Category: Manchester

Manchester Venues 184 to 185 – Piccadilly Gardens

Christmas markets are essentially street bazaars which are linked to the celebration of Yuletide and traditionally take place within the four-week Advent window. The initial concept of them evolved in the last knockings of the Middle Ages and mainly in the German speaking areas of Europe. Early mentions of December markets roll all the way back to Vienna in 1296 but the first recognised reference to a Christmas market was the Striezelmarkt which took place in Dresden in 1434.

They are large open-air gatherings with food, drink (traditionally mulled wine) and seasonal goods for sale. The food offerings can range from Nussknacker (candy toasted almonds) and Christstollen (stollen). The markets undertook a significant modern day revival in the 1990’s and spread their wings to a considerable number of European cities. The first occurrence in England was in Lincoln in 1982 before the larger cities caught the bug with the commencement in 1997 of the Manchester (Frankfurt) Christmas Markets,with the German city initially providing support.   

Manchester Albert Square Christmas market. Image Credit whatsonmcr.co.uk

I have attended a couple of actual markets in Germany including an excellent one in Stuttgart where the facilities now include additional elements such as ice rinks, funfair rides and my own favourite model railways which I am eternally fascinated by. The Manchester shindigs have always personally felt like a paler imitation of the originals. However, despite my reservations they have grown exponentially from the inaugural version which was based solely in St Anns Square into the hugely popular event it is nowadays with three hundred stalls now dotted across many parts of the city with a large footfall attending.

It used to create a considerable nuisance when attending December gigs and then encountering a plethora of inebriated punters on astoundingly busy trains back to Preston. Also, my commute back home after work requires me to devise a different route than normal to reach my destination of Piccadilly station.   

The central hub of the markets was always Albert Square but that has been closed for restoration for the last few years, but it is planned to be reopened for this year’s event. In the interim one of the main areas centralised around Manchester Christmas Market Piccadilly Gardens.

In the 18th century this particular location was donated to the city by Sir Oswald Mosley, Lord of the Manor of Manchester on one fundamental condition that the space be retained in public use in perpetuity.   

L S Lowry ‘Piccadilly Gardens’ picture. Image Credit King and McGaw.

The Gardens were initially designed as an ornamental sunken garden after World War I on the former location of Manchester Royal Infirmary, the Infirmary then moving to its current location down Oxford Road. Prior to building the gardens other schemes including building an Opera House or a new location for the Cathedral were proposed but then discounted. The local painter L S Lowry also utilised the backdrop for his 1954 painting titled ‘Piccadilly Gardens’.

It was subsequently flattened out in 2002 with a central water feature and a concrete pavilion designed by the Japanese architect Tadao Ando with a curved concrete wall to obscure the metrolink line, this all resulted in an overall cost of £20.7m. It is an extremely rare green space in the city centre and contains a transport hub with buses and trams running directly through and adjacent to it. For many years prior to its move to Oldham Street, the famous Piccadilly Records was also located nearby.

Within the village created, room was made for a stage for the purposes of providing musical entertainment. Within the auspices of the 2023 event, I saw an act called General Drummer play there.

Earlier this year another innovative shindig was initiated via the generation of the Manchester Piccadilly Gardens MCR Live Hub with a stage located in another corner of the Gardens. It was designed as a city centre gathering point taking place between early July until the end of September and was part of the wider MCR Live 25 event which deliberately coincided with the Burnage Boys comeback tour.

Manchester MCR Live Hub Stage area. Image Credit ihmanchester.com

Other attractions were the Music for the Senses trail containing murals, mosaics and Guitar Street (located in reality on King Street), where you could find 50 donated guitars, some from musicians including Doves, PINS and Pixies. Commendably at the curtailment of the trail the instruments were auctioned to raise funds for grassroots venues and music projects across Greater Manchester.

Manchester artist Lazerian also created a Cathedral of Sound, a sound installation built from hundreds of reclaimed acoustic guitars. The Live Hub area was staged fully outdoors to embrace the weather in the summer months and contained a bar, street food and a plethora of beer garden picnic tables. They had DJ sets and live musicians, and I saw a couple of local artists called Sabrina and Gordy performing there.

2024 Gigs – Part 3

I always manage to catch some random performances in venues around Oxford Road train station prior to heading home. One such venue is Manchester Grand Central where in May I saw a band called Level Up, in September I witnessed Throwback, in October I caught Ben from the Block and a month later Warrington act Pray for Mojo. The latter combo provided a pleasing slab of psych rock in the vein of King Gizzard and the Lizard Wizard.  

The other venue in that vicinity is the old stalwart Manchester Thirsty Scholar. I visited the Scholar in August and October where I saw a couple of double acts called Alvin and Rob and Sid and Benny. Jenny Jazz followed at the tail end of October.

My final attendance in December was part of the Year’s End Festival on a monsoon style rainy day where first up on stage were a noisy garage rock band called Redchecks. They are a Welsh act who are now based in Manchester, but somewhat confusingly formed in Glastonbury in 2021.

Scatterchild. Image facebook.com

The other performers were locals Scatterchild who had recently released their debut album ‘An Everyday Landscape’. It was possibly the busiest I have seen the pub in all my visits, and we snuggled into a spot perched on the bar. It turned out be my last gig there prior to the recently rebadging of the hostelry into O’Connells Irish pub, still thankfully staging live music.

Another venue of the Year’s End festival roster was Manchester Retro Bar Downstairs Stage. It was only my third visit to the cellar and as it transpired my last as the venue is now closed for good after a thirty-five-year tenure. It is due to be demolished soon to make way for the Sister regeneration project which aims to generate 10,000 jobs and 1500 new homes.  

Retro however are still aiming to relocate and set up in a new site and are apparently exploring possible locations in this regard. The band on stage were called Wren and they cut a very heavy presence with their noisy sludge metal and it is the kind of music your Granny may love!  

The final festival venue to reference was further down Oxford Road at Manchester Deaf Institute Lodge. The first act I saw was Meelik who were most definitely the first ever band I have seen from Estonia. I then undertook some research on famous bands from the northernmost of the Baltic states and the intriguing name that caught my eye was the punk band called Bedwetters!

Meelik. Image Credit escbubble.com

Meelik fall more into the indie genre and are literally a high school band formed originally by their guitarist, Rain. Confidence in their musical ability was initially gained after winning one of their school song competitions. They had a break from 2011 to 2022 before reforming and entering their national Eurovision Song Contest qualifiers where they obtained a fourth place. On stage they wore school uniforms though they avoided Angus Young comparisons by the virtue of them wearing long pants! They were rather quirky, and I enjoyed the portion that I saw of their set.

The other act was Nadia Sheikh who is a Spanish/British singer and songwriter now based out of London. She self-released a slew of singles prior to obtaining a coveted 19 date support slot for Stereophonics on a sold out tour including dates at Manchester and Cardiff Arena. She had a heartfelt expressive voice which was overlaid over an indie backdrop sound.

There were also acts playing in the Manchester Deaf Institute Music Hall. First up was Kynsy who was probably my favourite performer of the whole day. Outside of her stage non de plume name she is known by her family as Dublin born, now London based lass Ciara Lindsey. She gained her musical stripes as a teen in an all-female rock band before branching out as a solo artist and received many favourable reviews. I liked her soulful voice and heartfelt tunes, and she reminded me of Hatchie.   

Kynsy. Image Credit NME.com

The other artist playing was Orphan Boy, a combo from Cleethorpes but now based in Manchester. Upon sighting them, I had a sense of déjà vu which turned out to be justified as my annals informed me that I had seen them twice before, once at the Wickerman Festival in 2008 and the other at the Mad Ferret in Preston.    

There was one additional visit to the Music Hall in August when I saw Southall, who are sometimes also known as Read Southall, reflecting the founding member who hails from Oklahoma. The sextet is strictly in the country rock mould and have released four albums in total since 2015 and the lead singer also has a likeness to the old crooner Mick Hucknall.

Although I can never reference the latter named without casting my mind back to Mark and Lard’s infantile but humorous Ancient Customs CD in 2010 where the singer, actor and comedian Bernard Wrigley (nicknamed the ‘Bolton Bullfrog’) undertook ‘Two Ronnies’ style readings on top of musical accompaniments with titles such as ‘Humping the Hucknall!