Second T in the Park Festival

Having previously commuted from Edinburgh for the 1999 festival, we made a conscious decision to identify some accommodation nearer to the site for the 2000 version. As a result, we found a B&B in the little village of Glenfarg just off the A75, Gill attended this festival for the first time.

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Glenfarg Hotel. Image Credit Undiscovered Scotland

One element we had no control over was the weather and what we were confronted with was the most persistent monsoon rain I have ever encountered; it just never stopped the whole weekend. We were fortunate to be able to leave the site and I had unbounded sympathy with punters who were camping.

I recall seeing the reports of the weather at one particular Glastonbury being so inclement they encountered the first cases of Trenchfoot for around a century, they must have run close to that in 2000. When we see torrid weather nowadays, we acknowledge it is raining but can verify it is indisputably not T in The Park rain!    

On both days of the festival, we headed into Ayr for a couple of drinks before grabbing a taxi down to the site. In one of the boozers on the Saturday, I think it was called This Old Hoose, we encountered a couple of older ladies, christened the ‘Golden Girls’ who were happily imbibing Gin and were good company.  I kept looking out the window consistently echoing the refrain ‘it’s getting brighter’ even though it patently was not!   

There was a fine bill on Stage 2 on Saturday, and it had the humungous additional benefit of being in a marquee and therefore under cover.  The Wannadies produced a great guitar heavy set before some softer soothing tones with the excellent Morcheeba.  Following them was the erstwhile singer songwriter Beth Orton.  In the Dance tent we caught a portion of David Holmes.

In King Tuts Wah Wah tent we watched Lapsus Linguae and Looper. On the main stage we saw segments of both Ocean Colour Scene and a reprise from the previous year from Fun Lovin Criminals.  We watched the whole of Moby’s headline set where you could witness a sea of yellow temporary T in the Park macs providing sparse cover in the conditions. Moby was good but provided a carbon copy of the Glastonbury set from a couple of weeks earlier, knew I should have swerved that to keep a fresher outlook.

Me and Gill lost Uncle George and John at one stage due to a miscommunication and this was in the days before we all had mobile phones, we luckily found them a couple of hours later prior to the taxi back to the digs.  

On the Sunday morning, there was a brief one-hour respite in the weather, so we went for a local walk but were instantly surrounded by smidges on the motorway bridge, so that exercise was soon curtailed.  

In the Dance tent, we caught Darren Emerson and a part of a banging set from Leftfield. We also watched a terrific more dance-oriented set from Death in Vegas. Elsewhere we saw a very early performance in a side tent from Coldplay and also witnessed A, Dum Dums, Dark Star and Embrace.

There was a hit laden set from Supergrass who followed Idlewild on the main stage. There was a fun performance from the indefatigable and timeless Iggy Pop and we stayed for some of Travis’s headline act.

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The irrepressible Iggy Pop. Image Credit Gigwise.

We then squelched off to the taxi pick up point and got summarily ripped off by the taxi firm, but to be honest I didn’t care as I would have paid 10 gold bars to depart the site by that stage!

When we landed back, the lad on duty at the hotel ordered boots off and he graciously opened the back bar for us. He served us soothing brandies and whiskies and we could watch the festival highlights on a little portable in the corner of the bar. What lucky people we were, and it provided a warming end to the weekend’s activities!

Manchester Venues 32 to 36

This week, I am returning to the strange and wonderful venues under the auspices of the Sounds from the Other City festival in Salford.

The first venue on the 2018 festival was at the fivefourstudios hall at the bottom of Oldfield Road out beyond Islington Mill. By day, the place was a multipurpose space, wedding venue and a photography studio. It was a slightly style over substance venue but interesting, nonetheless.

We initially climbed up to the attic room as an artist took the stage. We were hoping for some acoustic tuneage to start the day’s proceedings but in the immortal words of Morrissey from ‘Frankly Mr Shankly’ what we actually got was a blast of ‘such bloody awful poetry’! There was only a sprinkling of people in attendance, and it was discourteous to leave so quickly so we allocated one more poem which as luck would have it continued for what felt like days after which we escaped down the stairs!

The venue itself is appropriately five minutes’ walk from Salford Lads Club where the Smiths filmed the famous video on their bicycles for ‘There is a Light that never goes out’.

We caught an RnB singer/songwriter called Rosebud in the main hall. Additionally, in the fivefourstudios annex we encountered some electronic loungecore from a local duo called Pearl City.

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One of the areas within fivefourstudios. Image Credit www.functionfixers.co.uk

Further down Oldfield Road you arrive at Hot Bed Press which is a print workshop and art school that also runs night school courses. It is an utterly self-financing venture and was set up back in 1994. In an area at the side of the building we saw an electronic duo called She the Throne who produced some ambient soundscapes.

As we headed back towards Chapel St, we decreed that nourishment was required before heading onto the next venue. The food establishment of choice was Chungs Chippy. I wonder how the place survives 364 days a year as it is in such a sparse location but that day they were queuing out of the door. The original plan was fish and chips, but we ended up buying probably the finest ever Chicken Fried Rice and Curry Sauce which resulted in envious glances as we walked out of the door. It was fabulous food which kept us satiated for the remainder of the day!

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The famous Chungs Chippy. Image Credit www.tripadvisor.com

   

We needed a sit down after such a hearty snack, so we headed up to Le Cassis on the A6. This was an inviting little wine bar, and it is official address is in the superlatively named Vimto Gardens.  As we lounged on our comfy sofas there was a local band on stage called Gathering of Strangers. They produced some fine anthemic songs even though they were playing that day in acoustic mode. I have endeavoured without success yet to catch their full electric set.

Across the road was the School of Electronic Music. This establishment has been in existence since 1996 and they provide courses for Music Production and Audio Engineering. On stage there was an engaging and amusing set from Manchester drag musician Monopoly Phonic.