Liverpool Venues 5 to 7

Before I outline the remaining events I have thus far attended in Liverpool, I wanted to provide some detail of all the missed gig opportunities on the other side of the River Mersey from the city centre. The first occurred when I attended my auntie’s wedding somewhere deep in Wallasey territory and there was a pub opposite the wedding reception building, but the name of the establishment evades me now. We visited briefly during the day but only Uncle George grasped the mantle to attend at one point in the evening where there was a band playing.

Following on from that quarter information tale, in July 21, Gill and I were scheduled to attend the Lets Rock 80’s festival at Wavertree Playing Fields (aka the Mystery). The derivation of the mystery moniker is down to the fact that the 104-acre park was donated to the Liverpool corporation by an anonymous well-wisher who subsequently transpired to be a shipping magnet. We were planning to commute in from the local nattily named Wavertree Technology Park train station but in the end, circumstances dictated we could not attend resulting in missing out of the dubious privilege of watching Sister Sledge, Odyssey, Wet Wet Wet and Adam Ant!  

Adam Ant. Image Credit thecurrent.org

I have previously attended gigs at library venues in Lancaster and Wigan and was hoping to tick Birkenhead off this list when we obtained tickets to see the French band Juniore for a chilled Sunday afternoon set, but it was subsequently cancelled and not rearranged due to issues with post-Brexit visa issues and Covid.

Another interesting sounding venue in that area is the Future Yard in Birkenhead. One of my favourite ever bands Sennen were undertaking a very rare tour and had added a date at that very venue. Unfortunately, I had a fixture clash and could not attend, and despite my exhortations to the band they didn’t add a Manchester date, so I have not yet added to my sole sighting of them at Manchester Night and Day in 2010.

Thus, I shall now move away from the hard luck stories onto actual gigs attended. One day in December 2019 I was working out of the Liverpool office and gravitating back down Liverpool Church Street to Lime Street station for my train home. I heard the unmistakable sound of a full band playing a street gig, the combo in question was Keywest.

Keywest band. Image Credit wordpress.com

Keywest are a four-piece folk band from Ireland and their route to success is an unusual one as they learnt and honed their craft by years of busking in the hot bed area of Grafton Street in Dublin. They had obviously decided to take a trip down memory lane by performing on a busy shopping street, I don’t whether that proceeded a gig in a more standard venue that evening.

On Matthew Street, you will find Liverpool Sgt Pepper’s Bar, like many in the area a Beatles themed establishment and the website informs that improbably and in fact impossibly they have music on ‘8 days a week’! In 2017 I caught a chap called John McDonna playing a set there.

In December 2021, I was over in Liverpool for an overnight work event and therefore naturally had to have a gander at the Ents 24 website to see if there were any musical events of note that coincided with my stay, thus discovering there was an interesting act on that very night at Liverpool EBGBS.

After work, we grabbed some tea in the Silk Road tapas and after a couple of drinks persuaded my colleague David Taylor to also attend the gig. David had previously pleasantly surprised me when he stated unexpectedly that he had not only heard of Mogwai but had actually seen them live which was good enough for me!

Heebies Jeebies (known locally as Heebies) has been a popular venue on Seel Street since it first incarnation as a jazz bar in the mid 90’s. In 2016 they opened the 250-year-old basement room as a live and club night venue and named it EBGBS.  Upon entering the establishment, I noted they had nailed the intended vibe as a dingy downstairs biker bar, in a good way! It reminded me of the Merchants pub near Lancaster train station.

EBGB’s dungeon setting! Image Credit architectural-emporium.co.uk

The venue has a capacity of 300 but there cannot have been more than fifty people in attendance that night, I can imagine when the place is full the view of the stage may be impaired due to the numerous pillars in place.

The support band was a post punk band from Oslo in Norway called Mayflower Madame, the main act was New Candys from Venice in Italy. Since their formation in 2008, their singer Fernando Nuti remains their ever-present member. In their early days they had support slots with the likes of Jon Spencer Blues Explosion and Crystal Stilts.

Their second album was recorded by John Willis, producer, and drummer of legendary psych rock band Loop, who coincidentally I am off to see today (21/05/23) on their comeback tour, 33.33 years since I last saw them at Manchester International 1 in January 1990. New Candys provided an enjoyable slab of gentle shoegaze before we headed back down the vibrant Seel Street, which looked worthy of further investigation at some future stage.      

Manchester Venues 84 to 85

At the rear of the previously reviewed Blues Kitchen venue on Quay St lies Artillery St which runs into Longworth St. It is a hidden unprepossessing street with many industrial units and at its intersection resides the renowned Rafa’s Tapas restaurant. I have never sampled their wares and have heard it is a challenge to book due to the enduring demand for punters to find a table. My preferred Tapas option is either one of the Evuna’s in town or nearer home the terrific Casa De Moor in Heaton Moor.

Rafa’s restaurant. Image Credit Yell.

Next to there is the ‘superclub’ History nightclub which unsurprisingly I have never felt the need to visit! Back round the corner on Artillery Street you would have found Manchester Sub 61, a very short-lived gig venue, and I can now source only scant information on its history, but it looks like it existed between approximately 2009 and 2010.

They did hold a regular indie-rock night there which was showcased as the ‘Little Black Book’ and also operated as a Visual Arts space for local artists to exhibit. It is listed as a basement club, but I have memories of heading upstairs so perhaps the venue had a separate gig room. Apart from the gig I attended the only other band I can reference playing there was Chameleons Vox in December 2009.

On 25/09/09 I met up with Uncle George in the Old Monkey pub on Portland Street after he had been watching the cricket at nearby Old Trafford. I mentioned I had just heard of this new venue, and we decided to go and check it out. The venue was housed in an industrial unit redolent of what a New York apartment looks like when portrayed in the movies.

The first support was Die Der Daus, the name translates from German as three different descriptors of ‘The’, namely the Masculine, Feminine and Neuter Noun versions. The main support were called  Tamallas.

The headline act was Doll and the Kicks from Brighton who were a four-piece formed in 2005 and were personally chosen to support Morrissey on his 2009 European tour. They had just released their self-titled debut album and disbanded in 2011 but it does like they subsequently reformed and are still active.

Doll and the Kicks on stage at Sub 61. Image Credit flickr.

In a half empty venue Hannah Scanlon (Doll) was an engaging energetic presence on stage and their music had elements of Be Your Own Pet, Blondie and Yeah Yeah Yeahs, the latter perhaps reflecting the aforementioned NY vibe of the venue.

Manchester Satan’s Hollow is situated just off Princess Street between China Town and the Gay Village and a stone’s throw away from the nearby Night People venue. It was opened in 2000 and is firmly in the rock/metal genre. They have club nights and also a regular roster of gigs.

The entrance aims to exemplify the gates of hell replete with devil horn insignia and inside is an archetypal ‘toilet circuit’ venue with sticky floors and lamentable beer. We visited there on 06/02/10 on a whim as we were passing, and the chance presented itself to tick off the venue on the Jimmy roster. We were en route to our debut attendance at Sound Control.

Looking at the archive listing of gigs that have taken place in the venue, one caught my eye when I saw Leatherface performed there in 2007. I quite liked their material, but I am more of a fan of their spin off band Former Cellmates and particularly their terrific 2008 album ‘Who’s Dead and What’s to Pay’.

  

Manchester Satans Hollow. Image Credit homes4u.co.uk

The band on stage during our visit was Envy of The State, a rock band from the musical backwater of Telford and the band were unmemorable but there was the novelty of having a stage in the middle of the room allowing you to stand behind the band and watch them from a rarely seen angle!