Preston Venue 60 The Ferret – Part 4

The stage in the Preston Ferret is immediately to your right as you enter the building prior to accessing the bar. There are stairs taking you upstairs to the loos and there is a standing capacity of around 200 and you normally have an excellent unrestricted view of the bands from wherever you positioned, even when it is packed. The stage was originally placed to the left before being moved and my personal preference was its first positioning as it felt to me to be a more aesthetically pleasing lay out as it was further from the entrance door, but that is just my humble opinion.

The current stage position. Image Credit blogpreston.co.uk

In June 2015 after a long emotional day at my Uncle Danny’s funeral we sought some musical solace and the first act was a terrific post rock band from Guadalajara called Polar Dream, a lazy journalistic term could be to quantify them as a ‘Mexican Mogwai’, though they additionally incorporate drone, Latin, Indian and Turkish shades into their mix.  The South American theme continued with the intriguing atmospheric guitar shades of Fauno, a forward-thinking band who were a key influencer in the music scene in Brazil.

My final gig visit of 2015 was to see Bobbie Peru again with the other band being Pete Bentham and The Dinner Ladies. The latter are an art punk ‘Kitchencore’ combo with the Dinnerettes (Peggy Bread and Patti Cakes) in their ranks and idiosyncratic song titles such as Sensitive Lorry Drivers, Rude Statues and Goth Postmen. In February 2016 I caught a band called Young Recreation.

Polar Dream. Image Credit gigseekr.com

A couple of months later, I saw Flight of Arrows who are a four piece whose members are split between Preston and Sheffield. They had performed at Kendal Calling and bagged support spots with the Strypes and 1975.

The headline act was Vyrll Society from Liverpool who formed in 2013 and were originally named Dirty Rivers. They were highly touted but from a personal viewpoint they left me a bit cold. A couple of years later they released their anticipated debut album ‘Course of the Satellite’ containing the single ‘Andrei Rublev’ in a cultural nod to the famous Russian painter and not the tennis player with an almost identical name! That coincided with headlining a UK tour culminating in a sold-out hometown gig. It came as a surprise then that shortly after the front man Michael Ellis called it quits citing the old chestnut of ‘creative differences’, it is unclear whether the band is still operational.

Vyrll Society. Image Credit dansendeberen.be

 In June 2016 my next appearance featured the band Jordan Allen, who started out as a solo artist. They had an Arctic Monkeys feel about them and a couple of years later they had the privilege of playing at the historic St Johns Minster in the city alongside the Sherlocks.

Later that year I witnessed a rather good math rock outfit called Chiyoda Ku. The band members initially met at the age of 16 at the Academy of Music and Sound in Exeter and honed their live craft at the Stag and Hounds in Bristol. The venue actively encouraged and provided a platform for the more musically obtuse bands, possibly due to its proximity to the ArcTanGent festival site at Fernhill Farm on the outskirts of the city. My next appearance was three months later where I saw local artists Notes and Donnie Williams.

My forty second and as it stands currently my latest visit was in August 2017, a month before we relocated to Manchester. Appropriately it was a full bill and commenced with The Kut (known as Princess Maha) who is a gritty London based multi-instrumentalist. Her musical career commenced in 2005 and she had a very gradual rise through the ranks starting with appearances at the London Olympic and Paralympic games in 2012.

In November 2020 she had a speculative shot for a Christmas No 1 single with ‘Waiting for Christmas’ in aid of Red Cross, where she eventually reached No 10. The success continued with her second album GRIT which achieved a No 1 position in the Official UK Rock Album chart. 

Next up was Black Mamba, a heavy metal band based in the city. They were followed by Blackpool band Sin Circus, spearheaded by singer Vicky Spencer who subsequently released their debut album VII during the pandemic all based around the theme of the Seven Deadly Sins. The headline act was another local rock combo called Twisted Obsession who were in the Metallica mould.

So, this completes my review of the 60 Preston venues I have visited thus far, until I find some new ones to frequent!

Nottingham Venues 37 and 38

Many of the best venues are buried away down the city centre back streets, a case in point is the Chameleon Arts Café in Newcastle Chambers down Angel Row. It is a small eclectic place with a café downstairs with some quirky beers on sale and a 140-capacity venue upstairs. The venue is embraced by DIY promoters which presents the opportunity to catch some unusual and upcoming bands there.

My one criticism is the slightly cramped nature of the venue especially when busy caused by the small access to the venue but once you find your vantage point everything is ok again in the world! 

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The stage of the Nottingham Chameleon Arts Cafe. Image Credit YouTube

My debut visit on 29/09/12 was to see a roster of bands and the first I encountered was Standard Fare, a decent indie pop trio from Sheffield with a C86 aesthetic and the slightly wonky vocals of Emma Kupa. The second band was Milky Wimpshake, a lo-fi indie trio from Newcastle who first appeared in 1997 and remain on the circuit to this very day. Their original drummer had the terrific name of Ms Joey Ramone and they had a knowing charm about them.

The penultimate act was a five piece from Brighton called Shrag prior to the headliners Anguish Sandwich. The main act was a frenetic garage punk band from Northampton with high pitched vocals from Chris East and remaining in the C86 vein they reminded me of Stump, another band from that era.

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Anguish Sandwich. Image Credit blogspot.com

My second visit a couple of months later was to see the Nottingham stalwarts Grey Hairs for the third time. They were supported by an excellent energetic Spanish instrumental math rock three piece called Iepi. I would describe their sound as a more aggressive version of Leicester band Maybe She Will! Their 2014 album ‘New Wr’ is also well worth bending your ears around. They have supported Black Rebel Motorcycle Club and were the first Spanish band to play the post rock festival ArcTanGent held annually at Fernhill Farm in Somerset, which regretfully I have never yet attended.

My third and final appearance was on 24/10/15. Now I have never been a great fan of bands you might place in the Liverpool category of sound, though quite often having the jangly guitars, many bands from that area in my humble opinion sound too fey and lightweight.

However, that changed when I encountered Hooton Tennis Club in a live setting. I had heard some recorded output before and thought it sounded ok, but they were a revelation live with their diverse and inventive sound. The four-piece hailed from the Wirral and the name is taken from a local tennis court. Their debut album around the time was recorded by Bill Ryder Jones from the Coral and the band are currently on a hiatus.     

Continuing the Spanish theme, they were supported by the Parrots who are a duo from Madrid. Their rootsy wonky charm reminded me of their city counterparts the Hinds.

When my brother first moved to Nottingham, he had a flat off Mansfield Road in Sherwood. Just prior to Christmas in 2016 we took a sally out that way and encountered some non-descript pubs including the Robin Hood, a traditional Greene King hostelry. Whilst there we encountered a local cover band called Little Angels.