it is located at 14-16 Faraday Street off Stephenson Square and is accessed via an unmarked door in an alley off an alley! You then climb up to the first floor to find the venue and as you enter you find the stage to the right and a pop-up bar down to the left with a battered old sofa providing the sparse seating area.

AATMA entrance. Image Credit youtube.com

The act that night was the Jacuzzi Boys who are an excellent three-piece garage/surf rock band from Miami. Their debut album in 2009, ‘No Seasons’ caught the attention of none other than Iggy Pop who invited them to be opening slot on his tour. They have been quiet for a few years but have just released a new EP.

My next visit was in December of the same year when there was a punky bill taking place that we on the hoof decided to dive in to watch the noisy Canadian opening band called Sounds of the Swarm. Due to the warehouse setting the room was icy cold and the can of Boddingtons Bitter purchased nearly moulded itself into my hand!

The old sofa! Image Credit headbox.com

We then headed to our scheduled gig at Academy 3 to watch God is an Astronaut before returning to Kraak to see the headliners Victories at Sea who provided a sonic outro to complete an aural assault of an evening.  My only one regret with the venue is that I was unable to attend when the Nottingham noiseniks Cult of Dom Keller played as I had thoroughly enjoyed them when I had unexpectedly caught them in Brussels when visiting the Belgian city.

Many of my visits here have been part of the numerous Northern Quarter multi venue festivals.  On one such visit in 2014 I saw the Leeds post-hardcore trio Unwave. I then witnessed Tacetmusic there and the following year caught a singer songwriter called Sarah Walk from Chicago who was a former graduate of the Berklee College of Art.

Victories at Sea. Image Credit withguitars.com

In 2016 I saw some doomy hardcore from Berlin band Rope. A year later a caught a London three piece called False Heads, who had just released their debut EP. They were discovered and subsequently mentored by the former Ramones manager Danny Fields who has form in spotting a good un! Support slots followed with The Libertines and Queens of the Stone Age before releasing their debut album in 2020.  

In 2018 I witnessed the punky sounds of the Nectars who thoroughly embraced the sound from their home city of New York. Later that year I saw an enjoyable set from the all-female three-piece Peaness from Chester who had originally met at the University in the town. Next up was a lo-fi soul singer from Manchester called Darcie. My latest attendance last year resulted in seeing a band called Hup and a Latin tinged artist with the memorable moniker of Carlos Loverboy. 

Manchester Venues 77 to 78

For one of the main city train stations, Salford Central station is somewhat of an anachronism. I currently work very close to this station and have many colleagues who are commuting over from Preston who now don’t have a direct train to Central and have to change at Salford Crescent. They are due to close the station for a few months to upgrade and make the platforms safer, however they have missed a glaring opportunity to open up for wider use the other platforms that are available on the Piccadilly to Victoria station line link, more short sighted thinking relating to Northern based stations and on any initiative that sits outside HS2, methinks!

If you turn left as you exit Salford Central this takes you directly to the Salford Egerton Arms Hotel. The pub has sat at the Gore Street site since at least 1841. It must have been a pacifist venue back in the day as the pub’s coat of arms motto ‘Virtuti – Non – Armis – Fido’ apparently translates as ‘I trust in virtue not arm’s’. It is purported that the name derives from the Egerton family who owned the Tatton park estate around the time of the inception of the pub.

 

Egerton Arms Hotel. Image Credit Geograph Britain and Ireland.

The pub has been owned by the local Joseph Holts brewery, still arguably the cheapest beer in Britain. I first visited there in 2017 as part of Sounds form the Other City festival (SFOTC) in 2017 and we saw a three-piece from Leeds called Autobodies.

There was also a chap in residence on the microphone who was publicising his quizmaster duties later that day and he had the most amusing laconic style in his delivery. That evening we were in the Pint Pot pub preparing to head off for our train home and begun chatting to three lads who we discovered had become the actual quiz winning team and they had received a tidy price of free tickets to next year’s festival. At the 2018 event we witnessed a local band called Perkoset at the Egerton.  

Next door is a decent food establishment called Caribbean Flavas and we have sat in the window a couple of times sampling their wares whilst in the area. There has been an uplift locally with acclaimed Italian and Tapas restaurants opening up nearby the station.

Directly across the traffic lights and the busy Chapel Street you find the Salford Arms Hotel. The pub has the same longevity as the Egerton, and it circles round onto Bloom Street and has also doubled up as a working hotel in the past. I walked past recently, and I have identified that the pub is now permanently closed.

It always had a battered old boozer vibe about the place, and I first visited there when in attendance at the 2012 SFTOC event.  On a makeshift stage in the middle of the pub we saw a thrilling set of shoegazey noise from History of Apple Pie who had not yet released their excellent debut album Out of View. On our way out we saw them loading up their transit band and had a brief chat.

History of Apple Pie on stage. Image Credit NME.

We returned later to see a very early set from Birmingham’s post-punks Victories at Sea. Just checking back on the bill now I see that Lovely Eggs actually headlined the venue that year. In 2017, we saw Manchester based artist Maddy Storm and the following year we ended the festival with a fun set from Leeds party band Crumbs.