Tag: Manchester Albert Hall

Manchester Venues 194 to 195

On the Friday of 29th August 2025, I unsurprisingly yet again sallied into Manchester for a gig, but this time I had an hour of opportunity before I was meeting up with a pal for a pre-gig aperitif. So, I thought I would embark on a Jimmy treasure hunt to see if I could tick off any other venues not previously attended. As a result, I chose an area of town near to Deansgate that I do not visit on a regular basis on my other evening gig jaunts.

I alighted the train at Manchester Oxford Road station and gravitated to the left down Oxford Road into Peter Street were residing opposite Albert Hall is Manchester Impossible. This establishment was previously Bar 38 and possibly prior to that Pizza Express, but my memory is a tad hazy on that latter reference.

Bar 38. Image Credit restaurantsofmanchester.com

In 2005, Bar 38 was one of the locations alongside the Metropolitan University Students Union venue to stage a four night residency for an American TV programme called Total Request Live, though I have no personal recollection of that show. The premise of it was that at the chosen locations they played music videos and staged live music in the venues. It was compered by the likes of Trevor Nelson and Zane Lowe with acts playing including Editors, Mystery Jets, Kooks and the rapper Kenzie.

After a couple of years of inactivity after Bar 38 disappeared, Impossible opened in 2017. The new owner was Aaron Mellor who was the manager of Tokyo Industry’s (not the old Tokyo Joes night club in Preston!). He brought to the table his pedigree of being the UK’s largest privately owned nightclub operator having previously run popular club nights in Ibiza, New York and London.

The three floor site undertook a £3m renovation with the 500 capacity basement named the Theatre of Impossible, which was designed with the intention being a 21st century version of a nightclub, hence the theatre title. It came complete with a large dancefloor and long bar and had opening hours of between 10pm and 4pm at weekends.   

Impossible Bar. Image Credit Visit Manchester

The mezzanine area upstairs is a gin area badged with the informal name of ‘Ginpossible’, with an eighteen page menu listing a choice of over ninety gins. They also apparently have a cryogenic freezer, one of only three in the world, which has the capability to freeze alcohol to minus 74 degrees and thus creates edible cocktails! 

The ground floor is a bar and eatery with a 280 capacity where they serve tucker until 9pm. They also stage live music with slightly pretentious names such as Industry Thursday and First Call Friday. They have a large south facing outside terrace space on the Great Northern complex side of the building.

On the night in question, I was mulching past this area and saw a punter having a smoking break and through the open door I could hear some tuneage. Not wanting to look a gift horse in the mouth I adopted my scarlet pimpernel pose and tailgated them through the door. I leaned innocuously on a side wall and watched a couple of tracks of drifting loungecore from a singer called Sally before leaving via the same route.

I am sure you can gain easy standard entrance via the front door, but I am going to generate some poetic licence here and retain the unjustified notion of me grabbing an ‘illegal’ cheeky bonus gig and venue!

I then headed over to Bridge Street, which is located off Deansgate, and which takes you down to Salford Central station. On the west side of the road is the appropriately named Manchester B Lounge at the Bridge. It first opened its doors back in 1808 under the moniker of The Pack Horse.

The Bridge. Image Credit todobares.com

More recently it has had spells as The Bridge Street Tavern and then morphed into the award winning gastro pub The Bridge which under the chef Mr Owen-Brown was renowned for Lancashire sourced grub. The latest incarnation was instigated by the same folk who introduced the B Lounge at the Brunswick pub over near Piccadilly station.   

The pub has a traditional layout and a long thin bar area and in the upstairs space there is a dining area and a function room for hire. This area also provides to a small roof top garden space. The latest version of the pub now stages live music and when I visited there was a local singer called Tania performing some jaunty folk tunes.  

Milestones Part 1 – Gigs

This week I am launching another new strand relating to the significant milestones I have achieved in my gig-going life thus far and this initial article concentrates solely on the gig numbers. I previously elucidated my interpretation of what constitutes a gig at some length in a blog that I drafted back in the mists of time named ‘Definition of a Gig and a Venue?’  

Thus, I won’t repeat my cogitations from there but will suffice myself with saying that as the years have progressed, my qualifying criteria of a ‘gig’ has softened immensely to allow more gigs to gain entry to the Jimmy Archives. Therefore, as long as I witness someone on a stage nowadays playing music, they can be counted!  

Everyone has a first gig and my contribution to that grand compendium was Slade at Lancaster University back in December 1983. My 50th was to see Wonderstuff and Darlings Buds at the fabulous Manchester International 1 and the 100th was Dinosaur Jr at Manchester Academy 2.

Darling Buds. Image Credit thenewvinylvillain.com

As I have got older, I seem to be attending an increasing number of events and the overall numbers have skyrocketed as a result, so much so that after a few cheeky gigs in Lanzarote, it became apparent that my next show at Manchester Gorilla on 13/05/22 would be my 1000th gig.

I am not going to list all my landmark gigs, but I will pick out some highlights, thus my 250th was my one ear splitting foray to watch My Bloody Valentine at Manchester Apollo on their comeback tour. I don’t think I am unique in saying that this was the loudest show I have ever attended, and I personally have a very high bar in that regard. I know a few readers on here saw their recent shows, but I decreed once was enough mainly because I have never worn ear plugs to gigs, probably to my own detriment, but I am too far down that path to change now!

My 500th was Cymbals down in the basement of Leeds Wardrobe with the 800th being the terrific Belly at Manchester Ritz, Tanya Donelly still having a terrific voice. Number 900 was Helicon at Manchester Peer Hat.

Since then, I have rattled upwards even further with Snuff being number 1200 at Manchester Breadshed, 1300 was Public Service Broadcasting at Manchester Albert Hall. I have also recently gone past the 1500 figure which was at a new venue so I will cover that one in a future article.  

Inadvertently, but somewhat appropriately on the night there was a proper gathering at my ‘chiliad’ (had to look that one up!) and chiliagon is also apparently a term for 1000-sided polygon, now thinking about it I cannot visualise the scale of that diagram and how that might look. Anyway, returning from my digression, Gill and I met Marcus initially for a cold one in the Lass O Gowrie.   

There was then a little breakdown in communication, but we managed to catch up with Tris in the Gorilla bar attached to the venue where she had run into a former colleague Andy and his friend Paul who were also attending the gig. Thankfully Tris had clocked that it was an early show starting at 8.30 so a quick drink, photo shoot and a scoot round to the entrance was in order.

Pre-gig team photo with L-R Tris, Andy, myself, Paul, Marcus and Gill. Image Credit kind anonymous punter.

We accessed the venue, and I was a little giddy as my usual reticence gave way to informing a couple of random punters that this was my 1000th show, either being met with ‘well done, that is a fine achievement’ or on the converse side total bemusement!

The band that night was Mattiel who constitute of singer/songwriter Atina Mattiel Brown and guitarist Jonah Swilley and originated from Atlanta, Georgia in 2015. Mattiel Brown was raised on a self-sustaining farm in a rural setting, which was apparently quite an isolated existence, and she threw herself with gusto into visual arts, which fed into her subsequent music creation.

When we saw them they were promoting their fine third album ‘Georgia Gothic’ and they had strengthened out the band with the addition of a bassist and a drummer, and they produced an enjoyable slab of garage rock. The downside was that the gig was over by 9.45pm and one couldn’t fail to notice many punters being caught out by the early show. I was almost craving gig 1001 to follow it but instead we headed to the hostelry, ending the evening in the Peveril of the Peak. 

Mattiel. Image Credit ATO Records.

Touching briefly on gigs attended with other people, I have individually attended over 500 gigs with both Gill and Uncle George and just under 300 with John Dewhurst. Also, Uncle G, John and I (The three stooges) have very recently just gone past 250 shows together.