Manchester Venues 108 to 109

In the 1990’s the regular pre-gig haunt when visiting the various branches of Manchester Academy was the Jabez Clegg public house. As that establishment gradually declined and subsequently closed, we then discovered the allure of Manchester Big Hands.

The pub is located at the top end of Oxford Road opposite the Red Chilli Chinese restaurant. It opened its doors in 2001 with the concept of creating a NYC dive bar, the kind of equivalent place where you would have expected the Strokes in their early days to have gathered and discussed the concept of their debut album, over a few cold beers!

It has battered low strung sofas where you can babble nonsense with like-minded punters and suits me down to a T. It does remind me somewhat of a bar version of the Raiders/Warehouse nightclub in Preston.  In more recent years it has the welcome addition of a heated outdoor rooftop space which you reach once you have navigated the cramped steps taking you upstairs.

Big Hands bar. Image Credit reddit.com

Some bands tend to attend there post -performance but in that regard, I have only personally seen Tad Kubler of Hold Steady and the 6 music DJ Marc Reilly. They possess a terrific noisy jukebox that at times has free credits available for communal use, though some younger punters are confused by the sheer concept of a jukebox! It became a tradition for a spell to ensure we had played ‘Hells Bell’s by AC/DC before we departed.   

One particular Sunday we were in residence prior to a Meat Puppets show and remarkably our group of three were the only punters in, the DJ had just finished playing a vinyl record and I asked whether they could switch the jukebox on. They willingly complied and the track I had selected ‘Black Math’ by White Stripes came on at ear shattering volume, which they then respectfully only turned it down by a smidge!

They occasionally have bands playing there, and I have been fortunate to randomly catch a few whilst imbibing a couple of pre-gig scoops. The musical acts squeeze into the slightly raised area at the back of the bar and in keeping with the ethos of the establishment they are normally thunderously loud.

Big Hands bar. Image Credit oxfordroadcorridor.com

The first in 2017 prior to a Helmet gig was a three-piece from Oldham called Hopper Propelled Electric and they produced a noisy sludgy sound reminiscent of early Stooges. In 2019 I saw a local band called Lurker and in 2021 saw an act called World without Frontiers. A few weeks ago, prior to a Therapy? gig I saw a couple of bands called Pray for Mojo and Swamp Kids.

In 2018 the original jukebox was stolen and unfortunately was never recovered. This coincided with the death of the bar owner Scott Alexander from cancer at the tragically young age of 43.  He was close friends with the members of Elbow and is thought to be referenced in their song Some Riot in the line of ‘Tall Gentle Boy’. Scott also owned the sister bar Temple of Convenience down near Oxford Road station.

Temple of Convenience Bar. Image Credit manchestersfinest.com

Now I have spoken previously about the merits of this establishment so will not duplicate that here. However, one tale relates to me and Uncle George being outside the Manchester Temple Of Convenience Bar Entrance and encountering a busker called William who asked us to name a tune and George challenged him with two obscure tunes, (so obscure neither of us to this day can recall the songs!). William without batting an eyelid instantly played vibrant versions of those songs to a rapt audience of two punters. For that very reason alone I have allowed him inclusion onto my gig list.   

Manchester Venue 107 – AATMA

One of the continuing delights of Manchester is the proliferation of different and unique venues that continue to spring up on the gig circuit. One such venue is Manchester AATMA, which when I first visited it was known under its previous moniker as Kraak Gallery. It is literally buried deep in the back streets of the Northern Quarter and was once a derelict former textile mill. It is arguably comparable to Islington Mill with its commendable DIY ethic and industrial vibe and is a multipurpose event space with a 150 capacity.  

I first became aware of its existence in 2012 and I have visited eleven times in total. The first challenge I faced was finding the venue, it is located at 14-16 Faraday Street off Stephenson Square and is accessed via an unmarked door in an alley off an alley! You then climb up to the first floor to find the venue and as you enter you find the stage to the right and a pop-up bar down to the left with a battered old sofa providing the sparse seating area.

AATMA entrance. Image Credit youtube.com

The act that night was the Jacuzzi Boys who are an excellent three-piece garage/surf rock band from Miami. Their debut album in 2009, ‘No Seasons’ caught the attention of none other than Iggy Pop who invited them to be opening slot on his tour. They have been quiet for a few years but have just released a new EP.

My next visit was in December of the same year when there was a punky bill taking place that we on the hoof decided to dive in to watch the noisy Canadian opening band called Sounds of the Swarm. Due to the warehouse setting the room was icy cold and the can of Boddingtons Bitter purchased nearly moulded itself into my hand!

The old sofa! Image Credit headbox.com

We then headed to our scheduled gig at Academy 3 to watch God is an Astronaut before returning to Kraak to see the headliners Victories at Sea who provided a sonic outro to complete an aural assault of an evening.  My only one regret with the venue is that I was unable to attend when the Nottingham noiseniks Cult of Dom Keller played as I had thoroughly enjoyed them when I had unexpectedly caught them in Brussels when visiting the Belgian city.

Many of my visits here have been part of the numerous Northern Quarter multi venue festivals.  On one such visit in 2014 I saw the Leeds post-hardcore trio Unwave. I then witnessed Tacetmusic there and the following year caught a singer songwriter called Sarah Walk from Chicago who was a former graduate of the Berklee College of Art.

Victories at Sea. Image Credit withguitars.com

In 2016 I saw some doomy hardcore from Berlin band Rope. A year later a caught a London three piece called False Heads, who had just released their debut EP. They were discovered and subsequently mentored by the former Ramones manager Danny Fields who has form in spotting a good un! Support slots followed with The Libertines and Queens of the Stone Age before releasing their debut album in 2020.  

In 2018 I witnessed the punky sounds of the Nectars who thoroughly embraced the sound from their home city of New York. Later that year I saw an enjoyable set from the all-female three-piece Peaness from Chester who had originally met at the University in the town. Next up was a lo-fi soul singer from Manchester called Darcie. My latest attendance last year resulted in seeing a band called Hup and a Latin tinged artist with the memorable moniker of Carlos Loverboy.