Preston Venue 26 – 53 Degrees Club Part 1

Following the closure of the old Preston Polytechnic venue back in the 90’s it took a fair period of time before a new venue was incorporated into the updated University of Central Lancashire (UCLAN).

On the original site on Fylde Road the new £6.5million venue 53 Degrees was launched in 2005, with the first gig being an AC/DC tribute band and the first proper band was a very young Subways. The venue closed in 2015 with the final gig responsibility being given to the Inspiral Carpets.

There were two separate halls, the main downstairs venue with a capacity of 1500 but in this particular blog, I am going to concentrate on the Preston 53 Degrees Club venue located upstairs with a capacity of 400.

Access was gained from the rear of the building up a flight of stairs that dropped you into a corridor reminiscent of Manchester Hop & Grape. The doorway to the left took you into the venue with bar opposite and the stage down to the right. It was a fairly intimate venue but was located in a thin level room which made viewing a challenge when it was heavily populated. The beer as at many venues was of a pretty foul quality.

I have witnessed 15 gigs there in total and my first foray there was in June 2006 to see a full roster of bands. First up were the Architects followed Komakino, a five-piece band from Derby who were a regular support band at that stage to the likes of Bloc Party and the Editors. They subsequently split up in 2008.  

The main support was Love Ends Disaster! formed whilst at University in Loughborough and Nottingham. They were a decent live act and a couple of years later were receiving airplay from the likes of Colin Murray and Huw Stephens on Radio 1, when I saw them again at the Rescue Rooms in Nottingham. They subsequently disbanded in 2012.

The headline act was Cooper Temple Clause hailing from Wokingham and their first two albums in 2002/2003 received some considerable acclaim. I would put them in the post-hardcore mould, and they created a fine clattering racket!

See the source image
Cooper Temple Clause. Image Credit YouTube.

My second visit there was on a Bank Holiday Sunday on 06/05/07 following attending Preston North End’s last game of the season where we beat Birmingham 1-0 but just missed out on the play-offs by a single point, probably a blessing in disguise!

The band on show was Mumm-Ra who I had witnessed the year before when I went to see Amusement Parks on Fire at Manchester Night and Day. They were a tad fey and lightweight for my tastes.     

Three days later I went to see 65 Days of Static who I had first picked up on via their multiple inclusion in John Peel’s Festive Fifty off their 2004 debut album ‘The Fall of Math’. They are in the post rock genre but with a more electronic bent and emanate from Sheffield and are still now ploughing their trade.

See the source image
65 Days of Static. Image Credit blogspot.com

They have always been good value live and were supported by Josh T Pearson from Texas who was previously in the lauded Lift to Experience. He was performed as a solo act at this time and was a slightly odd act as his singing was more in the vein of a stream of consciousness!   

On 26/09/07 I went to see one of the perennial stalwarts of the last 20 years Idlewild who as ever were consistently good. They were supported by Twilight Sad who are a fellow Scottish post punk shoegaze band and they had only just released their debut album on Mogwai’s label Rock Action Records. They had a fearsome live reputation and they lived up to that mantle as a thunderously loud act.

Nottingham Venues 35 and 36

There are so many tales in the fabric of the music industry relating to the trajectory of bands. Random events such as timing, changes in personnel and dumb luck can all contribute to how successful or not a band can be. I am sure we can all name bands who fall into the ‘how the hell did they become so big’ or the alternate ‘what might have been’ category.

As I have undertaken many visits to Nottingham over the years, I began to become familiar with many of my brother’s friends. One such pair was Paul Arnall and Sarah Simmonds. Paul was the instigator in the forming of the band Fatal Charm in 1978 and was the lead guitarist and vocalist before Sarah joined as lead vocalist to allow Paul to concentrate more fully on song writing duties. Their music is tricky to quantify but they could arguably be viewed in the post-punk dream pop category.

See the source image
Fatal Charm. Image Credit electricityclub.co.uk

They began to garner attention and as a result were enlisted for numerous Radio 1 sessions with Bob Harris, Janice Long and Annie Nightingale amongst others. They also appeared on the legendary Channel 4 Tube programme in 1983 and were a support act to Ultravox and Orchestral Manoeuvres in the Dark.

However, the volatile nature of the music business at that point in time resulted in numerous record contract breakdowns and a poorly promoted debut album in 1985. They were eventually signed to RCA and as result morphed into a newly named band State of Grace who existed from 1991 to 1998 and had a more ambient sound.

The net result of the combined events above meant that the band never broke through into the mainstream. They subsequently reformed as Fatal Charm in 2012 and commencing playing some local gigs again.   

Their venue of choice was the Trent Navigation pub, home to the Navigation brewery. The hostelry has lived up to its name over the years looking after the navvies who used to work in the canals. It is now run by the Great Northern Inns group and is a homely establishment located on Wilford Street and any pub that has a specific pie night is good enough for me!

See the source image
Trent Navigation Inn. Image Credit Nottingham Post.

I saw them there twice in quick succession in June and September 2012. You could tell they retained a touch of class with Sarah’s plaintive vocals and Paul’s accomplished guitar work and they attracted a decent crowd each time. They rather oddly passed around a collection for their appearance fee, something which I have never witnessed before. There was talk at one point of arranging a gig in Preston at the Continental but that never came to fruition.

As you may have gleaned by now, I am always hunting down new venues and a place called Doghouse Studios caught my eye. They are located on Alfred St North not too far from the Arboretum. They are a recording studio, but they also house a fully equipped stage for video and photographic shoots and have two record labels. They also occasionally had live gigs.

On 16/11/13 we went to see a band called the Others who were a guerrilla rock band led by the intimidating figure of Dominic Masters. They played many so-called ‘guerilla gigs’ at quirky locations such as the Hammersmith & City Line tube, on the dodgems at Leeds Festival and on the Abbey Lane crossing in London town. They were signed by Alan McGee’s Poptones Label in 2004. They had a loyal fanbase coined ‘the 853 Kamikaze Stage Diving Division’.

It was an interesting venue with a distinct space for the bands and they proceeded to produce a noisy rambunctious set.