Manchester Venue 57 to 59 Sound Control – Part 1

If you turn right at the base of the Manchester Oxford train station steps and go past the Thirsty Scholar pub you would find the Sound Control music venue. It was in a brilliant location with easy access to the station and surrounded by a plethora of adjacent boozers.

My friend Ellie Goodman, now Ramsbottom’s finest was a huge aficionado of this venue, and she is evidently an outstanding judge of character as it remains one of my Top 5 favourite Manchester venues. The venue opened on 16/12/09 and despite many great bands crossing the threshold it sadly closed exactly eight years later on 16/12/17, the final night being a celebratory Oasis disco. It has since been demolished with the intention of building student flats.

One regret was missing the timeless Buffalo Tom when they played there one Friday night as it was announced a couple of days after I had booked a weekend away, despite that fact that I have seen them before it was a real shame as they rarely hit these shores nowadays!

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Sound Control venue. Image Credit northernnoise.co.uk

The venue consisted of three main areas, the initial being the Sound Control Bar which you accessed instantly on entering the venue. Its primary function was obviously to purchase beverages but also very occasionally the 150-capacity area doubled up as a music room. In 2013, within the remit of the excellent Dot to Dot festival, I saw a decent acoustic singer called Sam Bradley, who was from London but had spent part of his childhood soaking up the diverse musical influences of Nashville.  

At the same festival in 2013 I discovered for the first time that there was also the Sound Control Basement Club complete with stage and a decent capacity of 350.  The band I saw was Satellite Stories but that is only half the story though as reading about them now, they were cited at the time as the most universally popular indie group from Finland and received considerable press acclaim.

They were also remarkably recorded as the second most blogged artist in the World in August 2012. Much to my shame, or not as the case may be, I can barely remember anything about them apart from them having a clean accomplished poppy sound, it looks like the band disbanded in 2018. I have noted also that this was my 50th different venue in Manchester.

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Satellite Stories promo picture. Image Credit weallwantsomeone.org

Dot to Dot is unfortunately not taking place in Manchester this year, but hopefully they will be reintroduced to the roster next year alongside their Nottingham and Bristol counterparts.

From the bar there were a choice of staircases up to the Sound Control Music Room, where you could always garner a decent vantage point and a large dancefloor made it a stellar mosh pit venue.

My first attendance there on 06/02/10 was in the end an aborted gig due to a combination of circumstances. There was a highly touted double bill of upcoming bands The Drums and Surfer Blood. Both bands had performed at the Academy that evening and as Sound Control was the second gig of the night, all the stage times got pushed back.

We arrived at the upstairs venue, liking it instantly and punters were waiting patiently for the support act, but rather oddly in the format of a school disco by all being stood backed against the outer walls with nobody brave enough to venture forward to the stage!

Further conspiring against a successful gig-going evening was the fact that at this point in time on Saturday nights the last train turned into an interminable bus, so we were forced to catch the earlier 10.30 train. The band unfortunately did not appear before our departure time, so we did even not hear a note, a very odd night and to complete the sorry tale, I have never managed to see either band in a live setting since.

Preston Venue 23 – The Mill Part 1

There used to be a plethora of pubs in the Plungington/Brook Street area of the city, many such as the Royal Oak, the Tanners, Plungington Tavern, General Havelock, The Cottage and the Brookhouse have all now bitten the dust.

Around the corner from there is Aqueduct Street where there used to be a couple of further boozers, Prince Consort a Whitbread house run by an ex-wrestler which closed in the 90’s. The other being the Lime Kiln, a small, homely pub that subsequently turned into a slightly chaotic Chinese restaurant. Located between those two hostelries was a landmark Preston venue called the Mill.  

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The Lime Kiln pub. Image Credit Flickr.

For about three years around 2003-2005 this venue burned very brightly and attracted some big indie names to an unprepossessing back street venue. It is located near a West Coastline railway bridge and opposite a dance club I cannot recall the name of but subsequently become a LGBTQ venue called the Boiler House in 2019.

It was originally a venue between 1993 and 1996 called the Mill where Oasis and Pulp played early gigs, annoyingly I have also just discovered Buffalo Tom played there in 1993, which I was wholly unaware of at the time. It then had different signage under Club Sugar and the Marquee before closing in 2002. A year later the owners of Leeds Cockpit were looking to open a gig site in the North West and chose this location under its original name. The opening of a bigger rival venue called 53 Degrees precipitated its subsequent downfall in about 2007 as Preston was not big enough to justify two main venues, I believe it is still operational as a recording studio.

There were steps leading up to the entrance which brought you into the centre of the venue with a large dance floor, stage to the right and a long bar facing opposite. Somewhat bizarrely in about 2005 they launched a split room approach to try and create a separate bar and gig area which personally did not work for me. On non-gig nights they opened as a nightclub which I frequented a few times, and this was where Paddy Finch and I used to pogo around the dancefloor.  

This former cotton mill in Aqueduct Street has undergone a number of changes as a venue and has recent incarnations, featuring a Shisha bar and the newest addition the Escape Room Preston, where players take part in prison-break type experience. The Mill opened as a nightclub/music club focusing on alternative music in 1998
Preston Mill venue. Image Credit Lancashire Evening Post.

I saw 15 gigs there in totality which places it 8th on the all-time visited venue list and joint 2nd in the Preston venues list. I attended there twice in its original incarnation. The first in 1995 to see Cement, which was a band formed by lead vocalist Chuck Mosley who was previously in Faith No More and the legendary and influential Bad Brains. I recall them creating a rambunctious slab of noisy garage rock.  

My second appearance was the following year was to see a Battle of the Bands event and we witnessed Wunjo Station, Tripitaka, King Mambo and Fervid.

There was a seven-year hiatus before my next visit in 2003 at which point it was becoming increasingly evident that the venue was beginning to attract a decent calibre of bands to play there. I missed an early performance by Snow Patrol as I was attending an alternate gig that night, doubly regretful as I was a big fan of the material produced by their spin off band Reindeer Section, especially their terrific second album Son of Evil Reindeer.

On 23/09/03 the Swedish band Wannadies were in town and they produced an excellent set with their quirky lead singer Par Wiksten in full flow. It was a poignant gig for me as I was still recovering from a particularly unpleasant sustained bout of shingles and some noisy poppy guitars only served to aid my recovery!