In the centre of Didsbury Village, School Lane crosses over at the traffic lights onto Barlow Moor Road where you will pass the slightly battered establishment of the Nelson public house. This is currently one of the stops on the famous Didsbury Dozen beer route which has been in place for decades, the dozen being subject to subtle changes as one place opens, and another closes. The crawl has seen a recent upturn in more youthful groups undertaking a Saturday sally round, which has been viewed as a positive as it maintains a steady footfall for the hostelries, but also a negative due to an increase in drunken antics.
On the other side of the street is Manchester St James and Emmanuel Parish Church which is in front of Didsbury Library. It is the second oldest church in Manchester, with some elements dating back to 1275 and the Grade II listed building was extensively refurbished in 1986 and is affiliated to four local schools. It also contains a bell tower with the six bells originally being cast in Gloucester in 1727.
St James and Emmanuel Church. Image Credit didsburycivicsociety.org
This building has previous pandemic connotations for myself as I had one of my vaccinations here and also undertook a couple of shifts as a Covid volunteer. I have also attended the café located within.
A small matter of a few weeks ago we were in that very area when we discovered the residents were currently in thrall to the Didsbury Pride event taking place that day. Immediately sensing a bonus gig, I navigated the security into an extremely busy area behind the church where there many stalls of varying merchandise and also a stage at the very back where the Didsbury Choir were undertaking a jaunty set. Afterwards by chance we saw Tris and Ross perched outside the nearby Head of Steam so grabbed the chance to have a cheeky cold one with them!
Continuing down the road takes you past a couple of cafes including the bohemian bar and book shop Art of Tea and then onto the traffic lights with Palatine Road. If you take a left turn, and on that stretch of the highway, you can see on the right the remnants of Fridays nightclub which opened originally under the name of Riverside in the 1970’s. It was a renowned venue in the 1980’s and 90’s and many punters who survived the aforementioned Dozen gravitated there after closing time.
Fridays Nightclub. Image Credit manchestereveningnews.co.uk
It was made up of three separate rooms and based on the testimonials it sounded abundantly ‘cheesy’ with the traditional sticky floors and on Thursday nights all drinks were 80p until midnight. It also apparently had a draconian dress code in place. It continued into the new century and in 2010 launched a Polish party night to welcome people in the Manchester area who derived originally from Eastern Europe. It finally closed in 2016 before morphing into Bar Rogue which at some unspecified stage subsequently closed for good.
Further down Barlow Moor Road you arrive upon the Grade II listed Woodstock Arms which has a large outdoor area primed for summer drinking. I recall watching Portugal lose to Uruguay there in the red hot summer World Cup of 2018. It is also one of the prime locations used on the popular TV series Cold Feet and they also utilised houses on the streets nearby.
If you head across the busy Princess Parkway you reach the Southern Cemetery, which is the largest municipal cemetery in the United Kingdom and second largest in Europe. Notable people buried there are John Rylands, Sir Matt Busby, L.S Lowry, Tony Wilson and Joy Division and New Order’s manager Rob Gretton.
‘Cemetry Gates’. Image Credit blog.sevenpounds.com
The location was also the inspiration for local miserabilist Morrissey to warble the opening lines ‘A dreaded sunny day, so I meet you at the cemetery gates’ on the Smith’s track ‘Cemetry Gates’. The title track apparently being deliberately misspelt and is based on Morrissey’s walks there with his photographer friend Linder Sterling who he initially met at a Sex Pistols sound check in 1976. Linder was also the frontwoman of post-punk band Ludus and designed the cover for one of the Buzzcocks early singles.