Manchester Venues 40 to 43

Back in the 1980’s the only available train from Preston to Manchester was an once an hour service into Manchester Victoria Station and the last train home was at the rather useless hour of 10.30pm, in those days the band may not even have hit the stage as gigs had much later start times. Any track into Victoria also always appeared to be a Northern all stopper exploring the delights of Lostock, Blackrod and Adlington on its journey over.

The station was designed by George Stephenson and built in 1844 and now caters for around 10m customers per annum. It also contains a central hub of the metro system and I have caught a few trams home from there. It has an ageing grandeur within, and one interesting fact is that I had my best ever Hot Chocolate from one of the kiosks here prior to a last train.

I once slept in a waiting room on the platform following my first Husker Du gig at Manchester International in 1985 on a cold Friday night before catching the first train at 6am on the Saturday morning. Much like Piccadilly Station the Preston trains annoyingly departed from the furthermost point from the entrance which is the full length of the station and to add insult to injury you then need to head up and over some steps to reach the platform. I have witnessed many punters whilst sat on the last train doing a comedy slowing down run when they realise the chase is futile, I have also on a couple of occasions been one of those punters!

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Manchester Victoria Station pre refurbishment with a high speed engine on the track. Image Credit Geograph Britain and Ireland.

Victoria is located adjacent to the MEN arena from which you can exit directly onto the station. On the 03/11/17 whilst waiting to meet Gill I witnessed the King Division Brass Band playing on the concourse.

Not being a natural shopper, I tend to skirt around Market Street in the centre but traversing home one evening just after we moved to Manchester on 20/09/17, I was distracted by a full set up called Marley Band playing some reggae/dub sounds on the sidewalk opposite Skechers.  

Within the sanitised environs of the Arndale Centre nearby in April 18 I witnessed a huge roving combo containing a plethora of drummers called Sergeant Pepper Band who produced bizarre Beatles covers.

Now, the purists out there may scoff at the three venues outlined thus far and I admit they are a smidge tenuous but in the spirit of fair debate I would refer you back to my previous Definition of a Gig and a Venue blog article as evidence for the defence!   

However, I will finish this week with an undisputable venue. This one perhaps best portrays my dedication (nee fixation) in sourcing new venues. Thus, upon leaving the Ritz on 25/03/14 after an early set by Band of Skulls me and Uncle George jumped into a cab to locate the Eagle Inn in Salford.

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Eagle Inn in Salford. Image Credit eventthestars.co.uk

The pub is located on 18-19 Collier St, a 5-minute walk from Vic Station but literally buried deep within some ramshackle windswept streets. It is a Grade 2 listed building dating from 1902 and is a traditional Joseph Holts brewery back street boozer.

There is a terracotta plaque of an eagle with a name above the door but is also known by the name of the Old Lamp Oil. The attached cottage was converted into a live music venue that opened in October 2013 and is now a separate room off the main bar with a small stage built into the brickwork.  

On the night in question, we arrived after the main band Buller had taken the stage and I negotiated a reduced-price entry after I explained our considerable detour to arrive there.

It was an interesting venue and worth a visit, and we had wisely pre-ordered the original cab to take us back to the station for the last leg home. Further out into Salford from there is another enticing sounding venue called the White Hotel which I have not yet managed to visit, but I plan to rectify that one day!   

Manchester Venue 6 – The Ritz (Part 2)

I have seen Black Rebel Motorcycle Club there twice and despite their arguably overlong sets they have always been compelling viewing. In 2009 I saw AC/DC wannabees Jet who alternated between ballads and rock tracks and produced a half decent performance with a proper strong vocal.

In 2011 I witnessed the Hold Steady who were going through a transitional phase as the keyboardist Franz Nicolay was undertaking a lengthy leave of absence. This altered the dynamic as it led to them resorting to a set list leaning towards their earlier albums as that suited their guitar led garage band sound, and as a result they were superb on the night.

I have also seen Fidlar, Maran Morris and Ryan Hurd, Arab Strap, Mark Lanegan, Band of Skulls, Joy Formidable. Go Team, Car Seat Headrest and Best Coast grace the stage there.

Nine years after my first visit, I saw Jesus and Mary Chain there in 1996. They were in the midst of touring ‘Stoned and Dethroned’, which is my favourite album alongside the startling aural onslaught that is contained in ‘Psychocandy’. Mary Chain gigs can historically be a bit of a lottery, but they were really accomplished and has thus far been my favourite live performance from them.

In 2018 I did a vintage double header within a few weeks of each other. First up was Belly who were excellent and Tanya Donnelly’s (previously Throwing Muses) voice was an absolute revelation. They also had the obligatory slightly bonkers bassist. To follow them was the Breeders with the Deal sisters in tow and they were enjoyable.

The best sound I encountered was at a British Sea Power show in 2017 with ‘super fan’ Graham Jones in attendance. Sometimes the sound can be a tad muddy here but every note was crystal clear that night. 

British Sea Power ticket stub. Image credit mdm.archive.co.uk

Dinosaur Jr in 2013 were good, playing a large portion of an early album ‘Bug’ containing their biggest tune ‘Freak Scene’. My most recent attendance were the thin young Dublin scamps Fontaines DC who despite sound difficulties were as good as ever and induced mothering reflexes from Gill and Tris as to whether they were eating square meals.

One of the more unusual ones was Wu Lyf in 2012. Their inexorable rise up to that point involving them building up a loyal fan base by playing guerrilla gigs under various Manchester railway arches.

It was the best crowd reaction I had seen for a while and they were quirky and good value. I can only assume that the conversion to standard indoor stages was a wrong move as they broke up a year later.

The inimitable Wu Lyf. Image Credit L’obs.

Prior to a Dandy Warhols gig in 2015 Uncle George and I had a flying dabble in the bookies and we had a never to be repeated hot streak resulting in half an hour later leaving with a not inconsiderable profit. The Warhols couldn’t live up to the earlier high in the evening.

Rocket from the Crypt were in town in 1998 and were tremendous as ever and on that particular tour they created a novelty. This being that the support band Beach Buggies, after their set decamped to outside each venue in an open lorry to play a bonus set. So at the point of departure  we discovered them across the road outside what subsequently became the Gorilla playing a short jaunty set and thus creating Manchester Venue 7 – Manchester Ritz Concourse.  

RFTC Flyer. Image Credit mdm.archive.co.uk

https://academymusicgroup.com/o2ritzmanchester/