First T in the Park Festival

The first full Festival I ever attended was T in the Park in July 1999 with John Dewhurst and Uncle George. I recall John attended the first couple of festivals in 1994 and 1995 when were held in Strathclyde Park, Hamilton with easy access from Glasgow before the festival moved to the larger site at the disused Balado airfield in 1997. Problems were subsequently encountered at the 2016 festival resulting in that being the last event.

We decided to grab a B&B in Edinburgh with the obligatory dolls dotted everywhere in our triple room and commuted into the site from there which turned out to be a bit of a trawl as it was over an hour each way on the shuttle bus, but you had the consolation of crossing the Forth Road bridge. After a couple of bevies in town on the Saturday we caught the bus about 3pm.  The weather gods smiled on us that weekend.

It was a huge site with several stages, and it possessed a natural amphitheatre for the main stage location. It was a cracking roster that year.

First up on the main stage was in retrospect a touching set as it transpired to be one of Joe Strummer’s final gigs prior to his untimely death, he was backed up by the Mescaleros. Following them was the New York faux gangsters Fun Lovin Criminals with their inimitable lead singer Huey Morgan, who is now a Radio 6 DJ. He was dishing out priceless advice by encouraging us ‘to go out and grab some ass’!  Their ‘Scooby Snacks’ track naturally went down a storm. We also caught a portion of the Stereophonics set.

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Joe Strummer on stage. Image Credit Las Vegas Weekly

We caught a segment of a very young Travis in a packed Stage 2 tent playing a rousing rendition of ‘All I Wanna Do is Rock’ and in the Slam Tent we saw Basement Jaxx.

In the King Tuts Wah Wah tent I encountered Death in Vegas for the first time and they were startingly good, opening with an astonishing 10-minute version of ‘Dirge’ with the added bonus of the guest vocalist Dot Allison actually on stage as she was also playing the festival as a solo act and we caught her set the following day.

The headline act was Mogwai and only the second time I had seen them at that stage, and George’s first and they were in fine fettle. Upon realising they were clashing with main stage headliners Blur, who they understandably had no time for the cheeky young scamps devised some T-shirts. Mogwai had been previously quoted that they thought Blur were one of the weakest bands on the planet thus the message emblazoned across the front was their interpretation of the dictionary definition of the band, namely ‘Blur: Are S#*#e’. I regretfully never purchased one of the T-shirts.   

  

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Infamous T-Shirt. Image Credit WordPress.com

 

Upon arriving back into the city, we foolishly stayed out until about 3am, however the dolls were still waiting for us when we arrived back. Thankfully John had some remaining dexterity to navigate a troublesome lock, whilst me and George giggled inanely behind him!

What greeted me the following morning was one of my all-time crippling hangovers and the thought of another full festival day was put it mildly particularly undesirable at that point in time. The only potential cure was the Hair of the Dog method though I was contending with the size of a Saint Bernard resulting in the extreme step of supping a brandy at lunchtime to set me right.

A few pints followed in a bar on Rose Street and I recall the British Grand Prix being on and chatting to an engaging American chap called Hank who became known thereafter as ‘Hank the Yank’. I felt infinitely better leaving than when entering the pub though I did flag later in the day.

In the newcomer’s tent, we saw Astrid and a very young Biffy Clyro.  On other stages we witnessed Placebo, Massive Attack, Gay Dad, Lanterns and Deus.

However, the best three acts of the day were the main performances in King Tuts tent. A soothing set from the Delgados was followed by a rousing one from Idlewild. The headliners were Mercury Rev who produced a terrific swirling performance to bookend the festival.

On the packed bus on the return journey some punter dropped his cube of recreational drugs. He went into panic mode as he wasn’t the owner resulting in the surreal sight of the entire top deck crouching down searching for the missing artefact before it was eventually located.

We landed back just shy of midnight and we were ravenous. We tasked a local taxi driver to find us an open Chinese takeaway and he met the challenge. A midnight feast followed before having a nightmare about those damn dolls!

I awoke feeling like a new man in the morning and we headed home via an ice cream stop in Moffat.

Manchester Venue 13 – Roadhouse

When I converse with seasoned Manchester gig goers three particular older venues in my experience are remembered fondly. These are namely the International 1, Boardwalk and Manchester Roadhouse. The venue was located at Number 8 Newton Street in the Northern Quarter. The club had previously been a snack bar and nightclub in the 70’s before morphing into a music venue. The venue sadly closed in 2015.

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The Roadhouse. Image Credit NME

It was a slightly scuzzy but charming basement club with a small stage and a capacity of 200. One of my largest regrets was being aware of White Stripes playing there on a very early tour but not being able to make the gig.  

I attended 5 gigs there between 1998 and 2009. The first being Mogwai in April 1998. Now, I am not usually prone to being melodramatic, but it was one of the strangest nights of my life. The night started normally enough with me, John Dewhurst and Nick Sharp in attendance. We had only a couple of beers in the Millstone on Thomas St where I suspected afterwards that potentially our drinks were spiked.

The night then on is distinctly hazy. The support band was Aerial M who also sometimes worked under the moniker Papa M. It was the first time I had seen Mogwai and from what I remember they were excellent. Nick disappeared unannounced mid gig and headed home as he felt ropey. Me and John headed on auto pilot for some supper to kill an hour before the late train but neither of us ate much and John was not himself. I was then very unusually for me physically ill at the station.

The finale to this surreal trip occurred on the train where I was awoken from a slumber by a commotion around me. The bizarre sight that greeted me on my awakening was the train guard stood in front of me with an axe. With my heart racing, I asked him the reason and it turned out the train was blocked by a small tree that he was going to clear with the said tomahawk. I was never so glad to arrive home as I was that night!

My next visit was in May 99 to see the at the time highly touted Llama Farmers from Greenwich supported by Seafood. They had obtained some decent supports slots to the likes of Green Day and Foo Fighters, but I can honestly say they didn’t live up to the hype and sounded too much like Placebo for my liking. They released 2 albums but subsequently drifted away on the ether.

The previous year I discovered a band with the very unique name of And You Will Know Us by the Trail of Dead from Austin Texas who had a released a decent self-titled first album. They arrived at the Roadhouse in March 2000. Unfortunately, they attracted the most annoying heckler who directed unjustified sustained vitriol at the unfortunate support act Sleepwalker.

AYWKUBTTOD were excellent with their post hardcore scuzzy sound and I recall the drummer and guitarist trading places several times during the gig. They are still on the circuit and have just released their tenth album.

My last gig there on 12/06/09 was to see Drones a punk rock band from Perth, Australia supported by the Snowmen. We happened to be out in Manchester and fell upon this gig and it is one of those that I cannot recall much about, it just passed me by.

My penultimate show was more memorable when I went to see Asobi Seksu on 10/02/09. The gig was originally scheduled for Jilly’s Rockworld on Oxford Road however before the scheduled gig the venue closed for good and the gig rescheduled to the Roadhouse. That was my one shot at attending the Rockworld, so it remains a lost venue.

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Asobi Seksu. Image credit Allmusic

Asobi Seksu were from New York and in the shoegaze/dream pop genre and their first two albums were excellent. They could certainly cut it live as well with a periodic thunderous guitar line in there. Another endearing element to this gig was the surprisingly enlightened approach from the bouncers to allow us to stand on chairs at the back to view the stage as visibility at the venue could be impaired when busy.  

The band had a DIY ethic exemplified by them running their own merch stand. A couple of years after I heard one of their tracks booming out when in Top Shop in Southport and I would say undoubtedly, I was the only punter in the store who could name that band!