Nottingham Venue 30 – The Maze

On Mansfield Road, at the junction where Forest Fields commences sits the Forest Tavern pub. The hostelry is a real ale paradise, and you could happily quaff your way down the drink’s menu in the small front tap room. This was a regular haunt and quite often a last stop prior to stumbling across the dark forest fields on the way back to my brother’s residence.

In the back of the pub was a more spacious gig venue called the Maze. It was always a decent venue with a cracking sound system and was mainly a roots and ska place but did cover other genres. Despite a successful crowdfunding scheme to raise 20K in 2017 to revamp the premises, the venue sadly closed its doors for the final time in 2019 and there are now plans to convert the building into student flats.

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The Forest Tavern with the Maze located in the back of the building. Image Credit flickr.com

My first visit there in August 2009 was for a double bill with Minus Society providing the support. The headliners were a radical leftist punk band with the natty name of Leftover Crack from a squat in Manhattan, New York who produced a vibrant noisy set.

My next foray was in 2011 to see a fairly limp performance by a local band called Kick the Rabbit with Youth in Revolt in support. A couple of years later a dub band from Brighton called the Resonators were in residence and produced a suitable skanky set.  

My final visit there was on 08/05/15. The previous night we had watched North End beat Chesterfield 1-0 in the Play Offs in a pub further down Mansfield Road in the Sherwood area. The gig was originally planned for a café venue in town which I had not attended previously, but for the life of me I cannot recall the name of the place. Anyhoo, they moved it at a late date to the Maze venue.

First band on was Eyre View and the main support was Flyying Colours from Melbourne, Australia who I had totally forgotten I had seen until I checked my notes. I think I see too many bands which I don’t view as a problem, but it can cause bouts of partial amnesia! The reason for my surprise is that I adore this band now and had tickets to see them earlier this year, which was naturally cancelled by the pandemic, but will catch them at their rescheduled date in 2022. I recall enjoying their Slowdive influenced shoegaze heavy set.   

The main band was PinkShinyUltraBlast, a fabulously named shoegaze band hailing from St Petersburg in Russia. Listening to their recorded material beforehand I heard elements of Asobi Seksu, Sereena Maneesh and Cocteau Twins in their sound and they portrayed all that in a live setting. What was so astonishing was the volume, and I mean thunderous white noise pin you to the walls sonic attack type of volume, which was all encompassing in a fun way but did lose a smidge of the subtlety.

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PinkShinyUltraBlast on stage. Image Credit www.godisinthetvzine.co.uk

As a result, I would have to include them in my Top 5 loudest live bands list alongside more recognisable luminaries in this genre of Mogwai, My Bloody Valentine, Swans and Pelican.    

Manchester Venue 13 – Roadhouse

When I converse with seasoned Manchester gig goers three particular older venues in my experience are remembered fondly. These are namely the International 1, Boardwalk and Manchester Roadhouse. The venue was located at Number 8 Newton Street in the Northern Quarter. The club had previously been a snack bar and nightclub in the 70’s before morphing into a music venue. The venue sadly closed in 2015.

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The Roadhouse. Image Credit NME

It was a slightly scuzzy but charming basement club with a small stage and a capacity of 200. One of my largest regrets was being aware of White Stripes playing there on a very early tour but not being able to make the gig.  

I attended 5 gigs there between 1998 and 2009. The first being Mogwai in April 1998. Now, I am not usually prone to being melodramatic, but it was one of the strangest nights of my life. The night started normally enough with me, John Dewhurst and Nick Sharp in attendance. We had only a couple of beers in the Millstone on Thomas St where I suspected afterwards that potentially our drinks were spiked.

The night then on is distinctly hazy. The support band was Aerial M who also sometimes worked under the moniker Papa M. It was the first time I had seen Mogwai and from what I remember they were excellent. Nick disappeared unannounced mid gig and headed home as he felt ropey. Me and John headed on auto pilot for some supper to kill an hour before the late train but neither of us ate much and John was not himself. I was then very unusually for me physically ill at the station.

The finale to this surreal trip occurred on the train where I was awoken from a slumber by a commotion around me. The bizarre sight that greeted me on my awakening was the train guard stood in front of me with an axe. With my heart racing, I asked him the reason and it turned out the train was blocked by a small tree that he was going to clear with the said tomahawk. I was never so glad to arrive home as I was that night!

My next visit was in May 99 to see the at the time highly touted Llama Farmers from Greenwich supported by Seafood. They had obtained some decent supports slots to the likes of Green Day and Foo Fighters, but I can honestly say they didn’t live up to the hype and sounded too much like Placebo for my liking. They released 2 albums but subsequently drifted away on the ether.

The previous year I discovered a band with the very unique name of And You Will Know Us by the Trail of Dead from Austin Texas who had a released a decent self-titled first album. They arrived at the Roadhouse in March 2000. Unfortunately, they attracted the most annoying heckler who directed unjustified sustained vitriol at the unfortunate support act Sleepwalker.

AYWKUBTTOD were excellent with their post hardcore scuzzy sound and I recall the drummer and guitarist trading places several times during the gig. They are still on the circuit and have just released their tenth album.

My last gig there on 12/06/09 was to see Drones a punk rock band from Perth, Australia supported by the Snowmen. We happened to be out in Manchester and fell upon this gig and it is one of those that I cannot recall much about, it just passed me by.

My penultimate show was more memorable when I went to see Asobi Seksu on 10/02/09. The gig was originally scheduled for Jilly’s Rockworld on Oxford Road however before the scheduled gig the venue closed for good and the gig rescheduled to the Roadhouse. That was my one shot at attending the Rockworld, so it remains a lost venue.

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Asobi Seksu. Image credit Allmusic

Asobi Seksu were from New York and in the shoegaze/dream pop genre and their first two albums were excellent. They could certainly cut it live as well with a periodic thunderous guitar line in there. Another endearing element to this gig was the surprisingly enlightened approach from the bouncers to allow us to stand on chairs at the back to view the stage as visibility at the venue could be impaired when busy.  

The band had a DIY ethic exemplified by them running their own merch stand. A couple of years after I heard one of their tracks booming out when in Top Shop in Southport and I would say undoubtedly, I was the only punter in the store who could name that band!