London Eleventh and Twelfth Trips

I have travelled a few times down to London with work and at one stage was visiting a company who were based nearby to Moorgate station and adjacent to London Finsbury Square. In 1784 the Square witnessed the first successful attempt of a hot air balloon flight and there is also a memorial installed there to commemorate the 1975 Moorgate tube crash where 43 people perished.  

Finsbury Square. Image Credit londonplanning.org.uk

In the summer of 2017 after leaving a meeting I was headed back to the tube for the journey home and heard music playing. In the early 20th century, the square was home to the London Royal Yeomanry and on that day the Band of Royal Yeomanry (Inns of Court & City Yeomanry) were playing a gig.

Their regimental history dates to 1548 and the band formed in 1961. They perform at many events, including D-Day memorials in Normandy and 6 Nations matches at Twickenham. They still maintain their original ceremonial uniform of French blue jacket and trousers, chain mailed shoulders, George boots and spurs and Chapka helmets.

Band of Royal Yeomanry Band. Image Credit flickr.com

I have always been a huge fan of Hold Steady and have now seen them nine times in total and they sit in bronze medal position of my bands most seen list. That figure would undoubtedly be higher if not for the fact that they have not played a Manchester date since 19/10/14. The reason for this dearth is that they have chosen since then to just play an annual three-day residency in London with no other regional dates.

As a result, we decided to make a pilgrimage down to the smoke in 2019 as I was missing my Hold Steady fix! Their base for their seasonal jaunt is in the thriving Camden suburb of the city. I met Uncle George and John Dewhurst off the train, and we dropped our bags at the handy location of Euston Premier Inn.  We then headed off on the Northern tram line to find our first hostelry, the Dingwalls pub on Camden Lock overlooking the canal.

My first visit to that establishment was in 1987 when I saw Brilliant Corners supported by a yet undiscovered Happy Mondays. The pub has certainly gone through a regentrification phase since then, but they still have live music there on a regular basis.  We also had a foray to the Old Eagle public house and to refuel we hit a local pie shop but there were unfortunately no butter pies on sale!

The Hold Steady show took place at London Camden Electric Ballroom. The Ballroom is a long-established venue and has been in place for 80 years. It began its days as an Irish club where the crooner Jim Reeves used to play and adopted its current name in 1978. There used to be a weekend indoor market staged there and was in place until 2015. It survived potential demolition in 2004 when there was a proposal to redevelop Camden Town underground station.

Camden Electric Ballroom. Image Credit Electric Ballroom

There are two dance floors and four bars contained within and it has a capacity of 1500 and there was good viewing of the stage from any vantage point.  They launched straight in with the vibrant ‘Stuck Between Stations’ and didn’t let up for the next 24 tracks, it was another thoroughly enjoyable performance.

It was also appropriate as a milestone event as it was Uncle George’s and I 500th gig together, a mere 32 years since our first, a staggeringly good Pogues show at Manchester International 2. Our 100th was also a belter with Black Rebel Motorcycle playing the Mill, a small club in Preston.  

After the set had finished, George and I progressed onto London Camden Monarch for number 501. The original Monarch prior to 2000 was in another area of Camden which then became the music venue Barfly. The new Monarch opened in 2008 in a new site on Chalk Farm Road and the DJ on the opening night was none other than Amy Winehouse!

The pub subsequently closed in 2020 but reopened the following year under the new moniker Monarchy retaining the live music in a downstairs events space called the Vault.  On the night we visited a local indie band called Stay Club took to the stage.    

Preston Venues 52 to 53 Moor Park – Part 2

Sunday arrived and Gill and I were up bright and early for attended the Radio 1 Big Weekend on Preston Moor Park and with the weather set fair and my festival hat donned we traversed the fifteen-minute walk to the gates.

The festival site was located towards the ‘Deepdale Road’ end of the park where the football pitches are located, probably selected by the organisers as the best geographical drainage point. We were in place for the opening of the doors at 12 and there were three stages in operation, the Main Stage and the In New Music We Trust Stage, both under marquees and the Outdoor Arena for more dance orientated acts.

The exact location of the Radio 1 site. Image Credit blogpreston.co.uk

The first band we saw was an enjoyable set from the Enemy from Coventry with their mod-inspired sound. They had just released their debut album ‘We’ll Live and Die in These Towns’ which remarkably went straight to Number 1 in the UK Charts and in fact their first three albums all went Top Ten.

Next up was a musician called Sam Duckworth whose stage name is Get Cape. Wear Cape. Fly. He was followed by the Sri Lankan rapper Mathangi ‘Maya’ Arulprgasam who performs as the rapper M.I.A. which translates as either ‘Missing in Action’ or Missing in Acton’! She subsequently received an MBE in 2019 for her services to music.

We then saw Dizzee Rascal with his suitably ‘hammed up and bonkers’ set, with the London group the Klaxons followed Dizzee. Three months earlier they had released their debut album ‘Myths of the Near Future’ which went on to win the Mercury Prize later that year.

The day of watching bands was interspersed by wandering around the site, basking on the grass, having a cold brewski and seeing many people I knew. On one such foray I caught a segment of Rihanna singing her current hit ‘Umbrella’ which went to Number 1 that very day with its refrain of ‘Ella, Ella, Ella’!   

I also saw Just Jack and Mark Ronson, who has been a renowned collaborator with many acts such as Amy Winehouse and Lady Gaga. The Dundee scamps the View were reassuringly shambolic and their ‘Superstar Tradesmen’ track was as gloriously anthemic and joyous as ever!  

The View. Image Credit tenementtv.com

We missed the Stereophonics as we decided to watch the full set of Newcastle Upon Tyne’s stalwarts Maximo Park, who probably shaded it as the highlight of my day with Paul Smith’s laconic delivery.  

We split the headliners and watched the first half of the set by Bloc Party before wandering over to view the final part of Kaiser Chiefs, who I always slightly cruelly paint as a cartoon band, but they do have some fine festival tunes and the lead singer Ricky Wilson was a whirling dervish on stage. He gave the security staff palpitations by clambering up a gantry during the outro of ‘I Predict a Riot’.  

The music finished bang on the curfew at 10pm and we sauntered the short distance home down the park reflecting on a never to be repeated day in Preston musical history!

On a much less grand scale there are other festivals that take place annually on the park. One such event is Rockprest that places its stage near to Preston Moor Park Pavilion which I attended the once in 2015. It is a tribute band event which I am always highly sceptical of but that was countered by the chance of visiting a new venue virtually on my doorstep, I believe the event continues to this day.

Preston Moor Park Pavilion. Image Credit flickr.com

I attended the day after gallivanting around the Heptonstall festival which I shall cover in a future blog. Thus, I was rather jaded and the two bands I saw, namely an East Lancashire act called Folkestra, and the nattily named Pearl Scam from Manchester who have been in operational since 2011, didn’t salve my fatigue. The torrential downpour obliterated my remaining resolve and I skulked homewards!