Manchester Venue 13 – Roadhouse

When I converse with seasoned Manchester gig goers three particular older venues in my experience are remembered fondly. These are namely the International 1, Boardwalk and Manchester Roadhouse. The venue was located at Number 8 Newton Street in the Northern Quarter. The club had previously been a snack bar and nightclub in the 70’s before morphing into a music venue. The venue sadly closed in 2015.

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The Roadhouse. Image Credit NME

It was a slightly scuzzy but charming basement club with a small stage and a capacity of 200. One of my largest regrets was being aware of White Stripes playing there on a very early tour but not being able to make the gig.  

I attended 5 gigs there between 1998 and 2009. The first being Mogwai in April 1998. Now, I am not usually prone to being melodramatic, but it was one of the strangest nights of my life. The night started normally enough with me, John Dewhurst and Nick Sharp in attendance. We had only a couple of beers in the Millstone on Thomas St where I suspected afterwards that potentially our drinks were spiked.

The night then on is distinctly hazy. The support band was Aerial M who also sometimes worked under the moniker Papa M. It was the first time I had seen Mogwai and from what I remember they were excellent. Nick disappeared unannounced mid gig and headed home as he felt ropey. Me and John headed on auto pilot for some supper to kill an hour before the late train but neither of us ate much and John was not himself. I was then very unusually for me physically ill at the station.

The finale to this surreal trip occurred on the train where I was awoken from a slumber by a commotion around me. The bizarre sight that greeted me on my awakening was the train guard stood in front of me with an axe. With my heart racing, I asked him the reason and it turned out the train was blocked by a small tree that he was going to clear with the said tomahawk. I was never so glad to arrive home as I was that night!

My next visit was in May 99 to see the at the time highly touted Llama Farmers from Greenwich supported by Seafood. They had obtained some decent supports slots to the likes of Green Day and Foo Fighters, but I can honestly say they didn’t live up to the hype and sounded too much like Placebo for my liking. They released 2 albums but subsequently drifted away on the ether.

The previous year I discovered a band with the very unique name of And You Will Know Us by the Trail of Dead from Austin Texas who had a released a decent self-titled first album. They arrived at the Roadhouse in March 2000. Unfortunately, they attracted the most annoying heckler who directed unjustified sustained vitriol at the unfortunate support act Sleepwalker.

AYWKUBTTOD were excellent with their post hardcore scuzzy sound and I recall the drummer and guitarist trading places several times during the gig. They are still on the circuit and have just released their tenth album.

My last gig there on 12/06/09 was to see Drones a punk rock band from Perth, Australia supported by the Snowmen. We happened to be out in Manchester and fell upon this gig and it is one of those that I cannot recall much about, it just passed me by.

My penultimate show was more memorable when I went to see Asobi Seksu on 10/02/09. The gig was originally scheduled for Jilly’s Rockworld on Oxford Road however before the scheduled gig the venue closed for good and the gig rescheduled to the Roadhouse. That was my one shot at attending the Rockworld, so it remains a lost venue.

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Asobi Seksu. Image credit Allmusic

Asobi Seksu were from New York and in the shoegaze/dream pop genre and their first two albums were excellent. They could certainly cut it live as well with a periodic thunderous guitar line in there. Another endearing element to this gig was the surprisingly enlightened approach from the bouncers to allow us to stand on chairs at the back to view the stage as visibility at the venue could be impaired when busy.  

The band had a DIY ethic exemplified by them running their own merch stand. A couple of years after I heard one of their tracks booming out when in Top Shop in Southport and I would say undoubtedly, I was the only punter in the store who could name that band!

Gig Miscellaneous – Part 3

The next challenge that presents itself is how you travel to a gig. For the Preston gigs that was very easy and I did periodically jump on buses for gigs on the outskirts of Preston. For early Manchester gigs there was a driver, either my brothers rust buckets or Uncle George’s trusty yellow Vauxhall Cavalier with slidy leather seats. I have driven to a smattering of gigs myself but have always tried to find alternate modes of transport.

Then in the early 90’s following a train transformation there were suddenly decently timed trains so that became the new modus operandi. For about a decade there were airport trains coming through to Preston at 11.30pm, 1.20am and 3.20am, though I never caught the later one. I would badge those as the ghost trains or alternatively my friend Sue Harper used to class them as the ‘Star Wars Bar’ on her way back to Leylandi due to the characters you may stumble upon.  

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Star Wars Bar. Image credit tinatrent.com

I loved the cross pollination of people who had been to different events, so you could have Kylie and Metallica fans alongside the obscure indie band I had been to see. I recall catching the 11.30 one time and there was a noisy boisterous lad who made many references to Chorley – pronouncing it  ‘Chaarley’. So much so, when his station was announced and he got up to leave, half the carriage impromptu started chanting ‘Chaarley’ and his face was a picture to behold. On crowd humour, another time I was in a monster beer queue at Old Trafford Cricket ground whilst watching REM and one vociferous lad was on the phone trying to locate his mate and requested he put his hand up to identify himself, which resulted in about 100 people including me putting their hands in the air, prompting a burst of Tourettes from the lad in question!

The 1.20 was generally a reliable train but a couple of times turned into a replacement bus. One time we encounter a whole posse of hearing-impaired folk who were all signing on the bus, which created the quietest form of loud I have encountered. Another time the train ran but stopped at Bolton and when they announced you can go for a smoke if you wanted, the alarm bells were ringing, then when we saw the driver walk past our window, we knew our fate was sealed. The replacement bus never showed, necessitating a taxi back to Preston and then split taxis from the town centre home, the sun was coming up as I landed back at 4.07am, rather jaded next day! Thankfully I have always tended where possible to have the day off after gigs and I think personally a gig bank holiday should be introduced.

A central part of a gig night for me is good beer, so many pubs have been visited pre and post gigs and I can think of well over 150 pubs in Manchester visited in this regard. There are too many to mention but, in a discussion recently we recalled Log 36 and Log 42, the in-house beer of the Lass O Gowrie. Another worthy mention is when we were traversing Oxford Road heading to the Rain Bar and the unmistakeable chords of Foo Fighters ‘Monkey Wrench’ assailed the air. The source of this sound demanded to be located, leading to the discovery of the Temple of Convenience bar.

Bandits were splayed and quiz machines battered (very rarely on both fronts). Give us a Break quiz machines derived from the Dave Lee Travis show on Radio 1 were particularly fun especially in the early days when they were on Version 1 as the questions regularly repeated. We use to play one regularly in The Pickwick Arms on Meadow Street in Preston. Sample question – What year was Gone with the Wind released? – answer 1939 which was always Option D.  

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Give Us A Break quiz machine. Image credit fruitemu.co.uk

I am writing this on 22/03/20 and the world is currently in a tumultuous state so please stay safe and look after each other.