Glasgow Venue 5 – Hampden Park

My overriding preference of venue would always be the smaller one man and his dog establishments where you are more liable to catch lean and hungry bands on their way up, though very occasionally I have to bite the bullet and attend larger auditoriums and stadiums to be able to see certain special bands who only play at that level. Neil Young is one such act and I first witnessed him in 1987 at the soulless Birmingham NEC, the other two times I watched him were fortunately in festival settings.

The other combo is AC/DC who I am a huge fan of despite them essentially being a two bars blues band at heart, but they do perform it with such volume and aplomb. I first saw them at Manchester MEN Arena in 2001. Their next British tour was eight years later in June 2009, and we dawdled when the tickets were released, and the tour ended up being sold out. The gig gods were smiling on us though when additional tickets were available for the Glasgow Hampden Park date, and we summarily snapped them up.   

Hampden Park. Image Credit urbanrealm.com

The first challenge was to locate a bed for the night as no city centre accommodation was available, thus resulting in our digs being a train ride and a further mile walk away (it is always further away than it looks on the map!). We visited a couple of bars down Stockwell Street near the River Clyde and the city’s pubs were highly populated as 52k gig goers were in town.

They were unsurprisingly playing AC/DC on the jukebox in the Scotia Bar, and we then frequented the Clutha & Victoria Bar, the pub where four years later there was the horrendous police helicopter crash resulting in ten fatalities. Thankfully the establishment was rebuilt and is thriving again.

Clutha and Victoria Bar. Image Credit blogspot.com

As the stadium was about three miles out of town, we hailed a taxi, which due to the heavy traffic could only reach the outskirts of the arena area. On disembarking the cab, I suddenly had an overwhelming crippling urge to spend a penny, I am sure you have all been there! I picked up pace, but the ground never seemed to arrive and then somewhat inevitably we discovered our entry gate was on the far side of the stadium. Finally, access to the venue was achieved and mission accomplished to enable me to actually think clearly again.     

The original Hampden Park was built in 1873, taking its name from the nearby Hampden Terrace and the first international match there in 1878 was a 7-2 win over England. In 1883, the national stadium was moved a few hundred metres east and then again further south in 1903 to its current site, always with the same name. The original site is now covered by railway lines.

The current Hampden (Pairc Hampden in Gaelic) has a population of 51,866 and over its timeline there has been a plethora of different sports played there including rugby union, athletics, tennis, baseball, speedway, boxing and American football. The first music concert was Genesis and Paul Young in 1987 and U2, Bruce Springsteen and Rolling Stones have graced the stage there.    

Having booked late tickets, we expected to be in a corner or in the gods, but we were astonished to discover terrific centre stage seats with a superb vantage. The Subways were supporting and did a sterling job with their high-octane performance; however, they were always to be outdone by the main act as they possessed their own individual sound system.

AC/DC opened with a thunderously loud two-minute cheeky video before launching into their current single ‘Rock N Roll Train’ off the Black Ice album, the whole sold out place literally erupted. At that very moment I almost saw the benefits of a stadium gig with the shared communal atmosphere, but only almost.

For over half of set, they were spellbindingly good and even at their advanced age were still kicking the butts of many younger wannabe acts. Towards the end there some spinal tap moments, but that is only me being slightly picky. ‘Hell Ain’t a Bad Place to Be’, ‘Hells Bells’, Dog Eat Dog’, Highway to Hell’ were glorious, with the highlight being ‘You Shook Me All Night Long’.

After we left the stadium there was a claustrophobic passage of old thin alleyways which brought back slightly unpleasant memories of football crowd crushes in the 1980’s and I was glad when we had navigated through that area. We considered catching a train, but local station Mount Pleasant was absolutely packed to the gills, so we undertook the hour walk back into the city.

We had a further drink in the Clutha beer garden as it was a balmy summer’s evening before a late drink in Nice and Sleazy on Sauchiehall Street. The final venue of the day was a Noodle Bar across the road before a cab back to the hotel completed a rather fine day.  

Wickerman Festivals 12 and 13

My penultimate Wickerman article commences with the 12th festival which took place in 2013. Dreadzone were back for their third appearance and Dundee rock band Fat Goth were on their second showing. There was as ever the contingent Scottish representation with Primal Scream and singer songwriters KT Tunstall and Amy MacDonald.

On the roster were Welsh folk band Glendale Family, ska bands Random Hand and the 9-piece Amphetameanies from Keighley and Glasgow respectively and some rambunctious ska punk from London’s Buster Shuffle. Casual Sex from Glasgow were very much in the Orange Juice/Fire Engines mould and there was a decent set from the Edinburgh rock and roll band William Douglas and the Wheel.

Also on the bill were Mark Wilson, Maask, Machines in Heaven, Bellowhead, Friends in America, The Hang Project, Galapagos, Mark Thomson & Neil Patterson, The Yawns and Gardens of Elk. Dexys produced a rather limp set, and The Enemy from Coventry were also in town.

Wicker had over the years had many punk bands on the bill, many of whom were ageing and who should maybe give up the ghost! One sparkling exception to this viewpoint was the Rezillos from Edinburgh who were superb and their stellar single 1978 single ‘Top of the Pops’ went down a storm! My fave punk band Stiff Little Fingers also produced a fine greatest hits set.

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The Rezillos. Image Credit Blurt.

The post-burning act was my first opportunity to witness Public Service Broadcasting who were at the stage in full computer voice mode even when acknowledging the audience, they were thoroughly enjoyable, and I have seen them a couple of times since.

The best band of the weekend and arguably the finest ever Wicker performance was from the legendary Nile Rodgers and Chic. They were so accomplished and a visual spectacle and played hit after hit reminding you how many fine tunes he has written/produced. Normally one of our crew would wander off but everyone remained in place for their terrific set complete with dubious dad dancing and I have never seen the festival crowd so engaged!

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The incomparable Nile Rodgers and Chic. Image Credit godisinthetvzine.co.uk

Our accommodation at Dewhurst Towers in Kirkcudbright is literally next door to the Selkirk Arms which has an old-fashioned front room with the portable TV in the corner and fine Guinness on tap. The back room is the food lounge area with a large sunny beer garden, and remarkably it can get proper warm in Scotland in July! They also have lodging rooms and the Proclaimers resided there when they played the festival.

Other pubs in the town were at different times the Gordon House Hotel (AC/DC regularly on the jukebox), Masonic Arms (best pub in town), Commercial (apparently the racing driver David Coulthard has been spotted in there over the years as he was born in neighbouring Twynholm), the Steam Packet (by the harbour), the Royal (used to watch Open Golf) and the Tides (battered establishment where we watched the racing and contained a commendable jukebox).

Wickerman 13 in 2014 had Dizzee Rascal, Shed Seven, Jason Dupuy and the Mac Trio on the bill. The old troubadours Martha Reeves and the Vandellas, Idlewild’s Roddy Woomble plus band and the always top value the Beat played. I created a first by catching two individual sets on the Main and Acoustic stage by Colonel Mustard and The Dijon 5.

Also on the roster were Explosion Soundsystem, The New Piccadillys, Neon Waltz, Vladmir, United Fruit, Broken Records, The Zombies, The Feeling, Skerryvore, The Chair, Cockney Rejects, Pale Honey and Schnarff Schnarff.

Another punk band who could still most definitely cut the mustard were The Members. They were a very tight unit and thunderously loud and their extended closing track of Sound of the Suburbs was sublime. British Sea Power were as excellent as ever.

We saw a highly touted Glaswegian three-piece rock band called The Amazing Snakeheads who produced a rip snorting live set to a frenetic packed tent. They had just released their sole album Amphetamine Ballads but disbanded the following year. I have just discovered that tragically their lead singer Dale Barclay died of brain cancer in 2018 at the brutally tender age of 32. I now feel even more privileged to see them in their heyday!

The final band to reference was a terrific vibrant set from a Scottish female 4-piece called Teen Canteen who produced slabs of sugary indie-pop and they since received acclaim and sessions and airplay on Marc Reilly’s 6 music show.