Liverpool Venues 31 to 32

On the days when I am navigating my way back to Lime Street train station after a visit to the Liverpool office, I quite often skelp down Mathew Street, where you enter into an alternate ‘Beatleland’ area with music assailing your ears at every point.

Towards the bottom of the road is Liverpool Grapes Inn which resides in a building that dates back to 1804. There is little documentation on the earlier hostelries that were in that very spot. Considering how busy the thoroughfare is today; it is remarkable to recall that in the early 1960’s it was only pub on the whole street, and in those days, it was surrounded by warehouses.

Grapes Inn. Image Credit creativetourist.com

It was a customary watering hole for the young Beatles after their regular Cavern gigs as the club at that point was unlicensed. There is a famous photo of them in the Inn circa 1962 with what looks like pints of Mild! It was for a short period the Famous Grapes and like many others, including the Dog and Partridge at Didsbury, was renamed the Beautiful South when the said band went on a month long promotional tour.

It has been through many refurbishments, but they have always endeavoured to retain the original features, some which continue to be discovered to this day. On the day I passed there was a tour party being entertained by Eddie and Edie on a makeshift stage in front of the pub, they were somewhat predictably singing ‘You’ll Never Walk Alone’.

I have just learnt that the song was given its debut in the 1945 Rodgers and Hammerstein musical Carousel and is in fact sung twice at separate occasions in the production. This being prior to the universally famous cover by Gerry and the Pacemakers in 1963, which then was further adopted by the Liverpool fans on the Spion Kop at Anfield.   

Beatles having a bevy. Image Credit Liverpool Echo.

Returning now to my Sound City Festival 2025 review and having quickly adopted a lessons learned from having accessibility issues to the Jacaranda we headed next door in good time for the next band in the Liverpool Shipping Forecast. It was previously a Flares branch pub and looks like it has been open since 2010 in its current format.

There is a welcoming wood panelled main ground floor bar and then there is the upstairs space (known as the Top Deck) which stages mainly DJ events with the likes of Calvin Harris and Mark Ronson having played there in the past. They have held periodic vinyl fairs, and their kitchen is linked to Ruby Jean’s diner, which churns out ‘Americana’ tucker (basically anything unhealthy).

The lavatories used to have a special touch in that the actual shipping forecast, first broadcast on Radio 4 in 1925, was piped into them, alongside relaxing sounds of waves and seagulls. However, the kit was subsequently stolen, and I shall respectfully refrain at this stage from any Scouse ‘hub cap’ references!    

Shipping Forecast. Image Credit creativetourist.com

Our destination was reached by heading down the steps into The Hold venue which has a capacity of 200 and it fits perfectly into the archetypal category of a sweaty cellar bar, in a good way!  The brickwork is exposed with a low wooden beam roof, which served to enhance the acoustics, however you do face the inevitable ‘pillar viewability’ challenge.

Despite the venue size they do admirably attract a decent level of band with Ghostpoet, Four Tet, Deary, Futureheads and Pulled Apart by Horses having graced the stage there. The main bar was not open that day, but thankfully they had some cold cans available at a pop-up table bar.

On stage was a young Liverpool singer/songwriter called Dylan Robert (no prizes for where his first name derived from!). He commenced his musical journey at the age of ten when he played guitar with his best mate Ben Harper. These two chaps have stuck together as Ben is now his producer. He also had a shared passion with football but a broken collarbone at the age of eleven resulted in him turning 100% down the musical path.

He had progressed up onto the main bill from a spot on the Sound City showcase roster in 2024. He has already released a slew of singles and I enjoyed his set, where he reminded me a little bit of another Liverpool act Shack. 

Preston Venues 52 to 53 Moor Park – Part 2

Sunday arrived and Gill and I were up bright and early for attended the Radio 1 Big Weekend on Preston Moor Park and with the weather set fair and my festival hat donned we traversed the fifteen-minute walk to the gates.

The festival site was located towards the ‘Deepdale Road’ end of the park where the football pitches are located, probably selected by the organisers as the best geographical drainage point. We were in place for the opening of the doors at 12 and there were three stages in operation, the Main Stage and the In New Music We Trust Stage, both under marquees and the Outdoor Arena for more dance orientated acts.

The exact location of the Radio 1 site. Image Credit blogpreston.co.uk

The first band we saw was an enjoyable set from the Enemy from Coventry with their mod-inspired sound. They had just released their debut album ‘We’ll Live and Die in These Towns’ which remarkably went straight to Number 1 in the UK Charts and in fact their first three albums all went Top Ten.

Next up was a musician called Sam Duckworth whose stage name is Get Cape. Wear Cape. Fly. He was followed by the Sri Lankan rapper Mathangi ‘Maya’ Arulprgasam who performs as the rapper M.I.A. which translates as either ‘Missing in Action’ or Missing in Acton’! She subsequently received an MBE in 2019 for her services to music.

We then saw Dizzee Rascal with his suitably ‘hammed up and bonkers’ set, with the London group the Klaxons followed Dizzee. Three months earlier they had released their debut album ‘Myths of the Near Future’ which went on to win the Mercury Prize later that year.

The day of watching bands was interspersed by wandering around the site, basking on the grass, having a cold brewski and seeing many people I knew. On one such foray I caught a segment of Rihanna singing her current hit ‘Umbrella’ which went to Number 1 that very day with its refrain of ‘Ella, Ella, Ella’!   

I also saw Just Jack and Mark Ronson, who has been a renowned collaborator with many acts such as Amy Winehouse and Lady Gaga. The Dundee scamps the View were reassuringly shambolic and their ‘Superstar Tradesmen’ track was as gloriously anthemic and joyous as ever!  

The View. Image Credit tenementtv.com

We missed the Stereophonics as we decided to watch the full set of Newcastle Upon Tyne’s stalwarts Maximo Park, who probably shaded it as the highlight of my day with Paul Smith’s laconic delivery.  

We split the headliners and watched the first half of the set by Bloc Party before wandering over to view the final part of Kaiser Chiefs, who I always slightly cruelly paint as a cartoon band, but they do have some fine festival tunes and the lead singer Ricky Wilson was a whirling dervish on stage. He gave the security staff palpitations by clambering up a gantry during the outro of ‘I Predict a Riot’.  

The music finished bang on the curfew at 10pm and we sauntered the short distance home down the park reflecting on a never to be repeated day in Preston musical history!

On a much less grand scale there are other festivals that take place annually on the park. One such event is Rockprest that places its stage near to Preston Moor Park Pavilion which I attended the once in 2015. It is a tribute band event which I am always highly sceptical of but that was countered by the chance of visiting a new venue virtually on my doorstep, I believe the event continues to this day.

Preston Moor Park Pavilion. Image Credit flickr.com

I attended the day after gallivanting around the Heptonstall festival which I shall cover in a future blog. Thus, I was rather jaded and the two bands I saw, namely an East Lancashire act called Folkestra, and the nattily named Pearl Scam from Manchester who have been in operational since 2011, didn’t salve my fatigue. The torrential downpour obliterated my remaining resolve and I skulked homewards!