Manchester Venues 14 to 15

Halfway down Oldham Street was located Manchester Planet K which I attended twice. The first visit in October 99 was to see Snuff supported by Mad Caddies.

Me and Uncle George were on duty that night and discovered whilst talking to John Dewhurst a week before that he was going to see Godspeed you Black Emperor at the Roadhouse the same night. So, we headed over together for drinks and tea before John headed off to his destination.

Planet K was a reasonable little venue, with about a 300 capacity with the stage at the bottom of the room.

Snuff were as ever good value and the place was half full at the most. They finished the set with a rousing rendition of the Match of the Day theme. John enjoyed his gig also as he described they had some epic length songs in the best post-rock tradition. We parlayed in Yates on Princes Street before heading off for the late train.

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Planet K venue. Image Credit tinamcclelland@manchestermusic.co.uk

My second and final visit was to see Mogwai on 18/04/01. Usual crew of George, John and I in tow. It wasn’t the greatest night as Mogwai unexpectedly came on exceptionally early whilst we were still encamped in the pub and we missed the first twenty minutes.

They had finished their set prior to 10pm and there were also some annoying punters in there. My least enjoyable Mogwai show but still of a decent level. The venue closed a year or so later.  

I had always endeavoured to avoid the cavernous locations as I have a ready preference for the ‘one man and his dog’ venues but the opportunity to see AC/DC for the first time was too good to miss. So, in December 2000 we headed over to Manchester Arena. The Arena is located next to and linked to Victoria train station with a 21k capacity.  

The morning was spent de grouting the shower prior to going out and having some fun. We decamped at Salford Crescent train station and visited the Crescent and Pint Pot prior to meeting other attendees in the Oyster Bar in town. Here I met the current Brighton correspondent Nigel Wiskar (rechristened School of Rock) for the first time.

We had standing tickets in the pit and AC/DC were fabulous and standout tracks were ‘Hells Bells’ and ‘Whole Lot of Rosie’. They adopt a simple premise of playing 12 bar blues at high volume, but they are the absolute masters of it. A top night was had by all.

It was over 17 years later to my next attendance. By that stage we were living in a rented house on an astonishingly noisy Kingsway in East Didsbury.

My mate Rick Clegg has always been a huge Paul Weller fan, so I agreed to be his wingman and provided the lodgings due to our new Manchester postcode. The gig was on 01/03/18 and in the middle of the Beast of the East and was as a result a bracingly cold evening.   

The place was still being rebuilt from the bombing and was as best half full. The gig washed over me to be honest and there had been a published set list including encores in advance of the gig which I find a tad disconcerting. Rick enjoyed it though so mission accomplished.

I also once waited at the foot of those huge steps to provide a lift home for Gill and her three sisters after they had been to see Kylie Minogue.

My last attendance was earlier this year (16/01/20) with George, Tony and Pam Dewhurst to see Slipknot supported by Behemoth.

See the source image
Slipknot promo pic. Image credit you tube

We were up in the gods this time and it was a country mile for a loo visit or to purchase an extortionate beer.  

They had huge stage effects with the ever-present masks, gantries, dual aerial drummers and even a treadmill. They are definitely an interesting live act, though verge on the edge of pantomime at times!

I am going to change tack in my next blog and provide five ‘lost’ albums that in my view did not receive their due attention. I would be interested in your lists so comments welcome next week.

Manchester Venue 6 – The Ritz (Part 2)

I have seen Black Rebel Motorcycle Club there twice and despite their arguably overlong sets they have always been compelling viewing. In 2009 I saw AC/DC wannabees Jet who alternated between ballads and rock tracks and produced a half decent performance with a proper strong vocal.

In 2011 I witnessed the Hold Steady who were going through a transitional phase as the keyboardist Franz Nicolay was undertaking a lengthy leave of absence. This altered the dynamic as it led to them resorting to a set list leaning towards their earlier albums as that suited their guitar led garage band sound, and as a result they were superb on the night.

I have also seen Fidlar, Maran Morris and Ryan Hurd, Arab Strap, Mark Lanegan, Band of Skulls, Joy Formidable. Go Team, Car Seat Headrest and Best Coast grace the stage there.

Nine years after my first visit, I saw Jesus and Mary Chain there in 1996. They were in the midst of touring ‘Stoned and Dethroned’, which is my favourite album alongside the startling aural onslaught that is contained in ‘Psychocandy’. Mary Chain gigs can historically be a bit of a lottery, but they were really accomplished and has thus far been my favourite live performance from them.

In 2018 I did a vintage double header within a few weeks of each other. First up was Belly who were excellent and Tanya Donnelly’s (previously Throwing Muses) voice was an absolute revelation. They also had the obligatory slightly bonkers bassist. To follow them was the Breeders with the Deal sisters in tow and they were enjoyable.

The best sound I encountered was at a British Sea Power show in 2017 with ‘super fan’ Graham Jones in attendance. Sometimes the sound can be a tad muddy here but every note was crystal clear that night. 

British Sea Power ticket stub. Image credit mdm.archive.co.uk

Dinosaur Jr in 2013 were good, playing a large portion of an early album ‘Bug’ containing their biggest tune ‘Freak Scene’. My most recent attendance were the thin young Dublin scamps Fontaines DC who despite sound difficulties were as good as ever and induced mothering reflexes from Gill and Tris as to whether they were eating square meals.

One of the more unusual ones was Wu Lyf in 2012. Their inexorable rise up to that point involving them building up a loyal fan base by playing guerrilla gigs under various Manchester railway arches.

It was the best crowd reaction I had seen for a while and they were quirky and good value. I can only assume that the conversion to standard indoor stages was a wrong move as they broke up a year later.

The inimitable Wu Lyf. Image Credit L’obs.

Prior to a Dandy Warhols gig in 2015 Uncle George and I had a flying dabble in the bookies and we had a never to be repeated hot streak resulting in half an hour later leaving with a not inconsiderable profit. The Warhols couldn’t live up to the earlier high in the evening.

Rocket from the Crypt were in town in 1998 and were tremendous as ever and on that particular tour they created a novelty. This being that the support band Beach Buggies, after their set decamped to outside each venue in an open lorry to play a bonus set. So at the point of departure  we discovered them across the road outside what subsequently became the Gorilla playing a short jaunty set and thus creating Manchester Venue 7 – Manchester Ritz Concourse.  

RFTC Flyer. Image Credit mdm.archive.co.uk

https://academymusicgroup.com/o2ritzmanchester/