Year: 2024

Bolton Venue 1 – Bar Four in the Vaults

Bolton is a former textile mill town in Greater Manchester and in its industrial peak in the 1920’s there were over 200 cotton mills in the area employing 36,000 workers people making it one of the most concentrated cotton spinning centres in the world. The northern side of town faces Rivington Pike and the locally famous Winter Hill TV mast on the West Pennine Moors. Famous ex-punters include comedian Peter Kay, steeplejack Fred Dibnah and boxer Amir Khan.  They also have a baseball team based there with the memorable moniker of Robots of Doom.

Bolton Robots of Doom emblem. Image Credit news.ltn.com.tw

My first forays into Bolton were on football trips and in fact the first ever away game I attended on my own following Preston was at their old ground of Burnden Park with the terraces adjacent to Normid superstore! A group of us went over on the train, we drew 2-2 and the game took place on 17th December 1983.

The significance of that date is contained in the tale that when I was walking back to the station and put my transistor radio on (pre-internet!) to check the football scores I was instantly approached by two policeman. The reason for their interest was for any details of the news headlines, but I had only picked up on the sports results so could not provide any information. It transpired the only news headline that day was of the IRA Harrods bombing in London.       

Many football trips followed including a couple at their new stadium at Horwich retail park when they relocated there in 1997. A particular nadir was in May 1993 when Bolton beat us 1-0 to gain promotion and that result also relegated us, a particularly fun afternoon that one!  

The old away end at Burnden Park, at least you could do some shopping after! Image Credit Fine Art America.

I recall in the mid 1990’s I had a prang in my motor which necessitated obtaining a new bonnet. The sourcing of that particular car part took me to an anonymous retail park under railway sidings in Bolton. The suspicious looking geezers and location was akin to completing a deal outside a lock-up in the Sweeney!

Aside from the above occurrences it is a place I have rarely frequented despite it being a 30-minute train ride from Preston as we would normally just pass through on the way to Manchester, I only have recollection of one pub trip over that way.

On a musical front, there have never been any venues of note there apart from a brief period in 2009 when a venue called the Soundhouse opened with a 650 capacity. I picked up that Glasvegas were playing there but dawdled on tickets and it subsequently sold out on me. Shortly after that gig the venue abruptly closed for good.  

However, the musical gods decided to give Bolton a second chance with the inception of the Right to Roam festival, a metropolitan multi venue music and arts event around the town centre. Jez Catlow flagged it to me as an event of interest after he attended the 2022 version. The tickets were only £10 and there were over 100 bands performing over two days, though not altogether sure how the organisers break even.

Marcus, Anita and I decided to head over to catch up with Jez’s crew on the Saturday of the July 23 shindig. The trip started surreally as at my local train station there was a pillock who instead of taking the standard route via the main road between platforms decided to hop across the actual track. I don’t whether there is a third ‘live’ rail on my route, but if so, he avoided it!

The ticket pick up point was in the basement of the Grade II listed Market Hall which opened in 1855 and encompasses an area of 7000 square yards and at the time it was cited as ‘the largest covered market in the kingdom’.

Bolton Market Hall. Image Credit flickr.com

Next door was Bolton Bar Four in the Vaults which opened its doors in 2022 and championed music and young upcoming acts in an intimate setting. First up there was the former Hacienda glass collector and Inspiral Carpets frontman Tom Hingley with an acoustic set. Later, we saw Double Cross who were an acoustic harmonica and guitar duo.  

I have just read that the bar is closing as they are a making a loss and the business will be moving into the new market food hall where they hope to maintain the music slant with open mic nights at weekends. The owners will continue to run their other music sites, the Ramp and the Loft, both in nearby Horwich.

Manchester Venue 122 Deaf Institute – Part 3

Today I conclude my tales of gigs at Manchester Deaf Institute Music Hall. Apparently contained within the venue is a hidden back staircase which allows bands to enter the establishment without using the front entrance and there is also an in house apartment.

Deaf Institute Music Hall. Image Credit Visit Manchester

In October 2018 Palace Winter were on the bill, my attendance sparked via a recommendation from my friend Jez Catlow. They provided an extremely engaging set of cinematic dream pop. The band comprises of Australian singer-songwriter Carl Coleman and Danish producer/pianist Caspar Hesselager, and they base themselves in the intriguing city of Copenhagen. Their name derives from an old hotel (Winter Palace) in the South of France that Carl stayed at in the summer of 2014. The tour was promoting their second album ‘Nowadays’.

In early 2019 Uncle George and I met up to see the Canadian punk rockers F##ked Up who on this occasion I didn’t enjoy as much as previous times I have seen them, the sound quality perhaps being a contributing factor in that regard. John Robb was a fellow attendee, and we had a brief chat during their set.

Later that year Craig Finn & The Uptown Controllers were in town, Craig being the lead singer of one of my favourite bands Hold Steady. His solo stuff has a gentler vibe than his main band material but still contains the requisite social commentary and life affirming lyrics. My entry point here had been their second album ‘We All Want the Same Things’ with my favourite being the mournful and beautifully crafted ‘God in Chicago’ and I was very content that it was included in their set list that evening.

My first visit post-Covid was on another Jez recommendation involving a band called The Clockworks. They are a post-punk combo from Galway who made the old-fashioned move to London in 2018 with the primary intention of furthering their career. They recorded their debut album ‘Exit Strategy’ in Abbey Road studios in 2023.

The Clockworks. Image Credit poklub.de

On the night, they nearly caught us out with an extremely early stage time, but luckily, we checked up on that when ensconced in the Sand Bar across the road, so didn’t have too far to scamper and I thoroughly enjoyed their set.  

Next on the roster created a new personal best for me. The only previous time I had seen Loop was at my final ever visit on 04/12/89 to the much missed and in my opinion the best venue in the world Manchester International 1 where I recall their thunderous aural attack reverberated off the very low roof in that venue. The date of the Deaf gig was 21/05/23 thus creating a paltry time gap of 33.46 years between appearances!

Of my fellow peers, the aforementioned Jez has achieved the longest time span of 43 years from seeing The Vapours supporting The Jam in 1979 to a reprise performance at Bearded Theory festival in 2022.    

Loop. Image Credit pinterest.com

Loop are a drone band from Croydon who I first became aware of in the late 1980’s and adored their beautifully sonic debut album ‘Heaven’s End’, complete with the inspired addition of a soundbite from Hal the computer in Space Odyssey 2001 at the completion of Side 1. I played that record within an inch of its vinyl life!

They split in 1991 with a subsequent reformation in 2013 and played their first comeback shows as they co-curated the final ever Camber Sand All Tomorrow Parties event. They eventually produced a new album called ‘Sonancy’ in 2022. They were excellent on the night with my preference being for the earlier material. I also met fellow Twitter muso Peter Latimer for the first time at this gig and despite the fact that he is from Blackpool, he is still a fine chap!       

My final gig was in November 2023 when Stuart Braithwaite from Mogwai formed a super group called Silver Moth including members from Abrasive Trees, Burning House, Prosthetic Head and his talented music wife Elisabeth Elektra who provides the vocals. Elisabeth once graciously took a picture of me and Stuart when I had a rare fan boy moment at the Wickerman Festival.

They recorded the album ‘Black Bay’ within four intensive days on the Isle of Lewis and provided an intriguing set on the night. They were supported by Samana, who the year before had released their second album ‘All One Breath’. After three years of correspondence, I finally met another Twitter muso Paul, who is not from Blackpool, but is an equally fine chap!