Gigs from Abroad Part 24 Copenhagen – Part 2

This week I am detailing the second part of my visit to the fine city of Copenhagen in June 2023 for which we were treated to ‘cracking the flags’ sunshine throughout. On the Friday night we made a visit to the remarkable Copenhagen Tivoli Gardens which is situated directly opposite the central train station.

Tivoli dates back to 1843 when the founder Georg Cartensen received royal permission to open the gardens. One of the earliest visitors was Copenhagen resident Hans Christian Andersen, who garnered inspiration afterwards for his fairytale ‘The Nightingale’.

Tivoli Gardens. Image Credit copenhagentickets.com

The current pantomime theatre which was constructed in 1874 is Tivoli’s oldest building and there were musical performances that took place driven by local composer H.C. Lumbye which including 800 polkas, waltzes and gallops! The overall site is also the second oldest operating amusement park in the world behind Dyrehavsbakken, which is also situated in Denmark.

It has over 4 million visitors per year and is a huge area spaced over fifteen acres and contains four individual roller coasters. When I was younger, I was fascinated by the bright lights, noise and abundance of different rides at Blackpool Pleasure Beach and I had many trips there, once seeing the comedian Les Dawson and his daughter on the Corkscrew.

That allure has faded a little as I have got older, but I am still a bit of a sucker for funfairs, and Tivola has that in spades. There is respite from the rides with many green spaces and pathways that you can meander your way down.

On the musical front there is the Tivoli Concert Hall which has performances from some of the prime performers in classical music and the Tivoli youth guard also play there. During the summertime they have a live music programme named Fredagsrock (Friday Rock) so naturally we had to attend on that day! Previous acts to play include the Smashing Pumpkins, the Beach Boys, Pets Shop Boys, Kanye West and Raveonettes.

After we grabbed a cold beverage at one of the many kiosks, we settled down on the grass to watch an artist called Emma Sehested Hoeg, who is an actress and writer. She has more recently become a singer and provided some dream pop in the mould of fellow actress Scarlett Johansson. After the gig we pottered into the adjoining large food hall to grab some tea.

Mojo Blues Bar. Image Credit youtube.com

I had already undertaken some prior research and sourced another interesting venue, so we exited from the back of the park and weaved down some back streets to reach Copenhagen Mojo Blues Bar. The venue was created in its current name in 1993 and has a very busy schedule with music taking place seven nights a week.  It is primarily a late night blues site but does encroach into other genres as it stages soul, zydeco and bluegrass evenings and also has Thursday night jam sessions.

We arrived about 10pm but the place was only just booting up, so we had a choice of seats and then the 130-capacity room got busier as the night progressed. It was a fantastic old fashioned place and had the traditional grizzled but highly proficient artists playing. The band we saw was Copenhagen Slim and the EK Pones.

Slim has been playing on the circuit for a couple of decades and has surrounded himself with a fine band and they were on to their second set of blues rock tracks around midnight when we decided to call it a day and shuffled back out into the warm night.  

Our final port of call on Day 3 was a sojourn to the remarkable Freetown Christiania which was formed in 1971 when a posse of young squatters and artists took over an 84 acre old military base. They created what has been described as an ‘anarchic enclave’ or as I viewed it a ‘permanent Glastonbury’. As you enter you pass under a sign saying, ‘You Are Now Leaving the European Union’ and they have their own flag and individual currency.  They have around 900 permanent residents, some of them now third generation.

Christiania. Image Credit WorldAtlas

There was a 1976 protest track penned by Tom Lunden of flower power combo Bifrost which translates in English as ‘You cannot kill us’ which became the site’s unofficial anthem. In 1989 the Danish parliament legalised Christiania, however It has not been plain sailing with several drug and gang deaths over the years. Its main thoroughfare Pusher Street had an open illegal trade of cannabis until it was closed down in 2024.

Within the complex are three music venues, Den Gra Hal (Grey Hall), Christiania Jazz Club and Loppen which are all located near to the city entrance to the site.  It is a humongous area, and we walked the majority of the ‘streets’, before gravitating back to the main areas where there are bars and food vendors.

On the day of our visit the Copenhagen Christiania Jazz Festival was in full flow, and we witnessed a band called Good for Nothing playing on a suitably makeshift stage. That evening we had some drinks and grabbed some tea at a floating boat restaurant in the nearby Nyhavn area of town.

Manchester Venues 122 Deaf Institute – Part 2

Nearby to the Deaf Institute Music Hall on the same side of Grosvenor St is the Footage pub (previously Flax and Firkin) which is a large vibrant pub with craft ales and many TV screens showing the latest sports. Just around the corner is the basement Umami Noodle Bar which has been a regular pre-gig eating stop for over 20 years.

The Footage with the Trof Deaf Institute sign in the background. Image Credit Zomato.com.

My first gig there was on 02/07/09 when I saw Nine Black Alps, a four-piece band from Manchester whose original moniker was The Chelsea Girls. The Alps name was selected from a line in a Sylvia Plath poem. I had picked up on them initially via their belting debut album ‘Everything Is’ which I still play periodically to this day.   

A couple of years later I had to cancel at short notice a trip to my brothers in Nottingham thus missing a Kyuss (forerunners to Queens of the Stone Age) gig. I was kicking my heels and a couple of lads were off to see Killing Joke, so I tagged along, but discovered on arrival at the Academy that their gig was sold out. A variant C approach then evolved by quickly checking that night’s gig listings and identifying an event at the Deaf that I could attend and then meet up after with the boys for the train home.

I struck lucky as the act on that particular night was the Dum Dum Girls whose name derived from a Vaselines album and an Iggy Pop song, thereby displaying their musical influences. Originally it was a solo project for Californian Kristin Gundred who then renamed herself as Dee Dee. After she signed up with legendary label Sub Pop three more girls were added into the band including the drummer Frankie Rose who has also been in Crystal Stilts, Vivian Girls and Frankie Rose and the Outs.

Dum Dum Girls. Image Credit Fanpop.

They disbanded in 2016 where Dee Dee then became Kristin Kontrol and her sound morphed more into the synth pop arena. She also around that time provided an excellent atmospheric cover of one of my favourite Jesus and Mary Chain tracks ‘Teenage Lust’. They were enjoyable live with many of the tracks coming off their debut album ‘I Will Be’ and reflecting the geographical location they were playing in, they decided to finish their set with a cover of ‘There is a Light That Never Goes Out’.  

Next up was one of those ‘right place right time’ moments that only occur very occasionally in one’s gig going journey. During my attendance at the Dot-to-Dot festival in May 2013 I had sighted on the roster an upcoming band I had just become aware of, and at that stage had only released two singles. The band in question who were performing in a teatime slot were Wolf Alice.

The venue filled up just before they landed on stage, and they were stunningly good, and rarely have I seen a young band who had such poise and justifiable confidence in their sound and ability.  At one quiet point between tracks a punter at the bar said in an awed voice ‘outstanding, absolutely outstanding’ which received a shy thankyou from lead singer Ellie Rowsell.  They finished with their superb first single ‘Fluffy’ and it was plainly obvious they were destined for great things including subsequently headlining Glastonbury stages and Mercury Music prizes.

As the set arrived at a tumultuous finale and the band left the high stage Ellie was struggling to step down so I proffered a hand to assist her which she gratefully accepted. Musical royalty was touched in that very instance and I am sure Ellie has not washed her hand since!   

Wolf Alice. Image Credit nylon.com

In October 2013 I went to see White Hills for the first time who are a stoner psychedelic rock band from New York and provided a pleasing slab of white noise. They have had a prolific output since their formation in 2003 and have recorded over fifty releases incorporating an impressive twelve studio albums. In their early days they were championed and supported by Julian Cope and were also cherry picked to appear as a live band in a scene of a 2012 Jim Jarmusch movie ‘Only Lovers Left Alive’.  

There then followed a gap of 4.5 years until my next visit in March 2018. Gill and I headed down with our pal Laura Buckley to see an Icelandic dream synth pop band called Vok, the name translating as a ‘hole in the ice’. They had formed in 2013 and gained some instant recognition by winning Musiktilraunir, an annual Iceland music contest and the year before we saw them, they released their debut album ‘Figure’.