London Fifth Trip

I headed down for a London weekend via a £25 Apex ticket on the 12.15 train from Preston on Friday 10th May 1990. My brother picked me from Euston in his mini and we darted back to his current digs in Woolwich. We grabbed some tea and listened to some Screaming Trees and Husker Du’s Metal Circus.

We headed out at 9pm and picked up my brother’s girlfriend from her workplace on some random industrial estate in Thamesmead on the way to London Subterania in the west of the city. The venue was opened the year before by the Mean Fiddler Group. It was subsequently closed in 2003 but relaunched in 2018. It has a capacity of 600.

We were there to see Thin White Rope, the Californian desert rock band who disbanded a couple of years later. It was my first gig for four months at that stage, so it was good to be back in the fray. Unfortunately, we were a tad late in arriving and the band were already 20 minutes into their set and the place was half full, mainly comprised of students.

I grabbed an expensive bottle of Newcastle Brown and headed down to the front. They were a laid-back combo and produced a reasonable set, including two encores.     

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Thin White Rope. Image Credit LastFM.com

After the gig we headed into the city centre to Tower Records which was open until midnight as my brother wanted to purchase the latest Thin White Rope release.

The following day was the FA Cup Final. That particular year we had endeavoured without success to obtain match tickets, in those days that option was more feasible than it is nowadays. Our alternate plan was to see the parade the next day if Crystal Palace won which looked likely when Ian ‘Je Na Sa Quoi’ Wright scored in extra time before Mark Hughes scuppered it with a late equaliser for Man United. We had a gentle gather in the local Poly Bar that night.

We lazed around on the Sunday morning prepping some Wedding Present and REM mix tapes. In the late afternoon we headed back into the city visiting Petticoat Lane and Camden Town where I purchased the Last Exit to Brooklyn novel.  We then drove to Notting Hill and grabbed some grub at a cheap as chips fab Indian restaurant called Khan’s where I ordered Chicken Shahi.

Post meal we headed over to Brixton Fridge landing about 8.30pm. The venue previously had a couple of homes, one of them above an Iceland store, hence the name. The location when I visited was converted from a 1913 cinema, the Palladium Picture House. The venue closed in 2010 before reopening the following year under the new moniker Electric Brixton. It was a large slightly soulless venue with a capacity of 1789 and was almost full that night.

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Brixton Fridge. Image Credit wikimedia

We handed over our £8 entrance fee and purchased a can of Breakers and caught the last song of Benny Profane’s set. The main support was the C86 Bristolians Groove Farm. I recall chatting to another punter who I jealously discovered had seen Minutemen and Husker Du in Washington in 1984 when they a support band.

Wedding Present came on at 9.45pm. They had been collaborating with Steve Albini and it had certainly resulted in a hardening of their sound. They played ‘Brassneck’ early in the set and Dave Gedge broke a guitar string due to some Hendrix impressions.    

They played ‘Everyone Thinks he Looks Daft’ and a seemingly endless but joyous ‘Favourite Dress’. It was stiflingly hot in the moshpit resulting in me re-emerging at the end as a virtual puddle when they left the stage at 11pm. I thought they were superb, arguably better then the first time I had seen them a couple of years earlier at Manchester University as their strengthened sound was of significant benefit.

Manchester Venue 31 Night and Day – Part 3

In my humble opinion the most criminally underrated band over the last 15 years is a band from Norwich called Sennen. They formed in 2002 and were named after a Ride track and have produced five excellent albums which I return to on a regular basis. They are in the post-rock Mogwai mould with a softer side and they produce hypnotic music with hushed shoegaze harmonies.

I think what has hindered them is their aversion to touring and in those 19 years of existence they have not yet totalled 150 gigs, UK Subs and Status Quo would probably hit the total in a calendar year. Prior to me becoming aware of them they played the Cellar Bar in Blackburn. I was aware of a Deaf Institute gig but couldn’t attend but in retrospect was glad I didn’t make it as it transpired, they only did a short post-midnight set.

Thus, when I heard they were playing Night and Day on Easter Monday in 2010 I ensured I would be in attendance. I recall Uncle George and I trying to find somewhere beforehand to eat in and around Rochdale Road near the Wing Yip supermarket and we ended up in a little noodle bar. The area we were scouring that night is now unrecognisable as it subsequently turned into the regentrified Ancoats area.  

Rather sadly, there cannot have been more than 20 people in the venue. Despite the band being somewhat rusty I thoroughly enjoyed their 45-minute set. I also had a parlay with them afterwards and they turned out to be genuine down to earth lads. They were supported on the night by Rarely Spun.

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Sennen. Image Credit Last FM.

The following year we saw Slaughter and the Dogs, the old punk band who formed in the local suburb of Wythenshawe. They were in very good form with a terrific crowd interaction and it was a fine gig. The night ended in chaos as we miscalculated the time and subsequently missed the last train from Victoria. This resulted in an expensive cab home on a very filthy rainy night, and I was very glad to land home that night!

In 2018, I attended a gig there with my North East correspondent Jamie Young. We had a pre gig visit to the infamous Marble Arch pub and a pizza in the Mackie Mayor food hall. The band in question was Black Delta Movement, a psychedelic garage rock outfit from Kingston Upon Hull. Regretfully, it was a disappointing set and they were outshone by the support band Mr Strange, an engaging three-piece band from Isle of Wight.  

Later that year, I went to see the Orielles from Halifax accompanied by Gill and one of the brightest people I know, Dr Laura Buckley. The bands fortunes were on the upswing at that point, but they honoured a commitment to play Night and Day which was gracious of them. They have a quirky off kilter sound but were an enjoyable watch. They were supported by a mournful downbeat set from Laetitia Sadler, who is better known as a member of Stereolab and Le Price Maori.

Saving the best to last was one of those random gigs that you very rarely encounter by catching a remarkable band at the inception of their career and you know instantly it is a privilege to be there. At the Dot to Dot festival in 2018 we happened to wander into the venue just before a very early performance from Dublin’s finest Fontaines DC.

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Fontaines DC on stage. Image Credit Irish Times

They wandered on and had a captivating presence with lead singer Grian Chatten prowling the stage like a caged tiger and the band in perfect synch behind him. They only played a 30-minute set (perfect pint supping timespan) but what a fabulous half an hour they produced. Algarve Ray was also in attendance and he looked as awestruck as me after the gig!