Preston Venue 10 and 11 Guild Hall – Part 3

My second gig there was to see Neds Atomic Dustbin on 20/11/91. They were part of the Brummie Grebo scene incorporating also the Wonderstuff and Pop Will Eat Itself. Their name was derived from an episode of the Goon Show and they unusually had two bassists. The gig cost £8.50 which was a lot of lucre in those days.

I had a very busy day prior to the gig involving driving back from Manchester where Gill was residing before a day at work then onto night school where I was undertaking a Statistics course. In the gap between work and college I scampered to Asda at Sherwood to cash a dodgy cheque as my finances were somewhat parlous at that point in my life.   

I met a couple of other lads in the gig and it was about two thirds full. I was in the moshpit and it was exceedingly hot. They sounded grungier and more ponderous live than on vinyl which wasn’t to my liking so I would quantify it overall as a disappointing gig.  

Northern Soul is a phase that passed me by when I was younger, but I have grown to really like the passion and energy of the music in that sphere and love to witness the religious fervour that the true disciples bestow on this genre.  

We attended a Northern Soul night on 14/09/02 and there were many older punters paying homage on the dancefloor though methinks their muscles likely protested the following morn. Incorporated within the event was a set by Edwin Starr.  

I recall Uncle George telling me a tale when he was on a works do one night in a Blackburn nightclub and very unexpectedly Edwin Starr appeared on stage and he said he was in outstanding form that night.

Unfortunately, I caught Edwin in the twilight of his career in what turned out be one of his last gigs as he passed away the following year.

 

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Edwin Starr. Image Credit WordPress.com

My final gig there was the Proclaimers on 30/10/07. Me and Gill attended with Rick and Debbie Clegg and pre drinks were partaken in the Stanley and a post gig aperitif in the Olde Black Bull.

The Proclaimers can generate undue scorn and are sometimes viewed as a joke band, but in my opinion that is grossly unjustified as I think they pour their heart and soul into their art and have a sharp political wit in the mould of Billy Bragg.

It was my third gig in 6 days including two in Manchester and I was a bit jaded, but they were in fabulous form and swept away the tiredness with a fine set with a suite of songs off their latest album ‘Life with You’. The standout track that night was ‘No one left to Blame’ with the immortal put down line of ‘You blamed it on the whiskey as if it poured itself’.

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The Proclaimer ‘Life With You’ album. Image Credit The List

They used to have gigs in the Guild Hall Foyer in the 80’s and 90’s but I never attended one in that period. Only when they rebooted the venue did I make my debut. So, on 27/07/18 a large posse of us went to see British Sea Power who were excellent and their encore track of ‘Great Skua’ was sublime. It was a real treat to see them in Preston environs.

The last two gigs referenced would be worthy of inclusion in my Top 10 gigs in Preston list.  

I believe the whole complex is sadly currently closed due to an ongoing dispute between the council and the current owners.

Manchester Venue 6 – The Ritz (Part 2)

I have seen Black Rebel Motorcycle Club there twice and despite their arguably overlong sets they have always been compelling viewing. In 2009 I saw AC/DC wannabees Jet who alternated between ballads and rock tracks and produced a half decent performance with a proper strong vocal.

In 2011 I witnessed the Hold Steady who were going through a transitional phase as the keyboardist Franz Nicolay was undertaking a lengthy leave of absence. This altered the dynamic as it led to them resorting to a set list leaning towards their earlier albums as that suited their guitar led garage band sound, and as a result they were superb on the night.

I have also seen Fidlar, Maran Morris and Ryan Hurd, Arab Strap, Mark Lanegan, Band of Skulls, Joy Formidable. Go Team, Car Seat Headrest and Best Coast grace the stage there.

Nine years after my first visit, I saw Jesus and Mary Chain there in 1996. They were in the midst of touring ‘Stoned and Dethroned’, which is my favourite album alongside the startling aural onslaught that is contained in ‘Psychocandy’. Mary Chain gigs can historically be a bit of a lottery, but they were really accomplished and has thus far been my favourite live performance from them.

In 2018 I did a vintage double header within a few weeks of each other. First up was Belly who were excellent and Tanya Donnelly’s (previously Throwing Muses) voice was an absolute revelation. They also had the obligatory slightly bonkers bassist. To follow them was the Breeders with the Deal sisters in tow and they were enjoyable.

The best sound I encountered was at a British Sea Power show in 2017 with ‘super fan’ Graham Jones in attendance. Sometimes the sound can be a tad muddy here but every note was crystal clear that night. 

British Sea Power ticket stub. Image credit mdm.archive.co.uk

Dinosaur Jr in 2013 were good, playing a large portion of an early album ‘Bug’ containing their biggest tune ‘Freak Scene’. My most recent attendance were the thin young Dublin scamps Fontaines DC who despite sound difficulties were as good as ever and induced mothering reflexes from Gill and Tris as to whether they were eating square meals.

One of the more unusual ones was Wu Lyf in 2012. Their inexorable rise up to that point involving them building up a loyal fan base by playing guerrilla gigs under various Manchester railway arches.

It was the best crowd reaction I had seen for a while and they were quirky and good value. I can only assume that the conversion to standard indoor stages was a wrong move as they broke up a year later.

The inimitable Wu Lyf. Image Credit L’obs.

Prior to a Dandy Warhols gig in 2015 Uncle George and I had a flying dabble in the bookies and we had a never to be repeated hot streak resulting in half an hour later leaving with a not inconsiderable profit. The Warhols couldn’t live up to the earlier high in the evening.

Rocket from the Crypt were in town in 1998 and were tremendous as ever and on that particular tour they created a novelty. This being that the support band Beach Buggies, after their set decamped to outside each venue in an open lorry to play a bonus set. So at the point of departure  we discovered them across the road outside what subsequently became the Gorilla playing a short jaunty set and thus creating Manchester Venue 7 – Manchester Ritz Concourse.  

RFTC Flyer. Image Credit mdm.archive.co.uk

https://academymusicgroup.com/o2ritzmanchester/