Preston Venues 18-20 Adelphi – Part 2

I have attended 11 gigs at the Adelphi placing it at No 14 on the most visited venue list. The first band I saw there were Circus from Burnley in 1995 and they were in the Inspiral Carpets mould and they were terrific fun with a hyperactive humorous lead singer.

That night signalled a fundamental sea change in relation to how I defined a gig. Before that evening I had only ever counted gigs where I had a prior intention to attend but this was a walk-in gig and we caught virtually the full set causing me to re-evaluate and count those types of gigs going forward.

The following year a lass from work Andrea informed me her mates band were playing that night and I tagged along probably no doubt prior to heading to Raiders nightclub, I cannot recall the name of the unremarkable band.

I then saw John Robb’s motley crew Goldblade who were supported by Presley. It was the first time I had witnessed them and was slightly startled but impressed by their high-octane performance. I recall them bounding across speaker stacks which is a no mean achievement in such a small venue.

In 1998 I saw local band Formula One supporting Nottingham’s Six by Seven. The main band were a dour bunch though their somewhat suffocating music had merit. They were in an extremely truculent mood perhaps expecting more crowd interaction. The lead singer stormed off at the end of the set and threw down the mic stand in a fit of pique and apparently narrowly missed Nick Godkin of this parish!

Gill sister’s boyfriend at the time was a drummer in a couple of bands and his latest one Heavy Fluid Addicts played there. I preferred his later band as this one was a bit grungy for my tastes. They were supported by Die Sect.

At the tail end of 1998 the Glasgow miserabilists Arab Strap were in town and they were magnificent, readily included in my Top 5 gigs in Preston list. They didn’t hit the stage in a packed venue until about 10.15pm. They comprise of Aidan Moffat with his laconic tales of drinking and loves lost supplemented by Malcolm Middleton behind him with lashings of atmospheric guitar work. At about 10.55 Aidan began muttering darkly they only had time for one more prior to the 11pm curfew so proceeded belligerently to play a superbly noisy twenty-minute outro track!    

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Arab Strap on stage. Image Credit BBC.

Following that I saw a trio bill of local bands Formula One, Iota and Karma. Two of the original members of Galaxie 500, badged as Damon and Naomi played at the tail end of 98. It was very much a loungecore setting with seating and hushed audience where anyone coughing sounded loud alongside the dreamy acoustic music, they were a tad twee for my tastes.

In July 99, I saw Angelica, an all-girl punk band from Lancaster featuring Holly Ross on vocals who later with her husband formed the Lovely Eggs. I had picked up on them via their fine album ‘The End of a Beautiful Career’ with the two cracking singles ‘Why Did you let my Kitten Die’ and ‘Bring Back Her Head’, two tracks combining sultry vocals with astonishingly dark lyrics! Unfortunately, they had a shocker that night with sound problems and false starts and they stormed off hallway through the set. They were supported by LoFi Radio.

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Angelica promo picture. Image Credit You Tube Dee Raz

There then followed a hiatus at the venue for around a decade due I think to their PA being stolen. My final two gigs there were to see Midnight Landing, a ska band formed at Kendal college in 2012 and to see Bingo Boy in 2012.  

One night in 2014 in the corner of the Adelphi Main Bar I saw an acoustic act called Chris and Josh playing.

In May 2015, North End blew promotion on the final day, before subsequently and triumphantly breaking their 26 year play off hoodoo by battering Swindon 4-0 at Wembley.  We sought solace in the Adelphi Beer Garden where a band called Drinking Whiskey were performing.

Manchester Venue 6 – The Ritz (Part 2)

I have seen Black Rebel Motorcycle Club there twice and despite their arguably overlong sets they have always been compelling viewing. In 2009 I saw AC/DC wannabees Jet who alternated between ballads and rock tracks and produced a half decent performance with a proper strong vocal.

In 2011 I witnessed the Hold Steady who were going through a transitional phase as the keyboardist Franz Nicolay was undertaking a lengthy leave of absence. This altered the dynamic as it led to them resorting to a set list leaning towards their earlier albums as that suited their guitar led garage band sound, and as a result they were superb on the night.

I have also seen Fidlar, Maran Morris and Ryan Hurd, Arab Strap, Mark Lanegan, Band of Skulls, Joy Formidable. Go Team, Car Seat Headrest and Best Coast grace the stage there.

Nine years after my first visit, I saw Jesus and Mary Chain there in 1996. They were in the midst of touring ‘Stoned and Dethroned’, which is my favourite album alongside the startling aural onslaught that is contained in ‘Psychocandy’. Mary Chain gigs can historically be a bit of a lottery, but they were really accomplished and has thus far been my favourite live performance from them.

In 2018 I did a vintage double header within a few weeks of each other. First up was Belly who were excellent and Tanya Donnelly’s (previously Throwing Muses) voice was an absolute revelation. They also had the obligatory slightly bonkers bassist. To follow them was the Breeders with the Deal sisters in tow and they were enjoyable.

The best sound I encountered was at a British Sea Power show in 2017 with ‘super fan’ Graham Jones in attendance. Sometimes the sound can be a tad muddy here but every note was crystal clear that night. 

British Sea Power ticket stub. Image credit mdm.archive.co.uk

Dinosaur Jr in 2013 were good, playing a large portion of an early album ‘Bug’ containing their biggest tune ‘Freak Scene’. My most recent attendance were the thin young Dublin scamps Fontaines DC who despite sound difficulties were as good as ever and induced mothering reflexes from Gill and Tris as to whether they were eating square meals.

One of the more unusual ones was Wu Lyf in 2012. Their inexorable rise up to that point involving them building up a loyal fan base by playing guerrilla gigs under various Manchester railway arches.

It was the best crowd reaction I had seen for a while and they were quirky and good value. I can only assume that the conversion to standard indoor stages was a wrong move as they broke up a year later.

The inimitable Wu Lyf. Image Credit L’obs.

Prior to a Dandy Warhols gig in 2015 Uncle George and I had a flying dabble in the bookies and we had a never to be repeated hot streak resulting in half an hour later leaving with a not inconsiderable profit. The Warhols couldn’t live up to the earlier high in the evening.

Rocket from the Crypt were in town in 1998 and were tremendous as ever and on that particular tour they created a novelty. This being that the support band Beach Buggies, after their set decamped to outside each venue in an open lorry to play a bonus set. So at the point of departure  we discovered them across the road outside what subsequently became the Gorilla playing a short jaunty set and thus creating Manchester Venue 7 – Manchester Ritz Concourse.  

RFTC Flyer. Image Credit mdm.archive.co.uk

https://academymusicgroup.com/o2ritzmanchester/