Manchester Venues 133 to 134

The Manchester Retro Bar is located on Sackville Street, at the other end of Charles St from the Joshua Brooks pub and Factory 251 venue. It is situated underneath the train line at the mid-point between Oxford Road and Piccadilly. It is actually listed under the auspices of Manchester University as it resides in their North Campus area which houses the school of Electrical and Electronic Engineering. It is close by Vimto Gardens where the unusually large Vimto bottle and associated fruit is housed, which can clearly be seen when scooting past on the train.   

Vimto Gardens. Image Credit mikkitiamo.com

It was originally called the Swinging Sporran, which was an archetypal biker’s rock bar. Due to its proximity, UMIST students also frequented, and it was the site of very early sets by the Chemical Brothers, who at the time were called the Dust Brothers. The Retro Bar has a modernist vibe and would not feasibly look out of place within a 1990’s housing estate as it is essentially a pub built into a car park!  Gill and I stayed once at the hotel next door, now called Pendulum, in the days of affordable hotels in Manchester before they skyrocketed to the London prices now in place. 

The Retro has a bar area at the ground level where they once filmed a concert scene in the Cold Feet TV series when John Thomson played drums for his son’s band. Downstairs is a 120 capacity club and live music venue which hosts regular shows. The Retro Bar closed for a spell in 2017 but was subsequently reopened later that year under the name of Hive. Perhaps living up to its original name I did discover that in the last couple of years Tiffany and Spear of Destiny’s 40th anniversary tour took place there with Kingmaker scheduled for September.  

Retro Bar. Image Credit trustinns.co.uk

I had walked past the venue many times and noticed there was a live band scheduled to play on 28/02/13 when I was in town. Thus, after a Joy Formidable show at the Ritz I dragged Uncle George along to grab the opportunity to pay a visit prior to heading up to Piccadilly for the last train. The act that night was a local combo called Paper Tigers.  

My second and only other visit was as the first venue of the Dot-to-Dot multi venue wristband event on 24/05/19. The act that afternoon was a 3-piece from Cheadle called Elephant and the Rider. They had an indie angular sound and had only issued a couple of EPs at that stage. They have just recently released a couple of further singles which are starting to garner some radio airplay and interest from BBC Introducing.

If you travel further down Sackville Street across Whitworth St West, you reach Manchester Tribeca located in the area of that name which skirts both Chinatown and the Gay Village much as it does in the original incarnation in New York. The literal translation of Tribeca is Triangle below Canal. This was our second location of the same Dot to Dot event referred above.

In a continuation of the attempted New York replication, the bar is multi-tiered with a mezzanine area by the entrance with comfy sofas then onto a raised area by the bar. Downstairs, in a bizarre twist you will find a lounge bar with real beds, appropriately named B.E.D! They also have additional spaces called Blue Lounge and Purple Lounge and there are regular DJ sets at the weekend running into the wee small hours.

Tribeca Bar. Image Credit licklist.co.uk

When we visited, we grabbed a stop in the upper bar with a view down to the makeshift stage which was located in front of the huge bay windows with the afternoon sun filtering through, it created a bonny vista.

There was a decent local singer/songwriter called James Holt playing. He had a challenging start to his life as he was diagnosed with bilateral moderate to severe hearing loss at the age of four. However, he didn’t let this define him by subsequently graduating with a first-class honour’s degree and MA in Music Composition at the University and Salford and then launching a musical career. He has recorded at Abbey Road Studios and has been cited as ‘fresh and exciting to listen to’ by the producer Brian Eno.   

Manchester Venue 6 – The Ritz (Part 2)

I have seen Black Rebel Motorcycle Club there twice and despite their arguably overlong sets they have always been compelling viewing. In 2009 I saw AC/DC wannabees Jet who alternated between ballads and rock tracks and produced a half decent performance with a proper strong vocal.

In 2011 I witnessed the Hold Steady who were going through a transitional phase as the keyboardist Franz Nicolay was undertaking a lengthy leave of absence. This altered the dynamic as it led to them resorting to a set list leaning towards their earlier albums as that suited their guitar led garage band sound, and as a result they were superb on the night.

I have also seen Fidlar, Maran Morris and Ryan Hurd, Arab Strap, Mark Lanegan, Band of Skulls, Joy Formidable. Go Team, Car Seat Headrest and Best Coast grace the stage there.

Nine years after my first visit, I saw Jesus and Mary Chain there in 1996. They were in the midst of touring ‘Stoned and Dethroned’, which is my favourite album alongside the startling aural onslaught that is contained in ‘Psychocandy’. Mary Chain gigs can historically be a bit of a lottery, but they were really accomplished and has thus far been my favourite live performance from them.

In 2018 I did a vintage double header within a few weeks of each other. First up was Belly who were excellent and Tanya Donnelly’s (previously Throwing Muses) voice was an absolute revelation. They also had the obligatory slightly bonkers bassist. To follow them was the Breeders with the Deal sisters in tow and they were enjoyable.

The best sound I encountered was at a British Sea Power show in 2017 with ‘super fan’ Graham Jones in attendance. Sometimes the sound can be a tad muddy here but every note was crystal clear that night. 

British Sea Power ticket stub. Image credit mdm.archive.co.uk

Dinosaur Jr in 2013 were good, playing a large portion of an early album ‘Bug’ containing their biggest tune ‘Freak Scene’. My most recent attendance were the thin young Dublin scamps Fontaines DC who despite sound difficulties were as good as ever and induced mothering reflexes from Gill and Tris as to whether they were eating square meals.

One of the more unusual ones was Wu Lyf in 2012. Their inexorable rise up to that point involving them building up a loyal fan base by playing guerrilla gigs under various Manchester railway arches.

It was the best crowd reaction I had seen for a while and they were quirky and good value. I can only assume that the conversion to standard indoor stages was a wrong move as they broke up a year later.

The inimitable Wu Lyf. Image Credit L’obs.

Prior to a Dandy Warhols gig in 2015 Uncle George and I had a flying dabble in the bookies and we had a never to be repeated hot streak resulting in half an hour later leaving with a not inconsiderable profit. The Warhols couldn’t live up to the earlier high in the evening.

Rocket from the Crypt were in town in 1998 and were tremendous as ever and on that particular tour they created a novelty. This being that the support band Beach Buggies, after their set decamped to outside each venue in an open lorry to play a bonus set. So at the point of departure  we discovered them across the road outside what subsequently became the Gorilla playing a short jaunty set and thus creating Manchester Venue 7 – Manchester Ritz Concourse.  

RFTC Flyer. Image Credit mdm.archive.co.uk

https://academymusicgroup.com/o2ritzmanchester/