Manchester Venues 140 to 141

If you head out the back exit of Piccadilly station you drop initially to the metro level and then the escalator gravitates down again to Fairfield Street at ground level and the accompanying taxi rank. Just beyond the cabs is a lift that takes you up to Platform 12 and then onto the next level and into the waiting area outside Platform 13 and 14. For more unscrupulous punters it could be used as a ticket barrier avoidance route!

Piccadilly Station with the lift in the right of picture. Image Credit showmethejourney.com

There are a plethora of breweries near the station ensconced in back streets and railway sidings. If you walk down Baring Street, you reach the hidden oasis of Mayfield Park, the 6.5 acre environmental green space encompassing the River Medlock which is the city’s first green space for over 100 years. To illustrate the industrial heritage of the area, thirteen Victorian wells were discovered in the construction and three were identified as still functional thus were then utilised to provide 20 cubic metres of water each to maintain the vegetation.  

Heading back from the park you would find yourself at Mayfield Depot which contains Escape to Freight Island with all their food and drink stalls and is also the location for conferences and fashion shows alongside the immensely popular Warehouse Project dance events. When waiting for later trains home on the overhead vantage point of Platform 14 I have regularly borne witness to the most extraordinary queues of customers awaiting access.  

Mayfield Park. Image Credit placenorthwest.co.uk

There was previously a venue alongside the Depot called the Fairfield Social Club on the wonderfully named Temperance Street where I once had tickets for a gig but unfortunately, they upgraded the show to another venue, and I never managed to attend there prior to its subsequent closure. It does now appear they have reopened Fairfield but in a different location over in Ancoats, near the Blackjack brewery, and they hold regular comedy nights there.   

Back on Fairfield St, you find one of Manchester’s most distinctive institutions, namely Manchester Star and Garter, the name of the establishment derives from the insignia pertaining to the Order of the Garter. It was originally built in 1803 outside the train station which had several monikers, including London Road prior to the current Piccadilly name. The build of the rail link to Oxford Road station in 1849 necessitated a brick by brick 100-yard movement of the venue, with its subsequent reopening in 1877.

Its initial incarnation was as a hotel containing an in house brewery. In 1986, the closure of the adjacent Mayfield station caused a chain reaction of the hotel also ceasing trading, and the area morphed into a brief ‘Dirty Old Town’ period. The building gained Grade II listed status in 1988 and reopened in 1991 as a live music site with its current pub and upstairs club lay out and has thrived despite its unusual location. It currently has a large Ian Curtis mural on one of its side walls.

It was threatened with closure again in the last couple of decades with the potential Northern hub expansion of the railway station. Their future however was solidified in 2020 with a ten year lease being purchased under the auspices of Mayfield Partnership.

It has been used as a location for many TV series including Band of Gold, Cracker, Prime Suspect and most extensively the recent Russell T Davies scripted landmark drama ‘It’s A Sin’. The venue is renowned for indie nights, Smile running for 20 years from 1993 to 2013 and the famous Smiths night which has been running for an even longer period than that.

The Star and Garter. Image Credit NME

It has hosted many diverse groups including Anti-Nazi league meetings, the 30-strong WBA supporters club of Manchester, Vampire Society and a comic night called Anti-Hoot which included the semi-legendary Bolton poet Hovis Presley!  It has mainly a rock/metal roster and was once coined as the ‘Temple of Doom’. Bands that have played there including Half Man Half Biscuit, Discharge, Frank Carter and the Rattlesnakes, Low and remarkably Status Quo in 1999.

For many years I intended to visit but without success, until finally a gig was located, and a sabbatical trip was arranged in March 2015. It does look a little like a haunted house from the outside, evoking comparisons to the Buffy the Vampire Slayer ‘Fear Itself’ episode, but that was instantly dispelled by the warm welcome in the downstairs bar!  We then sallied up to the 200 capacity venue room and the first act on stage was You Want Fox, a noisy female two-piece from Nottingham.

The headline act was the East Town Pirates who travelled in from Ipswich to air their stompy sea shanties and have been referenced as sounding like ‘Motorhead meets the Pogues’. I returned once more in 2022 to see a band called the Reverbs.

In December 2021, local legend Tim Burgess put on a record fair themed event which had a novel set taking place on a Sunday lunchtime at the Manchester Piccadilly Station Mezzanine. The first challenge was actually finding this location and it transpired to be in the aforementioned metro entry level. By the time we found the spot, we only caught the last three tracks of an acoustic set from Starsailor’s James Walsh, who had an appropriate fine busker’s voice which matched the setting!  

Manchester Venue 129 – Cathedral

In 1215, Manchester Cathedral was built in the centre of the city with additions to the original design being built at periodic intervals over the next three centuries. It survived damage in the Civil War, the IRA bombing in 1996 and the Second World War, the latter causing extensive destruction that required a further 20 years to restore. Following the Arena bombing in May 2017 the Glade of Light memorial was built outside to commemorate the victims. The church is currently one of the fifteen Grade I listed buildings in Manchester and is situated behind the famous Sinclair’s Oyster Bar.

Manchester Cathedral. Image Credit hoteles.com

In the last 15 years the Cathedral has branched out and begun to showcase live music. My first attendance there was in 2012 where I encountered my pal Rick Clegg and his daughter Charlotte on the train over as they were heading on to an alternate Vaccines gig at Manchester Ritz. We parlayed in the pub over a couple of scoops and then headed separate ways.

A couple of years earlier I had attended my debut ecclesiastical event at St Phillips Church in Salford when watching Wooden Shjips. This was a similar set up with slightly more challenges in regard to viewing the stage due to the proliferation of pillars.

The band performing was Dirty Three, an Australian instrumental rock band I had seen once previously 12 years earlier. Their first ever gig took place on ANZAC Day on 25th April 1992 where Warren Ellis utilised a guitar pick up to his violin which created their trademark feedback driven sound which is a sight to behold when they are in their full flow of 10 minute opuses.

Dirty Three. Image Credit fromthearchives.com

Warren was born in Ballarat, Victoria, coincidentally a town Gill and I stayed in when we visited Australia, and he has also been a dual member of Nick Cave and the Bad Seeds since 1994.  They are a terrific and thunderous live act, and on the night, the journalist/musician John Robb was also in attendance, with whom I had a decent chat.  

The second and currently latest visit was as part of the Manchester Dot to Dot festival in 2016. As ever, my gig ‘addiction’ resulted in a co-ordinated effort to attend all of the twenty geographically disparate city centre venues during the day, which was a logistical challenge.

Never one who has been able to embrace Gordon Gekko’s ethos of ‘lunch is for wimps’; a food stop was taken at the excellent chippy that used to be located at the city end of Oldham Street. This was immediately prior to heading over to the Cathedral, which for the record was number eleven on the venue hit list. The fish and chips were still being munched as I stood outside, and I could hear the band ending their set.

My instant thoughts were that I had made a major tactical error, and this would forever be classed as a ‘missed gig’, but I wandered in any way to pray for a miracle! Due to the nature of the event, there was very strict time periods allocated to each set, but remarkably in this case the gig gods were smiled benignly on me as the band returned to the stage for an unprecedented encore of one additional song.

The act on stage was Sundara Karma, who are an indie band from Reading. I had caught them very early in their career as they had only formed the previous year and were just at that stage leaving secondary school and it was five years prior to releasing their debut album ‘Youth is Only Ever Fun in Retrospect’. They were obviously acquiring some hype as they incited a very enthusiastic crowd reaction. With the near miss thus averted I progressed on to achieve the full twenty venues, ending the gig quest in Manchester Texture in the Northern Quarter.  

Sundara Karma. Image Credit schonmagazine.com

Gill and I had tickets for one other event there which was to see Low in April 2022 however we ended up being double booked so therefore could not attend. This was seven months before Mimi Parker’s tragic untimely death leaving me with memories of previous great Low shows I had been fortunate to witness, particularly at Manchester Hop and Grape and Lancaster Library.