Preston Venue 5 – Caribbean Club Part 1

Located on the corner of Kent and Canute St buried in the back streets of Deepdale, near a couple of old battered boozers you would have found the Caribbean Club (formerly the Twang Club). It was basically an old social club and had one side for members and the other for functions and gigs. It had excellent bar staff and the capacity was probably around 400. I frequented it four times between 1985 and 1992. The venue closed in 2009.

One of those visits was my first gig of a new decade on 05/01/90 to see Snuff, a South London Ska/Punk band. I had been bought their debut album for Christmas. I would contend that the album title is the longest one in history, namely –‘Snuffsaidgorblimeyguysstonemeifhedidn’tthrowawobblerchachachachachachachachachachachayou’regoinghomeinacosmicambience’.

John, Uncle George and I were in attendance and we met in the Moorbrook pub. John had the night before interviewed the then PNE chairman Keith Leeming for the club fanzine ’53 Miles West of Venus’.

I cannot recall the name of the first band, but they did covers of Prong songs. Blammo were the main support and were fronted by a Mark E Smith lookalike. I bought a 50p flexi disc afterwards and I may still have it somewhere.

Snuff came on about 11.15 and they did a combination of original tracks and astutely chosen cover versions. ‘Somehow’ and ‘I Think We’re Alone Now’ were standout tracks. They were and remain a great live act and were very crowd interactive. They also played Bran Flakes (They’re tasty!) and Shake N Vac jingles at 100mph. They played to 12.15 and I remember a chap approached them afterwards with a computer printout of every venue they had played – obviously a kindred spirit!

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Snuff, pictured in 1990. Image Credit blogspot.com

Now at a couple of other gigs I have just been out of the frame on crowd pictures on NME gig reviews, namely Screaming Blue Messiahs and F—-d Up. However, my moment of fame had arrived as the NME review afterwards outlined it as a great gig despite a couple of slightly dodgy individuals pogoing away in front of the stage, I am so proud of that reference etched forever in black and white print!

My last attendance was on 08/02/91 to see the Membranes. I was living in various grotty rented rooms from 1989-1993 and didn’t attend many gigs in that period due to lack of funds. This state of play was exemplified by this being my first gig for 5 months. On the Friday afternoon of the gig I bought my first car from a friend of mine – a classy Beige Allegro!

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A not dissimilar looking motor, but not me driving! Image Credit flickr

Quick car tale – I recall once being on the motorway and encountering two other Allegro’s following each in the inside lane so I joined on the back to create a convoy of three Allegro’s for a few miles – hopefully providing a quirky sighting for motorists speeding past.

Prior to the Membranes gig, there was a works outing I joined up with in the Exchange pub at 5pm. Later that evening there was a split in the fellowship as a good portion heading off to another do at Grasshoppers Rugby Club. Myself, George and a couple of other lads via Pickwicks Tavern landed at the gig about 9.30, with admission fee of £2.50.

Support was an anarchist band called Archbishop Kebab, whose name was the best thing about them as their lead singer was pretty woeful. Between bands the DJ spun one of the Husker Du’s finest tunes, their bracing cover of Byrds ‘Eight Miles High. Big Al and Gordon from Action Records wandered in to the venue at this stage.

Membranes are a post punk band from Blackpool formed in 1977 fronted by John Robb and were at that stage a three-piece. They broke up shortly after this gig and reformed in 2009 and are still on the circuit.  They were very loud and decent and played to 12.15. They were maybe a tad too industrial for my tastes, but a good time was had in the moshpit.

We had been out for a fair spell so were all flagging so wended our way home. Woke up next morning, no hangover and buzzing, got outside, car wouldn’t start…………  

To complete the Allegro tale, it finally gave up the ghost about three years later and was towed unceremoniously to the scrap yard which happened to be about 200 yards from the location of the Caribbean Club!

Gig Miscellaneous – Part 1

Over the next few articles, I am delving into the extensive miscellaneous minutiae of all things gig related. The first question I would pose here is why would you choose to listen to or want to see a particular band?

Initially for me this was influenced by my background and my dad who was a music fan and had a decent back catalogue so I first picked up on records by Del Shannon and Buddy Holly moving onto Bob Dylan and also instilling a life long devotion to Neil Young who also contributed (not literally!) one of the songs for mine and Gill’s wedding.

Then the pervasive influence of schoolmates kicked in resulting in an Adam Ant and a mercifully brief Heavy Metal phase. Around 1982, a significant event happened where as a stunningly shy 14-year-old I was navigating the unremitting awkwardness of a school disco where the DJ was spinning the soporific tunes of Duran Duran and Spandau Ballet. Suddenly an Irish lad called Aidan Callaghan requested ‘At the Edge’ by Stiff Little Fingers and then proceed to pogo around an empty dance floor for the next three minutes. I was spellbound by the joyous urgent racket and his unabandoned enjoyment, it was literally a life changing moment for me that music like this existed. I still adore that track to this day!

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Stiff Little Fingers. Image credit Discogs

My elder brother also introduced me to various below the radar American indie bands such as Husker Du, Minutemen and Meat Puppets. Those specific bands reminded me of a decent book called ‘This Band Could Be Your Life’ penned by Michael Azzerad. This commendable tome covers 12 bands between 1981 and 1991 and outlines the commercial constraints of the pre-internet age and the more imaginative way (i.e. flyers and fanzines) they chose to spread their gospel though quite often being restricted to pop up gigs in basements and shop doorways. One unusual stat for you, the Meat Puppets referenced above, generated the longest gap between the first and second time I have seen a band. I saw them play their first ever British date on 18/09/87 and didn’t see them again until 03/09/15 – just shy of a 28-year gap!

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Meat Puppets live. Image credit WordPress.com

It is somewhat difficult to imagine now with all information at our fingertips (arguably too much!) that it was very much a word of mouth existence to keep yourself updated. To exemplify this, I recall Rick Clegg and I on our first holiday in Majorca in 1986 trying to find out the latest Preston North End score. There were very limited options available to us, one an eyewatering cost to ring home and the second to wait for the English papers to arrive which would be 3-4 days later. We managed to circumvent this via a third option by identifying a dingy bar that had World Service transmitting via a tinny radio. It was all worth it as it was announced that we had beaten Cambridge 1-0.

The weekly music magazines Sounds, Melody Maker and especially NME greatly assisted in identifying new bands. I learned to became somewhat adept in gauging my future interest in a band from reading their LP or Live reviews. Their periodic 45’s and more so C86 which was a fine influential mix tape of new shoegaze type bands introduced me to the likes of The Pastels, The Shop Assistants, Half Man Half Biscuit and We’ve Got a Fuzzbox and We’re Gonna Use It.   

I soon discovered at this point after dabbling with various instruments, guitar and drums that I was musically inept, so my future lay in being a listener only, but I was going to make sure I was damn good at it!