Manchester Venues 9 to 12

There was a legendary gig etched in folklore in the heady red-hot summer of 1976 at the Lesser Free Trade Hall where the Sex Pistols apparently influenced many members of the audience to head out and form their own bands. Bob Dylan also played there twice in the mid 60’s, one of those performances inciting the ‘Judas’ shout on the back of him committing the heinous crime of going ‘electric’. In 2004 the venue stopped all performances and was converted into a hotel.

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Flyer from Sex Pistols gig in 1976. Image credit herestheartwork.co.uk

My one and only foray was there on 21/05/89, just shy of my 21st birthday to see the 10000 Maniacs. George drove over and it was a busy sporting night as we listened to Lancashire CC losing a cup quarter final to Worcestershire on the radio on the way over and Blackburn were playing Crystal Palace in a play-off match before being undone in the second leg by the forward line of Wright and Bright! Additionally, Barry McGuigan was fighting Jim McDonnell at the G-Mex next to the venue, for which touts were trying to foist tickets on us. He lost that night and it subsequently turned out to be his final bout.

We visited the Friendship Inn in Prestwich and parked up near the Boardwalk. The venue was quite a classical site and was all seated and despite my best efforts we could not get anywhere nearer the stage. Maniacs were in great form and the best tracks were off their opus ‘In My Tribe’ especially ‘Hey Jack Kerouac’, ‘Don’t Talk’, What’s the Matter Here’ and a fabulous encore of ‘Verdi Cries’. A very fine gig.

Referencing the G-Mex Conference Centre above leads to recollections of my one gig there. I have visited the G-Mex several times on work events and it used to be the location of Manchester Central station. They also now have a huge annual beer festival there. Contemporary update is that as I write this they are currently converting the venue to an emergency hospital to assist in the fight against the Covid 19 pandemic.  

My one visit was in 1993 to see Madness. Gill was undertaking a Paediatric Nursing course at that stage and lodging at Hope Hospital (now Salford Royal). The tram network running past there was only a twinkle in the developer’s eye at that stage. Locally we used to periodically frequent the disreputable Inn of Good Hope (coined locally as Good Grope!) and visit a fabulous Chinese restaurant about 100 yards from the hospital grounds which was utilised around that time for a scene in Coronation Street involving Des Barnes.

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Inn of Good Hope, Eccles Road, Salford in 1990. Image credit flickr.

Gill had got pally with a lass on her course who had settled in Monton so we headed with Liz and Clive into the metropolis that night for some nutty boy action. The venue was cavernous and rather soulless and was probably at best half full. As you would expect Madness were good fun, but I struggled to connect with it that night, perhaps due to the impersonality of the venue.

On the corner of Princes St and Portland St there is a faux Irish Bar called Scruffy Murphy’s where around 1993 I saw a lad called Seamus perform acoustically.

As referenced previously Chinatown has always been a central hub for us pre and post gigs and we used to periodically visit the Chinese Jazz Restaurant. On one visit there was an inhouse band playing whilst we were devouring our supper and I recall George requesting a tune, but for the life of me I cannot recall what it was!

Gig Miscellaneous – Part 1

Over the next few articles, I am delving into the extensive miscellaneous minutiae of all things gig related. The first question I would pose here is why would you choose to listen to or want to see a particular band?

Initially for me this was influenced by my background and my dad who was a music fan and had a decent back catalogue so I first picked up on records by Del Shannon and Buddy Holly moving onto Bob Dylan and also instilling a life long devotion to Neil Young who also contributed (not literally!) one of the songs for mine and Gill’s wedding.

Then the pervasive influence of schoolmates kicked in resulting in an Adam Ant and a mercifully brief Heavy Metal phase. Around 1982, a significant event happened where as a stunningly shy 14-year-old I was navigating the unremitting awkwardness of a school disco where the DJ was spinning the soporific tunes of Duran Duran and Spandau Ballet. Suddenly an Irish lad called Aidan Callaghan requested ‘At the Edge’ by Stiff Little Fingers and then proceed to pogo around an empty dance floor for the next three minutes. I was spellbound by the joyous urgent racket and his unabandoned enjoyment, it was literally a life changing moment for me that music like this existed. I still adore that track to this day!

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Stiff Little Fingers. Image credit Discogs

My elder brother also introduced me to various below the radar American indie bands such as Husker Du, Minutemen and Meat Puppets. Those specific bands reminded me of a decent book called ‘This Band Could Be Your Life’ penned by Michael Azzerad. This commendable tome covers 12 bands between 1981 and 1991 and outlines the commercial constraints of the pre-internet age and the more imaginative way (i.e. flyers and fanzines) they chose to spread their gospel though quite often being restricted to pop up gigs in basements and shop doorways. One unusual stat for you, the Meat Puppets referenced above, generated the longest gap between the first and second time I have seen a band. I saw them play their first ever British date on 18/09/87 and didn’t see them again until 03/09/15 – just shy of a 28-year gap!

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Meat Puppets live. Image credit WordPress.com

It is somewhat difficult to imagine now with all information at our fingertips (arguably too much!) that it was very much a word of mouth existence to keep yourself updated. To exemplify this, I recall Rick Clegg and I on our first holiday in Majorca in 1986 trying to find out the latest Preston North End score. There were very limited options available to us, one an eyewatering cost to ring home and the second to wait for the English papers to arrive which would be 3-4 days later. We managed to circumvent this via a third option by identifying a dingy bar that had World Service transmitting via a tinny radio. It was all worth it as it was announced that we had beaten Cambridge 1-0.

The weekly music magazines Sounds, Melody Maker and especially NME greatly assisted in identifying new bands. I learned to became somewhat adept in gauging my future interest in a band from reading their LP or Live reviews. Their periodic 45’s and more so C86 which was a fine influential mix tape of new shoegaze type bands introduced me to the likes of The Pastels, The Shop Assistants, Half Man Half Biscuit and We’ve Got a Fuzzbox and We’re Gonna Use It.   

I soon discovered at this point after dabbling with various instruments, guitar and drums that I was musically inept, so my future lay in being a listener only, but I was going to make sure I was damn good at it!