Manchester Venues 136 to 137

As you traverse down Oldham Street in the Northern Quarter from Piccadilly Gardens you pass the iconic Night and Day and Piccadilly Records and just after the junction with Hilton Street you reach Manchester Freemount. It commenced its tenure as a traditional Tetley Brewery public house before morphing into the Northern and then into its current moniker. There are two entrances with one on Tib Street alongside the Oldham Street access.

Manchester Freemount. Image Credit tripadvisor.com

It is an old-fashioned homely establishment with impressive glazed emerald green filed frontage with exterior seating for those rare sunny evenings. It has regular live music and often to quite a late hour as they remain open until 2am every night. Those timelines are handy for catching some cheeky bonus gigs before pottering off for the late train. I first encountered some live tuneage there in October 2018 prior to an Orielles gig at the aforementioned Night and Day when I saw a local artist called Adie playing. My second most recent attendance was earlier this year with my pal Riggers after a gig at the Band on the Wall venue and we witnessed an artist called Monty.

The pub is owned by the Urban Village Bars company who also have Another Heart to Feed bar/restaurant on their roster. They now have a recently added third string to their bow with the Wayfarer pub on Swan Street which has the same frontage as the Freemount. They also apparently have live bands there so I shall have to put it on my list of places to visit.

If you then head up Newton Street towards Piccadilly Station, you arrive at Manchester Hold Fast. located down some steps in the basement of Hatters Hostel. The hostel is named to commemorate the Joseph Wood & Sons Hat Factory that resided in the Victorian building where it is located. The factory was built in 1907 and the three-storey glazed ‘arcades’ were designed with the concept of adding additional light into the building.

Manchester Hold Fast. Image Credit themanc.com

The hostel retains some of the original features of the porcelain sinks and a spooky old lift (probably like the one featured in the ‘The Long Good Friday’ movie). They have received some high level customer service scores, possibly because of the fact they have a games room including a pool table and free tea and toast all day, I mean what is not to like about that!   

The bar also has its own small cinema space, designed for lazy ‘hangover Sundays’, where you can watch old black and white movies whilst nursing your self-imposed headache. There is also a further vintage games room with old Sego video games which included Sonic the Hedgehog and early versions of Football Manager.

Being of a certain age myself I recall the astonishingly basic Pong games in the late 1970’s/early 1980’s where the Tennis and Football used to blip and blop across the screen and were virtually identical! I also remember playing the early Grand Prix driving machines, there used to be one in the New Britannia pub on Heatley Street in Preston, and also Track and Field. My all time personal favourite though was Galaxians, which you would sometimes see as a tabletop version.

Hi-tech Pong video game. Image Credit Timetoast.

Hold Fast is an intriguing nautical themed bar, apparently inspired by Jules Verne’s novels, specifically ‘Twenty Thousand Leagues Under The Sea’, and is a dimly lit space with numerous ships lanterns and candles dotted about. They have a suite of craft beers available to imbibe. They also have open mic nights and live music events and one such evening in 2018 Gill and I saw a local chap called Edwin play there. The venue closed in 2019 and was touted to reopen in November 2023, but it is unclear on their website whether that actually happened.  

Manchester Venue 92 – Band on the Wall

At the top end of Oldham Street, you find the Comedy Club and the iconic Crown and Kettle public house across on the other side of busy Swan Street. Hundred yards to the left of there is the oldest venue in town, Manchester Band on the Wall, which sits opposite to the Fringe Bar.

Crown and Kettle interior. Image Credit eatmcr.co.uk

The venue was originally opened as the George and Dragon pub in 1803 within a big market area, even in those very early days it had a licence for song and dance. It was located near the old gathering place of ‘New Cross’ where many an Industrial Revolution demonstration took place. The landlord in residence between the 1930’s and 1950’s was a no-nonsense chap called Ernie Tyson who decided to expand the repertoire and created a stage halfway up the wall at the rear of the pub, hence the name of the establishment was formed.

During the 1960’s and 1970’s it sat in the jazz domain before punk hit and the Buzzcocks and Joy Division played early gigs, the latter allegedly signed in blood their recording contract there with Tony H Wilson. The venue is registered as a charity so allows more artistic freedom and its music resides mainly in the roots and soul genre and because of this not one I have visited regularly. To exemplify this musical ethos, Craig Charles has for many years undertaken a monthly DJ residence there.   

It is an award-winning establishment and has recently been refurbished, it has an initial bar area as you enter which now has the ability to stage smaller performances with an 80-person capacity. Then to your left there is a step free access into the main music room with an additional balcony overlooking the stage and this area now has an increased capacity of 500 due to an expansion into the adjoining three-storey Cocozza Wood building.  

Band on the Wall. Image Credit DesignMyNight.com

One of the seminal and most influential bands of my youth was Husker Du and I was fortunate to see them twice back in the day and at the first gig had a brief chat with the band and I have been playing a lot of their considerable output recently. Post their breakup in 1988 I kept a close eye on the individual output of the members of the band and saw Sugar several times and Bob Mould solo a couple of times.

The drummer Grant Hart was less prolific in his output and toured far less prior to his untimely death in 2017. His passing hit me like a sledgehammer in much the same way Mark Lanegan’s did, perhaps also inciting selfishly the mourning of your past youth! 

He was a fabulous drummer with my personal favourite of his art being the thunderous driving rhythm of Husker Du’s ‘New Day Rising’, go on have a listen to it right now! He also released some terrific solo records, particularly the first two ‘Intolerance’ and ‘Good News for the Modern Man’, the initial one being issued via the legendary SST records.  

I was therefore excited when I saw the news he was touring in December 2011, so tickets were purchased and off we popped. I was a tad worried when I saw it was just Grant and a backing track machine but surprisingly it worked with him topping up the sound on his guitar.

He had a considerable back catalogue and was inviting requests from the audience, however when one punter somewhat rudely stated ‘you need to play xxxx’, he was met with an instant withering response ‘you need to be on the streets man’! Standout tracks that evening were ‘2541’, ‘The Main’, ‘Never Talking to You Again’, ‘There’s a Girl who Lives on Heaven’s Hill’ and ‘Green Eyes’.  

Grant Hart. Image Credit SFGate

My other three attendances were all part of wristband events, the first in May 2018 was to see Desperate Journalist, a decent post punk band from London. At the following years Dot to Dot event, I witnessed part of an excellent set from Kilmarnock’s Fatherson. I very nearly saw them in Edinburgh a few years earlier but was glad to finally catch up with them. My final appearance was in November 2019 to see a local artist called Elysse Mason who reminded me to a degree of Lana Del Rey.