One of the undeniable quirks of Albert Hall is the sheer size of the building and the multiple floors. A case in point is the extraordinary distance to access the lavatories which are situated in a veritable Bermuda Triangle maze of corridors in the basement, where it is rather easy to lose your bearings!
On 17/05/14 I recall us having a chippy tea on Cross Street and then watching the end of the FA Cup final between Arsenal and Hull which the former team won in extra time, before heading down to Manchester Albert Hall to watch the enigmatic Neutral Milk Hotel.
I had first discovered the band years after their breakup via reading an annual review pamphlet distributed by Piccadilly Records which listed them in several subscribers influential list. They hailed from Louisiana and their driving force was Jeff Mangum and their initial period of existence was from 1989 to 1998 before reforming for a couple of years in 2013.
Their popularity in their initial phase resulting in them dropping off the map and heading into a hiatus and Jeff becoming a virtual recluse. Their music is ‘marmite’ to many punters, as it contains many unusual instruments such as a singing saw, uilleann pipes and the lesser spotted ‘zanzithophone’ which translates as a Casio digital horn. It also contains strange otherworldly lyrics, and they were cited as a resultant huge influence on bands that followed such as Arcade Fire and the Decemberists.
My view on their landmark second album ‘In the Aeroplane Over the Sea’ is that is idiosyncratic, life affirming but also in equal parts deeply unsettling. It was fascinating to hear it converted to a live setting and some of their tracks had moments of genius about them.
Neutral Milk Hotel’s unique album cover. Image Credit Pinterest.
Because they had literally disappeared for such a sustained period and gained a degree of mythical status, many of their fans in the interim had developed into ardent zealots of their art, to the point that Uncle George observed on the evening that it felt a tad ‘insidious’. It was all in all a fascinating evening and the resultant people watch was almost as entertaining as the band.
The following June I saw the ever-excellent Black Rebel Motorcycle Club for the fifth time with my personal favourite being when they astonishingly played five minutes’ walk away from where I lived in a small club in Preston called the Mill.
It was a glorious summers evening and despite being in an indoor venue the sun was angling through the many decorative windows to provide an elegant backdrop to their performance on stage. The band revel in long performances, quite often over two hours and flip consummately between straight up rock tracks like ‘Whatever Happened to my Rock N Roll (Punk Song)’ to countrified acoustic tracks such as ‘Complicated Situation’. They were in fantastic form on the evening and all things combined it resulted in becoming my gig of the year for 2015.
Black Rebel Motorcycle Club. Image Credit myfreewallpapers.net
My next visit was as part of the Dot-to-Dot festival roster in 2018. To add to the many things Covid was responsible for is the fact that it sadly cancelled the Manchester leg of the Dot-to-Dot event, and it is now only held in Bristol and Nottingham. I really miss this event as it provided a great opportunity to visit some more obscure venues and also achieve some serious steps totals as it encompasses venues all across the city in one day!
The other unusual element it allowed was to visit venues during daylight hours when they are at times virtually deserted which is slightly disconcerting as you are so used to venues being busy just prior to an evening show. The band on stage were No Hot Ashes from Stockport who had been receiving some hype locally but for me they didn’t justify it. The following year they released their only album ‘Hardship Starship’ and in 2020 decided to take an unspecified hiatus but Covid intervened again to cancel forever their two planned farewell shows.
In 2019 I saw Suede for the first time, and I have always been a tad ambivalent about the music but many gigs I have attended in the last five years are because we are now just down the road from Manchester, so why the hell not! Brett Anderson remains quite an engaging front man and they put on a decent performance without really moving me. I was left with the conundrum afterwards of whether I respected him or not for having the temerity to still wear tight leather pants at his age!