Phoenix Festival

The third and final time I have witnessed Neil Young was at the Phoenix Festival on Friday 19th July 1996. It made history as the first ever 4-day festival in the UK. The festival site was located at the cavernous disused Long Marston airfield near Stratford Upon Avon. Gill and I obtained a day ticket and we grabbed some lodgings in Stratford.

It was a staggeringly hot day, one of those exceptionally sultry days that only occur in Britain every couple of years. Before we left the digs and due to the weather, I observed the most gigantic spider I have ever seen, resulting in the door being summarily shut on it and by our return it had thankfully departed….

There wasn’t much forward planning involved as Gill and I were wearing varying degrees of inappropriate footwear and for some inexplicable reason we decided to walk to the site.

Out of the town led onto a winding country road and you could hear the throb and the thrum of the music but after a sustained period of walking the sound didn’t appear to be getting any nearer. We passed a farm with an entrepreneurial punter selling freezing bottles of water from an outdoor fridge. Not long after that we managed to cadge a lift to the site from a kind punter in a passing motor.

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Phoenix Festival 1996 Flyer. Image Credit theprodigyontour.com

We landed late afternoon and first caught Nylon Bombers, an unspectacular Britpop band from Cheltenham who subsequently broke up later that year.

We caught some of the sets of Manic Street Preachers and Super Furry Animals on the main stage. We saw Dodgy whose upbeat track ‘Staying Out for the Summer’ could not have been more apposite!

I enjoyed a Foo Fighters set which was an early career performance from them, the highlight being ‘Monkey Wrench’.

The main support act was one of those artists who was a passing fad at that point in time. Alanis Morrisette went down well with a fair proportion of the audience, but I find it all a tad bland.

Neil Young was backed up by the ever-dependable Crazy Horse. It was by a long way my favourite performance as he was in crackling form and fabulously loud. He opened with a fine trifecta ‘Hey Hey My My (into the Black)’, ‘Down by the River’ and ‘Powderfinger’.

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Neil Young and Crazy Horse onstage at the Phoenix Festival. Image Credit JamBase.

He softened in the middle with a couple of ‘Harvest’ tracks, but it was mainly a guitar fest. The first encore included ‘Cortez the Killer’ and ‘Like a Hurricane’ and the second encore peaked with an outro of ‘Rocking in the Free World’. A superb set overall as he played a lot of my fave tracks. He came off stage after midnight.

John Peel tells the tale that he was the first person to bring Neil over to Britain in the early 70’s and they had kept in touch since. He was there that day and endeavouring to bypass the security staff to obtain permission from Mr Young to play live his set on Radio 1. He finally got the green light with 4 tracks remaining. Later I obtained a bootleg tape of the gig and the recording suddenly morphs from a raggedy sound accompanied by audience voices and footsteps crunching plastic beer glasses to a crystal-clear sound as it moved into the radio level recording.

We made our way to the 100-strength queue where the shuttle buses were due to depart from. After 30 minutes of complete inactivity it quickly become evident that no buses were on the horizon and there was no sign of any taxis either.

The only remaining option was to walk back. There were many stragglers tumbling down a dark windy country lane, all jumping out of the way as cars approached. At certain points, there was a small brook by the side of the road which a giggling drunken lad tumbled into.

After what felt like an age, we turned a bend and saw the water fridge from earlier and I was in full ‘Mr Motivator’ mode despite tears in corner of my eyes as I knew how far we still had to travel. Gill was literally hobbling behind me by this stage. We refer to it now as ‘The March’ and can laugh about it (just!).

The lights of the town finally appeared, and it was about 3.30am when we stumbled into an all-night garage for some much needed water and snacks!  

Manchester Venue 13 – Roadhouse

When I converse with seasoned Manchester gig goers three particular older venues in my experience are remembered fondly. These are namely the International 1, Boardwalk and Manchester Roadhouse. The venue was located at Number 8 Newton Street in the Northern Quarter. The club had previously been a snack bar and nightclub in the 70’s before morphing into a music venue. The venue sadly closed in 2015.

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The Roadhouse. Image Credit NME

It was a slightly scuzzy but charming basement club with a small stage and a capacity of 200. One of my largest regrets was being aware of White Stripes playing there on a very early tour but not being able to make the gig.  

I attended 5 gigs there between 1998 and 2009. The first being Mogwai in April 1998. Now, I am not usually prone to being melodramatic, but it was one of the strangest nights of my life. The night started normally enough with me, John Dewhurst and Nick Sharp in attendance. We had only a couple of beers in the Millstone on Thomas St where I suspected afterwards that potentially our drinks were spiked.

The night then on is distinctly hazy. The support band was Aerial M who also sometimes worked under the moniker Papa M. It was the first time I had seen Mogwai and from what I remember they were excellent. Nick disappeared unannounced mid gig and headed home as he felt ropey. Me and John headed on auto pilot for some supper to kill an hour before the late train but neither of us ate much and John was not himself. I was then very unusually for me physically ill at the station.

The finale to this surreal trip occurred on the train where I was awoken from a slumber by a commotion around me. The bizarre sight that greeted me on my awakening was the train guard stood in front of me with an axe. With my heart racing, I asked him the reason and it turned out the train was blocked by a small tree that he was going to clear with the said tomahawk. I was never so glad to arrive home as I was that night!

My next visit was in May 99 to see the at the time highly touted Llama Farmers from Greenwich supported by Seafood. They had obtained some decent supports slots to the likes of Green Day and Foo Fighters, but I can honestly say they didn’t live up to the hype and sounded too much like Placebo for my liking. They released 2 albums but subsequently drifted away on the ether.

The previous year I discovered a band with the very unique name of And You Will Know Us by the Trail of Dead from Austin Texas who had a released a decent self-titled first album. They arrived at the Roadhouse in March 2000. Unfortunately, they attracted the most annoying heckler who directed unjustified sustained vitriol at the unfortunate support act Sleepwalker.

AYWKUBTTOD were excellent with their post hardcore scuzzy sound and I recall the drummer and guitarist trading places several times during the gig. They are still on the circuit and have just released their tenth album.

My last gig there on 12/06/09 was to see Drones a punk rock band from Perth, Australia supported by the Snowmen. We happened to be out in Manchester and fell upon this gig and it is one of those that I cannot recall much about, it just passed me by.

My penultimate show was more memorable when I went to see Asobi Seksu on 10/02/09. The gig was originally scheduled for Jilly’s Rockworld on Oxford Road however before the scheduled gig the venue closed for good and the gig rescheduled to the Roadhouse. That was my one shot at attending the Rockworld, so it remains a lost venue.

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Asobi Seksu. Image credit Allmusic

Asobi Seksu were from New York and in the shoegaze/dream pop genre and their first two albums were excellent. They could certainly cut it live as well with a periodic thunderous guitar line in there. Another endearing element to this gig was the surprisingly enlightened approach from the bouncers to allow us to stand on chairs at the back to view the stage as visibility at the venue could be impaired when busy.  

The band had a DIY ethic exemplified by them running their own merch stand. A couple of years after I heard one of their tracks booming out when in Top Shop in Southport and I would say undoubtedly, I was the only punter in the store who could name that band!