Manchester Venue 31 Night and Day – Part 3

In my humble opinion the most criminally underrated band over the last 15 years is a band from Norwich called Sennen. They formed in 2002 and were named after a Ride track and have produced five excellent albums which I return to on a regular basis. They are in the post-rock Mogwai mould with a softer side and they produce hypnotic music with hushed shoegaze harmonies.

I think what has hindered them is their aversion to touring and in those 19 years of existence they have not yet totalled 150 gigs, UK Subs and Status Quo would probably hit the total in a calendar year. Prior to me becoming aware of them they played the Cellar Bar in Blackburn. I was aware of a Deaf Institute gig but couldn’t attend but in retrospect was glad I didn’t make it as it transpired, they only did a short post-midnight set.

Thus, when I heard they were playing Night and Day on Easter Monday in 2010 I ensured I would be in attendance. I recall Uncle George and I trying to find somewhere beforehand to eat in and around Rochdale Road near the Wing Yip supermarket and we ended up in a little noodle bar. The area we were scouring that night is now unrecognisable as it subsequently turned into the regentrified Ancoats area.  

Rather sadly, there cannot have been more than 20 people in the venue. Despite the band being somewhat rusty I thoroughly enjoyed their 45-minute set. I also had a parlay with them afterwards and they turned out to be genuine down to earth lads. They were supported on the night by Rarely Spun.

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Sennen. Image Credit Last FM.

The following year we saw Slaughter and the Dogs, the old punk band who formed in the local suburb of Wythenshawe. They were in very good form with a terrific crowd interaction and it was a fine gig. The night ended in chaos as we miscalculated the time and subsequently missed the last train from Victoria. This resulted in an expensive cab home on a very filthy rainy night, and I was very glad to land home that night!

In 2018, I attended a gig there with my North East correspondent Jamie Young. We had a pre gig visit to the infamous Marble Arch pub and a pizza in the Mackie Mayor food hall. The band in question was Black Delta Movement, a psychedelic garage rock outfit from Kingston Upon Hull. Regretfully, it was a disappointing set and they were outshone by the support band Mr Strange, an engaging three-piece band from Isle of Wight.  

Later that year, I went to see the Orielles from Halifax accompanied by Gill and one of the brightest people I know, Dr Laura Buckley. The bands fortunes were on the upswing at that point, but they honoured a commitment to play Night and Day which was gracious of them. They have a quirky off kilter sound but were an enjoyable watch. They were supported by a mournful downbeat set from Laetitia Sadler, who is better known as a member of Stereolab and Le Price Maori.

Saving the best to last was one of those random gigs that you very rarely encounter by catching a remarkable band at the inception of their career and you know instantly it is a privilege to be there. At the Dot to Dot festival in 2018 we happened to wander into the venue just before a very early performance from Dublin’s finest Fontaines DC.

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Fontaines DC on stage. Image Credit Irish Times

They wandered on and had a captivating presence with lead singer Grian Chatten prowling the stage like a caged tiger and the band in perfect synch behind him. They only played a 30-minute set (perfect pint supping timespan) but what a fabulous half an hour they produced. Algarve Ray was also in attendance and he looked as awestruck as me after the gig!

Manchester Venue 6 – The Ritz (Part 2)

I have seen Black Rebel Motorcycle Club there twice and despite their arguably overlong sets they have always been compelling viewing. In 2009 I saw AC/DC wannabees Jet who alternated between ballads and rock tracks and produced a half decent performance with a proper strong vocal.

In 2011 I witnessed the Hold Steady who were going through a transitional phase as the keyboardist Franz Nicolay was undertaking a lengthy leave of absence. This altered the dynamic as it led to them resorting to a set list leaning towards their earlier albums as that suited their guitar led garage band sound, and as a result they were superb on the night.

I have also seen Fidlar, Maran Morris and Ryan Hurd, Arab Strap, Mark Lanegan, Band of Skulls, Joy Formidable. Go Team, Car Seat Headrest and Best Coast grace the stage there.

Nine years after my first visit, I saw Jesus and Mary Chain there in 1996. They were in the midst of touring ‘Stoned and Dethroned’, which is my favourite album alongside the startling aural onslaught that is contained in ‘Psychocandy’. Mary Chain gigs can historically be a bit of a lottery, but they were really accomplished and has thus far been my favourite live performance from them.

In 2018 I did a vintage double header within a few weeks of each other. First up was Belly who were excellent and Tanya Donnelly’s (previously Throwing Muses) voice was an absolute revelation. They also had the obligatory slightly bonkers bassist. To follow them was the Breeders with the Deal sisters in tow and they were enjoyable.

The best sound I encountered was at a British Sea Power show in 2017 with ‘super fan’ Graham Jones in attendance. Sometimes the sound can be a tad muddy here but every note was crystal clear that night. 

British Sea Power ticket stub. Image credit mdm.archive.co.uk

Dinosaur Jr in 2013 were good, playing a large portion of an early album ‘Bug’ containing their biggest tune ‘Freak Scene’. My most recent attendance were the thin young Dublin scamps Fontaines DC who despite sound difficulties were as good as ever and induced mothering reflexes from Gill and Tris as to whether they were eating square meals.

One of the more unusual ones was Wu Lyf in 2012. Their inexorable rise up to that point involving them building up a loyal fan base by playing guerrilla gigs under various Manchester railway arches.

It was the best crowd reaction I had seen for a while and they were quirky and good value. I can only assume that the conversion to standard indoor stages was a wrong move as they broke up a year later.

The inimitable Wu Lyf. Image Credit L’obs.

Prior to a Dandy Warhols gig in 2015 Uncle George and I had a flying dabble in the bookies and we had a never to be repeated hot streak resulting in half an hour later leaving with a not inconsiderable profit. The Warhols couldn’t live up to the earlier high in the evening.

Rocket from the Crypt were in town in 1998 and were tremendous as ever and on that particular tour they created a novelty. This being that the support band Beach Buggies, after their set decamped to outside each venue in an open lorry to play a bonus set. So at the point of departure  we discovered them across the road outside what subsequently became the Gorilla playing a short jaunty set and thus creating Manchester Venue 7 – Manchester Ritz Concourse.  

RFTC Flyer. Image Credit mdm.archive.co.uk

https://academymusicgroup.com/o2ritzmanchester/