Leeds Festival 2001

Leeds is the largest city in the county of West Yorkshire with a population of just shy of 1 million. It is an educational hub containing five different universities.

Leeds has endeavoured to retain the original available architecture and even the shopping areas have a pleasing aesthetic to them, they have thus far avoided adopting the Manchester vision of building skyscrapers in the city centre. They have also utilised the existing wharf areas by placing hotels and bars in those districts.

On a good day, you could drive there in an hour from Preston as it is well served by motorways, but because of their reliance on car culture the city council are wrestling with how best to implement greener initiatives going forward. I have traversed through their large extremely busy train station many times, quite often commuting through to Shipley for work purposes.        

One of Gill and I first visits there involved a visit to a terrific Indian restaurant called the Darbar, though it is unclear whether the restaurant is still operational.

My old schoolmate and friend Rick Clegg has been one of the key supporters of this blog and he has imbued his commendable musical ethos into his young daughter Charlotte who now resides in Leeds. Charl herself has already built up an impressive catalogue of gigs and venues, her father should be proud!

I have attended two separate Live in Leeds wristband events, which serves to showcase the numerous interesting venues across the city including gigs in churches and cafes. The most recent being in October 21 where we hit the outermost venues and traversed 11 miles that day, is there anything better than a long walk, new venues, good music and a couple of cheeky beers to boot!

My first musical visit was a day trip on the final day of the Leeds Festival in 2001 primarily because it had such a stellar bill.

The festival was held in Temple Newsham Park and was the third year of hosting after the organisers of Reading Festival decided to set up a twin event in the North.

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Leeds/Reading Festival Bill 2001. Image Credit Leeds Festival.

On the main stage, we just missed, And You Will Know Us the Trail of Dead but caught a strong set from Frank Black and the Catholics.

They were followed by Rancid and an enjoyable performance from Feeder and ‘Buck Rogers’ went down a storm. The other main stage band we witnessed were Supergrass and one track from the headliners Manic Street Preachers, the reason for the short span was that we had other preferred headliners to witness.

Lower down the bill on the Evening Session stage we saw Elbow and Gorkys Zygotic Mynci and on the Concrete Jungle Stage I enjoyed a high-octane performance from Dropkick Murphy’s.

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Dropkick Murphys. Image Credit Fanpop.

That brought us to the three acts that had inspired our attendance, first up were the perennial punks Snuff who as ever inspired moshpit mayhem due to the fine original material and their clever choice of frenetic cover versions.  

The penultimate act on the Evening Session Stage were Teenage Fanclub who were in crackling form. The headline act I am sure you won’t be surprised to learn was Mogwai, resulting in the wrench of missing Rocket from the Crypt who I am also a huge fan of, but life is full of these difficult decisions!

They proceeded to play a greatest hits set including ‘Mogwai Fear Satan’, ‘Ithica 27o9’, ‘New Paths to Helicon Part 1’, ‘2 Rights Make 1 Wrong’ and as they were wont to do at that point in their trajectory ending the set with their 20-minute hymn ‘My Father My King’. 

Manchester Venue 13 – Roadhouse

When I converse with seasoned Manchester gig goers three particular older venues in my experience are remembered fondly. These are namely the International 1, Boardwalk and Manchester Roadhouse. The venue was located at Number 8 Newton Street in the Northern Quarter. The club had previously been a snack bar and nightclub in the 70’s before morphing into a music venue. The venue sadly closed in 2015.

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The Roadhouse. Image Credit NME

It was a slightly scuzzy but charming basement club with a small stage and a capacity of 200. One of my largest regrets was being aware of White Stripes playing there on a very early tour but not being able to make the gig.  

I attended 5 gigs there between 1998 and 2009. The first being Mogwai in April 1998. Now, I am not usually prone to being melodramatic, but it was one of the strangest nights of my life. The night started normally enough with me, John Dewhurst and Nick Sharp in attendance. We had only a couple of beers in the Millstone on Thomas St where I suspected afterwards that potentially our drinks were spiked.

The night then on is distinctly hazy. The support band was Aerial M who also sometimes worked under the moniker Papa M. It was the first time I had seen Mogwai and from what I remember they were excellent. Nick disappeared unannounced mid gig and headed home as he felt ropey. Me and John headed on auto pilot for some supper to kill an hour before the late train but neither of us ate much and John was not himself. I was then very unusually for me physically ill at the station.

The finale to this surreal trip occurred on the train where I was awoken from a slumber by a commotion around me. The bizarre sight that greeted me on my awakening was the train guard stood in front of me with an axe. With my heart racing, I asked him the reason and it turned out the train was blocked by a small tree that he was going to clear with the said tomahawk. I was never so glad to arrive home as I was that night!

My next visit was in May 99 to see the at the time highly touted Llama Farmers from Greenwich supported by Seafood. They had obtained some decent supports slots to the likes of Green Day and Foo Fighters, but I can honestly say they didn’t live up to the hype and sounded too much like Placebo for my liking. They released 2 albums but subsequently drifted away on the ether.

The previous year I discovered a band with the very unique name of And You Will Know Us by the Trail of Dead from Austin Texas who had a released a decent self-titled first album. They arrived at the Roadhouse in March 2000. Unfortunately, they attracted the most annoying heckler who directed unjustified sustained vitriol at the unfortunate support act Sleepwalker.

AYWKUBTTOD were excellent with their post hardcore scuzzy sound and I recall the drummer and guitarist trading places several times during the gig. They are still on the circuit and have just released their tenth album.

My last gig there on 12/06/09 was to see Drones a punk rock band from Perth, Australia supported by the Snowmen. We happened to be out in Manchester and fell upon this gig and it is one of those that I cannot recall much about, it just passed me by.

My penultimate show was more memorable when I went to see Asobi Seksu on 10/02/09. The gig was originally scheduled for Jilly’s Rockworld on Oxford Road however before the scheduled gig the venue closed for good and the gig rescheduled to the Roadhouse. That was my one shot at attending the Rockworld, so it remains a lost venue.

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Asobi Seksu. Image credit Allmusic

Asobi Seksu were from New York and in the shoegaze/dream pop genre and their first two albums were excellent. They could certainly cut it live as well with a periodic thunderous guitar line in there. Another endearing element to this gig was the surprisingly enlightened approach from the bouncers to allow us to stand on chairs at the back to view the stage as visibility at the venue could be impaired when busy.  

The band had a DIY ethic exemplified by them running their own merch stand. A couple of years after I heard one of their tracks booming out when in Top Shop in Southport and I would say undoubtedly, I was the only punter in the store who could name that band!