Preston Venue 27 – The Wheatsheaf

Preston Docks was a thriving metropolis back in the 1960’s and at that point boded well for the future of the town but its luminous period gradually faded and the whole area was regenerated in the 1980’s.

One of the famous spots that appeared in the area around that time was the Manxman, which was original a ferry between Isle of Man and Liverpool before became a floating nightclub which I frequented only the once on a Tuesday night in 1988 at Dave Keane’s 21st. It was also the venue where my pal Tony Dewhurst met his future wife Pam.

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The Manxman making its grand entrance into Preston Dock. Image Credit Flickr and Mrs J Fielding.

It was then towed to Liverpool where it remained as a nightclub in the Trafalgar Dock area before subsequently landing in Sunderland where it was dismantled in 2012. Two lesser-known facts I discovered are that it was used a location for the Barbara Streisand film Yentl and a pre-married Richard and Judy recorded a Granada series called Scramble there.  

I also spent 7 happy years working at Albert Edward House in that area in the 90’s. The building used to have a canteen where for the first time since school I re-encountered the culinary delights of Manchester Tart. They also used to have a pool room where I arranged a couple of large tournaments between work colleagues, I also now and then did a little bit of work!

When we used to venture out at lunch, we walked through a suite of industrial units prior to accessing Strand Road. The end unit was Oyston Mill which for a period in the 80’s/90’s was a band rehearsal space.

My good friend Paul Catterall was in a band at the time and used to frequent the there and a local metal band called Xentrix often occupied the adjacent rehearsal space. The band achieved some short-lived airplay with a Ghostbusters cover.  

The landmark breakthrough Dinosaur Jr track ‘Freak Scene’ was recorded in 1988 and within the wonky video there is a yellow Fisherman statue. I recall this video being played mercilessly at the time by Snub TV, a BBC2 teatime programme devised by Janet Street Porter. The video was recorded in a garden in a West Didsbury house which was rented by John Robb.

However, I have seen incontrovertible video evidence provided by Paul that this statue used to reside in Oyston Mill, though it remains unclear whether this was before or after the recording of the video. 

In those days there was a thriving work social scene, and many Friday lunchtimes were spent in local hostelries, one of the regular boozers was the Ribble Pilot sitting right on the dock side. As you progressed round onto Watery Lane you passed the Ship Inn which I believe used to occasionally have bands playing in their large function room. My one memory of that pub is watching Steve Davis beating Joe Johnson in the World Snooker final in 1987. Behind the Ship was located the West Orange recording studio where reputedly Cornershop recorded some material.  

Further down, you pass the longstanding Curry House King Karai which I frequented regularly in the 1990’s before you then reach Umberto’s chippy which never seemed to be closed. Also, in close proximity was Jing Jing, in my view the best Chinese takeaway in the city.   

Up Tulketh Road lies a little homely pub called the Wellington, a couple of mates have an advantage on me there as they saw local band Deadwood Dog play there.

At the bottom of Tulketh Road are two adjacent pubs. On one side is the Grand Junction, not a regular haunt but I recall a group of us scrambling out from work at lunchtime in 1992 to watch the last few overs of England losing the Cricket World Cup final to Pakistan.

Much preferred is the other boozer The Wheatsheaf. It has also been under the moniker of Last Orders and for a spell a Mighty Muldoons. I have always been fond of this pub as it has a variable clientele of ages ranging from 18 to 80.

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Preston Wheatsheaf public house. Image Credit unspecified.

It was a regular venue for watching football including England in World Cup matches beating Columbia in 1998 and Argentina in 2002 and several PNE matches. I recall also watching an England v Scotland where it was so heavily populated, I had to go out the front door and return in via the back door to reach the loos.

The pub periodically had bands on there and my one occurrence was to see a rather noisy local covers band called Contraband.       

Manchester Venue 6 – The Ritz (Part 2)

I have seen Black Rebel Motorcycle Club there twice and despite their arguably overlong sets they have always been compelling viewing. In 2009 I saw AC/DC wannabees Jet who alternated between ballads and rock tracks and produced a half decent performance with a proper strong vocal.

In 2011 I witnessed the Hold Steady who were going through a transitional phase as the keyboardist Franz Nicolay was undertaking a lengthy leave of absence. This altered the dynamic as it led to them resorting to a set list leaning towards their earlier albums as that suited their guitar led garage band sound, and as a result they were superb on the night.

I have also seen Fidlar, Maran Morris and Ryan Hurd, Arab Strap, Mark Lanegan, Band of Skulls, Joy Formidable. Go Team, Car Seat Headrest and Best Coast grace the stage there.

Nine years after my first visit, I saw Jesus and Mary Chain there in 1996. They were in the midst of touring ‘Stoned and Dethroned’, which is my favourite album alongside the startling aural onslaught that is contained in ‘Psychocandy’. Mary Chain gigs can historically be a bit of a lottery, but they were really accomplished and has thus far been my favourite live performance from them.

In 2018 I did a vintage double header within a few weeks of each other. First up was Belly who were excellent and Tanya Donnelly’s (previously Throwing Muses) voice was an absolute revelation. They also had the obligatory slightly bonkers bassist. To follow them was the Breeders with the Deal sisters in tow and they were enjoyable.

The best sound I encountered was at a British Sea Power show in 2017 with ‘super fan’ Graham Jones in attendance. Sometimes the sound can be a tad muddy here but every note was crystal clear that night. 

British Sea Power ticket stub. Image credit mdm.archive.co.uk

Dinosaur Jr in 2013 were good, playing a large portion of an early album ‘Bug’ containing their biggest tune ‘Freak Scene’. My most recent attendance were the thin young Dublin scamps Fontaines DC who despite sound difficulties were as good as ever and induced mothering reflexes from Gill and Tris as to whether they were eating square meals.

One of the more unusual ones was Wu Lyf in 2012. Their inexorable rise up to that point involving them building up a loyal fan base by playing guerrilla gigs under various Manchester railway arches.

It was the best crowd reaction I had seen for a while and they were quirky and good value. I can only assume that the conversion to standard indoor stages was a wrong move as they broke up a year later.

The inimitable Wu Lyf. Image Credit L’obs.

Prior to a Dandy Warhols gig in 2015 Uncle George and I had a flying dabble in the bookies and we had a never to be repeated hot streak resulting in half an hour later leaving with a not inconsiderable profit. The Warhols couldn’t live up to the earlier high in the evening.

Rocket from the Crypt were in town in 1998 and were tremendous as ever and on that particular tour they created a novelty. This being that the support band Beach Buggies, after their set decamped to outside each venue in an open lorry to play a bonus set. So at the point of departure  we discovered them across the road outside what subsequently became the Gorilla playing a short jaunty set and thus creating Manchester Venue 7 – Manchester Ritz Concourse.  

RFTC Flyer. Image Credit mdm.archive.co.uk

https://academymusicgroup.com/o2ritzmanchester/