Manchester Venue 31 Night and Day – Part 3

In my humble opinion the most criminally underrated band over the last 15 years is a band from Norwich called Sennen. They formed in 2002 and were named after a Ride track and have produced five excellent albums which I return to on a regular basis. They are in the post-rock Mogwai mould with a softer side and they produce hypnotic music with hushed shoegaze harmonies.

I think what has hindered them is their aversion to touring and in those 19 years of existence they have not yet totalled 150 gigs, UK Subs and Status Quo would probably hit the total in a calendar year. Prior to me becoming aware of them they played the Cellar Bar in Blackburn. I was aware of a Deaf Institute gig but couldn’t attend but in retrospect was glad I didn’t make it as it transpired, they only did a short post-midnight set.

Thus, when I heard they were playing Night and Day on Easter Monday in 2010 I ensured I would be in attendance. I recall Uncle George and I trying to find somewhere beforehand to eat in and around Rochdale Road near the Wing Yip supermarket and we ended up in a little noodle bar. The area we were scouring that night is now unrecognisable as it subsequently turned into the regentrified Ancoats area.  

Rather sadly, there cannot have been more than 20 people in the venue. Despite the band being somewhat rusty I thoroughly enjoyed their 45-minute set. I also had a parlay with them afterwards and they turned out to be genuine down to earth lads. They were supported on the night by Rarely Spun.

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Sennen. Image Credit Last FM.

The following year we saw Slaughter and the Dogs, the old punk band who formed in the local suburb of Wythenshawe. They were in very good form with a terrific crowd interaction and it was a fine gig. The night ended in chaos as we miscalculated the time and subsequently missed the last train from Victoria. This resulted in an expensive cab home on a very filthy rainy night, and I was very glad to land home that night!

In 2018, I attended a gig there with my North East correspondent Jamie Young. We had a pre gig visit to the infamous Marble Arch pub and a pizza in the Mackie Mayor food hall. The band in question was Black Delta Movement, a psychedelic garage rock outfit from Kingston Upon Hull. Regretfully, it was a disappointing set and they were outshone by the support band Mr Strange, an engaging three-piece band from Isle of Wight.  

Later that year, I went to see the Orielles from Halifax accompanied by Gill and one of the brightest people I know, Dr Laura Buckley. The bands fortunes were on the upswing at that point, but they honoured a commitment to play Night and Day which was gracious of them. They have a quirky off kilter sound but were an enjoyable watch. They were supported by a mournful downbeat set from Laetitia Sadler, who is better known as a member of Stereolab and Le Price Maori.

Saving the best to last was one of those random gigs that you very rarely encounter by catching a remarkable band at the inception of their career and you know instantly it is a privilege to be there. At the Dot to Dot festival in 2018 we happened to wander into the venue just before a very early performance from Dublin’s finest Fontaines DC.

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Fontaines DC on stage. Image Credit Irish Times

They wandered on and had a captivating presence with lead singer Grian Chatten prowling the stage like a caged tiger and the band in perfect synch behind him. They only played a 30-minute set (perfect pint supping timespan) but what a fabulous half an hour they produced. Algarve Ray was also in attendance and he looked as awestruck as me after the gig!

Manchester Venue 31 Night and Day – Part 2

My first visit to Night and Day Café was unusually to see a support band on 02/11/06. The band in question was the terrifically named post-rock outfit Amusement Parks on Fire from Nottingham. I had picked up on them via their second album Out of the Angeles with its distinctive sci-fi sleeve cover. They were a decent noisy live act with the venue only about a third full.

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Amusement Parks on Fire ‘Out of the Angeles’ album cover. Image Credit Discogs

For the main act Mumm Ra I recall there was a hugely overactive guitar tech thoroughly prepping the kit, unfortunately despite the odd moment the headliners were a tad limp and a bit twee for my tastes.

In May 2012 we headed in after another gig at the Soup Kitchen and caught a portion of Rooftop Runners set who were a Berlin based electronic combo comprising two Canadian brothers. We caught a further gig at Gulliver’s that night to complete a commendable trifecta. The following year we saw local act Egyptian Hip Hop who supported The Words.      

I also saw John Steele Singers, a non-descript six-piece from Brisbane in Australia and witnessed a decent fuzzy surf pop set called Get Inuit from Kent in 2015 as part of the Carefully Planned Festival.  

On a cold January night in January 2008 we decided ambitiously to do a double header of gigs which was deemed feasible by the virtue of Night and Day having later set times. So, after witnessing most of the Explosions in the Sky set at the Academy and additionally finding out North End had got an important victory over West Bromwich Albion, we jumped in a cab in true movie style and landed right on cue to see the much touted Glasvegas wander on stage.

The Glaswegians had a real presence about them, and this is surprisingly for me to say but on this occasion, they overcompensated with volume which resulted in them losing a degree of the subtlety of their self-titled debut album material. The song highlights on the night were ‘Geraldine’ and Stabbed’, the latter being a particularly dark heartfelt track.

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Glasvegas on stage. Image Credit GDR.

After the gig we ensconced to the bar and upon suddenly realising the late train was due we smuggled the remaining half bottles of Budvar out of the venue to accompany the walk back. Upon turning the corner to trot up the hill to Piccadilly station there was a young copper who on espying us had a big grin on his face due to the combined age of about 140 between the three of us. His opening riposte was ‘I am not going to have any trouble with you lads am I?’ to which he got three nods of assent and astutely asked us to lose the bottles at the bin 100 yards beyond him before we entered the station, a fine example of community policing if ever I saw one, so well done to him!   

On other visits I saw Low Island, an interesting Wrexham band called Gallops and an experimental project called Self Esteem consisting solely of Rebecca Lucy Taylor who was previously a member of Slow Club. I additionally saw Brad Stark and Seazoo, a quirky Welsh indie band. I witnessed a fine set from an Australian/Danish duo called Palace Winter who as a result of their quality I then made a conscious effort to see them in their own right a couple of years later.

It is now exactly a year to the day (13/03/20) since I saw my last gig of Nada Surf at Hop and Grape, which is naturally my longest ever gap between gigs. But there are now chinks of light on the horizon and I am hopeful of having my first vaccine soon. I have now started booking some gigs for later in the year which is very exciting!