Manchester Venue 191 Gorilla – Part 1

On Whitworth St, directly opposite Manchester Ritz and within a literal stumbling distance from Manchester Oxford Road rail station you will find Manchester Gorilla. The venue is uniquely situated under a railway arch and was previously the arts, theatre and comedy site The Green Room back in the 1980’s. On the comedic front Alan Carr, Steve Coogan and Caroline Aherne graced that stage and James and Doves played early gigs there.

When that business closed the Trof Group took over the running and Gorilla initially opened its doors in 2012. Its future looked extremely perilous during the pandemic, but thankfully a new owner was sourced and that saved the day, and it is now linked to its sister site of Deaf Institute nearby on Oxford Road.

Gorilla. Image Credit discover.ticketmaster.co.uk

There is a tidy little bar at the front of the venue but there is no access from there to the gig space, apart from sometimes being directed by ‘Rock Steady’ to exit gigs through this bar area. The actual entrance is around the corner under the tunnel, and a few stairs brings you into the main room with a 550 capacity. 

It is a well laid out space with a merchandise stall to the left and the extendable/removable stage at the bottom of the room. However, like many other locations it can be arguably too busy when at full capacity, presenting logistical challenges when trying to access the two bars and even move around!  It also has a raised platform at the back of the hall with a smattering of elevated seats.

It generally provides good sound and local lad Johnny Marr talks very warmly about the venue and has actively encouraged his peers to include a touring date there. They have regular club nights with promoters such as Guilty Pleasures and Now Wave.

I have attended eighteen gigs there over the years with my first show being British Sea Power in April 2013. I have now seen them six times in total, and this was my second sighting 11 years after I discovered their unique stagecraft at the Leeds Festival in 2002. I recall them being introduced on stage by 6 music DJ Marc Riley.

Near to the culmination of the set, I nipped to the loos which are positioned behind the stage and encountered a chap dressing up into an eight-foot polar bear outfit. Before you ask, nobody had put anything suspicious in my beer, it was actually a tradition the band had at the stage of their career where a couple of bears would parade around the mosh pit during the encore!   

The bears and the band in action. Image Credit NME.

A month later, I returned as the venue was part of the roster for the sorely missed multi venue Dot to Dot festival. On that particular day I saw the aforementioned Marc Riley faves Teleman. The original germination of the band was the three members Pete Cateermoul and the Sanders brothers, Johnny and Thomas who were part of Pete and the Pirates. After they disbanded, they were joined by drummer Hiro Ama and became Teleman in 2011. I have always thought they have an intriguing sound, and they lived up to that in a live setting.

Also performing were the Wildflowers who were formed in 2012 and based in Brighton and Bristol. The driving force is main songwriter Siddy Bennett and her sister Kit who had an interesting bohemian upbringing via living on boats, caravans or in protest camps. They have a country punk sound and were coined in the early days as ‘Punk Dolly Parton’s’. Their breaking moment was a set they played at South by Southwest festival in Austin Texas that inspired Detroit label Original 1265 Records to sign them up. I could hear diverse elements in their sound ranging from Mamas and Papas to White Stripes.  

Next up was the old troubadours Nada Surf where the gig was completely sold out and they were touring their latest album ‘You Know Who You Are’ and were in as fine form as ever as they have now amassed a quality back catalogue. 

In August 2014 Gill and I headed over to watch Joan As Policewoman, whose stage name was a homage to the 1970’s television cop show called Police Woman starring Angie Dickinson. Her actual name is Joan Wasser who was adopted at a young age and was musically precocious as she had piano lessons at the age of six and violin tutelage at the age of eight. She started her professional musical career in the Boston University Symphony Orchestra.

Joan as Policewoman. Image Credit blogspot.com

Then to paraphrase Neil Young around the time of his commercial peak of recording ‘Harvest’, who was quoted as saying ‘It put me in the middle of the road, travelling there soon became a bore so I headed for the ditch. A rougher ride but I saw more interesting people there’. Joan adopted this ethos literally as she was jaded by the classical structure so did a full U-turn and morphed into being a member of various punk bands.

She suffered personal heartache in May 1997 when her fiancé of three years Jeff Buckley accidentally drowned in Memphis. At the time we saw her, she had just released her fourth solo album ‘The Classic’ but surrounded herself with a touring band for the live dates.

In March 2016 I saw Pelican for the second time after their staggeringly loud show a few years before at the Ruby Lounge venue across town. They are classed in the post-metal genre; there is literally a label for everything! They are entirely instrumental and produce long slabs of glorious brutal noise and three of their members are also part of the band Tusk. The show wasn’t as intense as the previous one, but still very good. 

Manchester Venues 184 to 185 – Piccadilly Gardens

Christmas markets are essentially street bazaars which are linked to the celebration of Yuletide and traditionally take place within the four-week Advent window. The initial concept of them evolved in the last knockings of the Middle Ages and mainly in the German speaking areas of Europe. Early mentions of December markets roll all the way back to Vienna in 1296 but the first recognised reference to a Christmas market was the Striezelmarkt which took place in Dresden in 1434.

They are large open-air gatherings with food, drink (traditionally mulled wine) and seasonal goods for sale. The food offerings can range from Nussknacker (candy toasted almonds) and Christstollen (stollen). The markets undertook a significant modern day revival in the 1990’s and spread their wings to a considerable number of European cities. The first occurrence in England was in Lincoln in 1982 before the larger cities caught the bug with the commencement in 1997 of the Manchester (Frankfurt) Christmas Markets,with the German city initially providing support.   

Manchester Albert Square Christmas market. Image Credit whatsonmcr.co.uk

I have attended a couple of actual markets in Germany including an excellent one in Stuttgart where the facilities now include additional elements such as ice rinks, funfair rides and my own favourite model railways which I am eternally fascinated by. The Manchester shindigs have always personally felt like a paler imitation of the originals. However, despite my reservations they have grown exponentially from the inaugural version which was based solely in St Anns Square into the hugely popular event it is nowadays with three hundred stalls now dotted across many parts of the city with a large footfall attending.

It used to create a considerable nuisance when attending December gigs and then encountering a plethora of inebriated punters on astoundingly busy trains back to Preston. Also, my commute back home after work requires me to devise a different route than normal to reach my destination of Piccadilly station.   

The central hub of the markets was always Albert Square but that has been closed for restoration for the last few years, but it is planned to be reopened for this year’s event. In the interim one of the main areas centralised around Manchester Christmas Market Piccadilly Gardens.

In the 18th century this particular location was donated to the city by Sir Oswald Mosley, Lord of the Manor of Manchester on one fundamental condition that the space be retained in public use in perpetuity.   

L S Lowry ‘Piccadilly Gardens’ picture. Image Credit King and McGaw.

The Gardens were initially designed as an ornamental sunken garden after World War I on the former location of Manchester Royal Infirmary, the Infirmary then moving to its current location down Oxford Road. Prior to building the gardens other schemes including building an Opera House or a new location for the Cathedral were proposed but then discounted. The local painter L S Lowry also utilised the backdrop for his 1954 painting titled ‘Piccadilly Gardens’.

It was subsequently flattened out in 2002 with a central water feature and a concrete pavilion designed by the Japanese architect Tadao Ando with a curved concrete wall to obscure the metrolink line, this all resulted in an overall cost of £20.7m. It is an extremely rare green space in the city centre and contains a transport hub with buses and trams running directly through and adjacent to it. For many years prior to its move to Oldham Street, the famous Piccadilly Records was also located nearby.

Within the village created, room was made for a stage for the purposes of providing musical entertainment. Within the auspices of the 2023 event, I saw an act called General Drummer play there.

Earlier this year another innovative shindig was initiated via the generation of the Manchester Piccadilly Gardens MCR Live Hub with a stage located in another corner of the Gardens. It was designed as a city centre gathering point taking place between early July until the end of September and was part of the wider MCR Live 25 event which deliberately coincided with the Burnage Boys comeback tour.

Manchester MCR Live Hub Stage area. Image Credit ihmanchester.com

Other attractions were the Music for the Senses trail containing murals, mosaics and Guitar Street (located in reality on King Street), where you could find 50 donated guitars, some from musicians including Doves, PINS and Pixies. Commendably at the curtailment of the trail the instruments were auctioned to raise funds for grassroots venues and music projects across Greater Manchester.

Manchester artist Lazerian also created a Cathedral of Sound, a sound installation built from hundreds of reclaimed acoustic guitars. The Live Hub area was staged fully outdoors to embrace the weather in the summer months and contained a bar, street food and a plethora of beer garden picnic tables. They had DJ sets and live musicians, and I saw a couple of local artists called Sabrina and Gordy performing there.