Milestones Part 1 – Gigs

This week I am launching another new strand relating to the significant milestones I have achieved in my gig-going life thus far and this initial article concentrates solely on the gig numbers. I previously elucidated my interpretation of what constitutes a gig at some length in a blog that I drafted back in the mists of time named ‘Definition of a Gig and a Venue?’  

Thus, I won’t repeat my cogitations from there but will suffice myself with saying that as the years have progressed, my qualifying criteria of a ‘gig’ has softened immensely to allow more gigs to gain entry to the Jimmy Archives. Therefore, as long as I witness someone on a stage nowadays playing music, they can be counted!  

Everyone has a first gig and my contribution to that grand compendium was Slade at Lancaster University back in December 1983. My 50th was to see Wonderstuff and Darlings Buds at the fabulous Manchester International 1 and the 100th was Dinosaur Jr at Manchester Academy 2.

Darling Buds. Image Credit thenewvinylvillain.com

As I have got older, I seem to be attending an increasing number of events and the overall numbers have skyrocketed as a result, so much so that after a few cheeky gigs in Lanzarote, it became apparent that my next show at Manchester Gorilla on 13/05/22 would be my 1000th gig.

I am not going to list all my landmark gigs, but I will pick out some highlights, thus my 250th was my one ear splitting foray to watch My Bloody Valentine at Manchester Apollo on their comeback tour. I don’t think I am unique in saying that this was the loudest show I have ever attended, and I personally have a very high bar in that regard. I know a few readers on here saw their recent shows, but I decreed once was enough mainly because I have never worn ear plugs to gigs, probably to my own detriment, but I am too far down that path to change now!

My 500th was Cymbals down in the basement of Leeds Wardrobe with the 800th being the terrific Belly at Manchester Ritz, Tanya Donelly still having a terrific voice. Number 900 was Helicon at Manchester Peer Hat.

Since then, I have rattled upwards even further with Snuff being number 1200 at Manchester Breadshed, 1300 was Public Service Broadcasting at Manchester Albert Hall. I have also recently gone past the 1500 figure which was at a new venue so I will cover that one in a future article.  

Inadvertently, but somewhat appropriately on the night there was a proper gathering at my ‘chiliad’ (had to look that one up!) and chiliagon is also apparently a term for 1000-sided polygon, now thinking about it I cannot visualise the scale of that diagram and how that might look. Anyway, returning from my digression, Gill and I met Marcus initially for a cold one in the Lass O Gowrie.   

There was then a little breakdown in communication, but we managed to catch up with Tris in the Gorilla bar attached to the venue where she had run into a former colleague Andy and his friend Paul who were also attending the gig. Thankfully Tris had clocked that it was an early show starting at 8.30 so a quick drink, photo shoot and a scoot round to the entrance was in order.

Pre-gig team photo with L-R Tris, Andy, myself, Paul, Marcus and Gill. Image Credit kind anonymous punter.

We accessed the venue, and I was a little giddy as my usual reticence gave way to informing a couple of random punters that this was my 1000th show, either being met with ‘well done, that is a fine achievement’ or on the converse side total bemusement!

The band that night was Mattiel who constitute of singer/songwriter Atina Mattiel Brown and guitarist Jonah Swilley and originated from Atlanta, Georgia in 2015. Mattiel Brown was raised on a self-sustaining farm in a rural setting, which was apparently quite an isolated existence, and she threw herself with gusto into visual arts, which fed into her subsequent music creation.

When we saw them they were promoting their fine third album ‘Georgia Gothic’ and they had strengthened out the band with the addition of a bassist and a drummer, and they produced an enjoyable slab of garage rock. The downside was that the gig was over by 9.45pm and one couldn’t fail to notice many punters being caught out by the early show. I was almost craving gig 1001 to follow it but instead we headed to the hostelry, ending the evening in the Peveril of the Peak. 

Mattiel. Image Credit ATO Records.

Touching briefly on gigs attended with other people, I have individually attended over 500 gigs with both Gill and Uncle George and just under 300 with John Dewhurst. Also, Uncle G, John and I (The three stooges) have very recently just gone past 250 shows together.

Manchester Venue 181 – Canvas

Dominating a 5.4 acre portion of Oxford Road for many years was the New Broadcasting House (NBH). It was the BBC regional headquarters and contained various departments including BBC Manchester, BBC Northwest, the Philharmonic orchestra and was also furnished with a 180-seat restaurant. Many TV programmes were recorded there including Question of Sport, Dragon’s Den and Red Dwarf.

The old BBC building. Image Credit g7uk.com

It was originally built in 1975 before being subsequently demolished in 2012, when lock stock and barrel everything relocated to Media City at Salford Quays. During this period one of the Kro branches (Kro 2) was located next door and served as a sister venue to the one further down the strip opposite Manchester University. I visited there many times pre and post gigs and imbibed a few cold ones in their large outdoor area. Its closure coincided with the shutting down of NBH and it is now a Tesco Express.  

The land remained sparse and derelict for many years before a new development suddenly sprung up, seemingly overnight. This has become known as the Circle Square development and encompassed within this area are student accommodations, office spaces and communal seating within the open plan Symphony Park in the central portion.

Also catered for are the highly important food and drink options, the former including Hello Oriental where I have sampled their wares a few times. The latter incorporates a Federal coffee outlet and a branch of the North Taproom brewery.  

Circle Square. Image Credit circlesquaremanchester.com

On the musical front, there is a 1000 capacity venue which has recently opened called Ambers. They are mainly a DJ based venue and have regular late events across the two function rooms.

The other venue that appeared there was Manchester Canvas which had a day and night concept. It was created by the BeSixth team who owned two established music locales in East London, namely Oval Space and Pickle Factory which are sister venues, located opposite each other in Bethnal Green. They commendably became the first two multi-use venues in the UK to eliminate single use bottles and cups, and the concept of all three establishments was to create a blank canvas experimental ethos.  

There was a ground floor cocktail bar and South American influenced restaurant and function rooms for hire and weekly yoga classes. They also launched a fairly unique membership for under 30’s costing £15 with perks such as free gigs.

The venue appeared ‘as if by magic’ on the gig listings in June 22 in much the same way that the Soup Kitchen did many years earlier, causing me to initially scratch my head regarding its actual location, but the ‘venue bloodhound’ in me soon tracked it down!

My initial interaction was visiting the bar whilst on the way to another gig. I engaged in discussion with the friendly barman regarding the new complex and he generously offered a private tour, which we readily accepted. Downstairs from the bar were two separate but interlinked rooms, the second complete with comfy sofas and a balcony and it was an impressive space even when empty.

This latter space was classified as Manchester Canvas 2, which had a capacity of 200 and where I had booked some tickets for the South London punks Snuff in April 24. However, rather unexpectedly the entire venue closed, and that show was relocated to the Breadshed. Thus, this venue was then added to the ‘Jimmy missing venue’ list where either the venue had closed prior to the gig, or I could not actually attend the event despite having tickets. Previous entries on this list include the Hacienda, Fairfield Club and Jilly’s Rockworld.   

The larger room containing Manchester Canvas 1 had space for 550 punters and had hosted events featuring Liam Fray, Happy Mondays, Dutch Uncles and the Warehouse Project. I attended just the once in September 2023 on a filthy rainy night.

Coach Party on stage at Canvas. Image Credit Aesthete.

The room downstairs on entry had a bar to the left and the stage to the right and the already traditional sticky floor in between. The band that evening was Coach Party, a four-piece indie rock band from Isle of Wight and they had an innate quirkiness to them which I found very enjoyable.

One of the band members Steph Norris used to be a manager of Black Sheep, one of the few music venues on the island. They have since been followed by fellow ‘Caulkheads’ Wet Leg who are making their own large strides in the music industry.

The postscript this week is that this is my 100th Manchester article, a long way away from the very first one that I posted about Manchester Apollo nearly six years ago!