Tag: Warehouse Project

Manchester Venue 211 – Victoria Warehouse

Buried away in the wastelands of Salford on Trafford Wharf Road, by the banks of the Bridgewater Canal, you will find the venue of Manchester Victoria Warehouse. It is situated nearby to both the cricket and football Old Trafford stadiums and the Trafford Centre shopping complex.

I miraculously once found an alternate route home through this area saving me a considerable amount of time when the M60 Barton Road Swing Bridge was completely backed up. Also in that area is the White City retail park which I foolishly visited the one time, and to escape from it you had to cross the most surreal road junction where to turn right you had bear sharp left initially for over 100 metres!  

The Warehouse has a long lineage as it was built originally in 1932. In the heady days of the Manchester textile boom it was utilised by the Liverpool Warehousing Company as a base to store cotton and other fabrics. Many of the unique bespoke spaces, including the Cotton Sheds, Head Office and Skyhook were designed at this time.

Victoria Warehouse with existing signage visible. Image Credit creativetourist.com

Within the bays, which were numbered based on allocation to individual companies, products from Kelloggs, McVities and Cadburys were packed over the intervening five decades. Thus, at any particular point in time you could have had either a bowl of Frosties, a plate of Jaffa Cakes or a Finger of Fudge (which is just enough to give your kids a treat!) at your fingertips.

In 1980 a catastrophic fire scorched through the venue. A couple of years later a rather large mural featuring Trafford Park industries was constructed by a local chap called Walter Kershaw. It was placed on the wall of the Warehouse storage buildings by the side of a busy road, but this positioning then eventually resulted in its downfall in 2007 as it was removed on public safety grounds.  

Trafford Park mural. Image Credit forwallswithtongues.co.uk

In 2005 the building was bought by developers and refurbishments commenced in 2009 with the addition of modern lighting, bars, dressing rooms and media spaces. On the 8th of April 2012 the Warehouse Project was launched and consisted of two storage areas.

It was designed primarily as a dance venue before branching into other directions with fashions shows, the first event being staged by GAP. In 2015 they obtained a civil ceremony licence and subsequently it was utilised to host weddings. Also, that year the then chancellor George Osbourne made his empty rhetoric ‘building a Northern Powerhouse’ speech there. Three years later the name changed to the O2 Victoria Warehouse, and it has a capacity of 3500.   

It first appeared on my radar when Speedo from Rocket from the Crypt hosted a weekend residency with sets from all the bands he has played in. I really wanted to attend but couldn’t make it work due to having alternate plans already in place. I then had tickets to see Mogwai in 2020 but that then became a ‘lost gig’ during the pandemic.

Whenever I parlayed with my musical peers, a theme emerged in that people appeared to actively hate the venue, which was a very rare thing to hear. Their main grouses appeared to be its location and its restrictive layout, especially when busy. I finally managed to arrange my first and only appearance thus far when 6 Music chose it as their main venue for their 2025 festival. They then announced Mogwai on the roster and my fate was sealed.

Thus, on the 28th of March, I met Rick (the nights Mogwai virgin) and Uncle George in the Deansgate pub before we navigated down to the venue. Upon arrival, we weaved our way through the olde world building, however due to misleading stage times we annoyingly only caught the last two tracks of English Teacher’s support set.  We then completed our group by meeting up with Paul and Tim.

Warehouse stage. Image Credit discover.ticketmaster.co.uk

Looking at the main room, I could understand people’s misgivings as there would be two poor visibility doorways at the rear if it was a full capacity event, but thankfully that night it was probably only about 2/3 full. This enabled us to obtain a prime spot about ten rows from the stage.  

Mogwai were introduced onto the stage by the enthusiastic DJ’s Deb Grant and Tom Ravenscroft. It was a decent set with ‘Mogwai Fear Satan’ their penultimate track before a three song encore with the accompaniment of the KNDS Fairey brass band and they completed their show with ‘2 Rights Make 1 Wrong’.

The brass band originally derived from the Fairey Aviation works factory in Stockport in 1937 and over the years they have been national champions for an impressive nine times.   

Post gig, Rick shuffled over to the nearby Trafford Road metro station to enable him to then pick up the last train back to Preston. But what of Uncle George, I don’t hear you ask, we waited and searched but of him there was no sight or sound.  

About an hour later after I returned home, I finally achieved contact with the wandering minstrel. I discovered he was drifting aimlessly down Chester Road and managed to pinpoint his current location on a map and then book an uber under my name to ensure he arrived home safely!  

Manchester Venue 181 – Canvas

Dominating a 5.4 acre portion of Oxford Road for many years was the New Broadcasting House (NBH). It was the BBC regional headquarters and contained various departments including BBC Manchester, BBC Northwest, the Philharmonic orchestra and was also furnished with a 180-seat restaurant. Many TV programmes were recorded there including Question of Sport, Dragon’s Den and Red Dwarf.

The old BBC building. Image Credit g7uk.com

It was originally built in 1975 before being subsequently demolished in 2012, when lock stock and barrel everything relocated to Media City at Salford Quays. During this period one of the Kro branches (Kro 2) was located next door and served as a sister venue to the one further down the strip opposite Manchester University. I visited there many times pre and post gigs and imbibed a few cold ones in their large outdoor area. Its closure coincided with the shutting down of NBH and it is now a Tesco Express.  

The land remained sparse and derelict for many years before a new development suddenly sprung up, seemingly overnight. This has become known as the Circle Square development and encompassed within this area are student accommodations, office spaces and communal seating within the open plan Symphony Park in the central portion.

Also catered for are the highly important food and drink options, the former including Hello Oriental where I have sampled their wares a few times. The latter incorporates a Federal coffee outlet and a branch of the North Taproom brewery.  

Circle Square. Image Credit circlesquaremanchester.com

On the musical front, there is a 1000 capacity venue which has recently opened called Ambers. They are mainly a DJ based venue and have regular late events across the two function rooms.

The other venue that appeared there was Manchester Canvas which had a day and night concept. It was created by the BeSixth team who owned two established music locales in East London, namely Oval Space and Pickle Factory which are sister venues, located opposite each other in Bethnal Green. They commendably became the first two multi-use venues in the UK to eliminate single use bottles and cups, and the concept of all three establishments was to create a blank canvas experimental ethos.  

There was a ground floor cocktail bar and South American influenced restaurant and function rooms for hire and weekly yoga classes. They also launched a fairly unique membership for under 30’s costing £15 with perks such as free gigs.

The venue appeared ‘as if by magic’ on the gig listings in June 22 in much the same way that the Soup Kitchen did many years earlier, causing me to initially scratch my head regarding its actual location, but the ‘venue bloodhound’ in me soon tracked it down!

My initial interaction was visiting the bar whilst on the way to another gig. I engaged in discussion with the friendly barman regarding the new complex and he generously offered a private tour, which we readily accepted. Downstairs from the bar were two separate but interlinked rooms, the second complete with comfy sofas and a balcony and it was an impressive space even when empty.

This latter space was classified as Manchester Canvas 2, which had a capacity of 200 and where I had booked some tickets for the South London punks Snuff in April 24. However, rather unexpectedly the entire venue closed, and that show was relocated to the Breadshed. Thus, this venue was then added to the ‘Jimmy missing venue’ list where either the venue had closed prior to the gig, or I could not actually attend the event despite having tickets. Previous entries on this list include the Hacienda, Fairfield Club and Jilly’s Rockworld.   

The larger room containing Manchester Canvas 1 had space for 550 punters and had hosted events featuring Liam Fray, Happy Mondays, Dutch Uncles and the Warehouse Project. I attended just the once in September 2023 on a filthy rainy night.

Coach Party on stage at Canvas. Image Credit Aesthete.

The room downstairs on entry had a bar to the left and the stage to the right and the already traditional sticky floor in between. The band that evening was Coach Party, a four-piece indie rock band from Isle of Wight and they had an innate quirkiness to them which I found very enjoyable.

One of the band members Steph Norris used to be a manager of Black Sheep, one of the few music venues on the island. They have since been followed by fellow ‘Caulkheads’ Wet Leg who are making their own large strides in the music industry.

The postscript this week is that this is my 100th Manchester article, a long way away from the very first one that I posted about Manchester Apollo nearly six years ago!