Manchester Venues 166 to 167

Directly outside the Manchester Oxford Road station in an old coffee shop and cycle hub they have now opened the Oxford Road Tap which completes the trilogy of tap bars at Manchester stations alongside the already existing Victoria and Piccadilly Tap. I have had one visit thus far to this small tidy craft beer spot where it has a large repurposed National Rail sign and also a live timetable, so you know exactly how much time you have to drain your pint!

Oxford Road Tap. Image Credit uk.news.yahoo.com

Opposite the train station access road and the Palace Theatre you will find the Grade II listed Principal Manchester building, though it is more widely known as the Refuge Assurance building. The Refuge company was founded in 1858 and moved to its Oxford Road location in 1890.

After purchasing the site, they worked with the renowned Victorian architect Alfred Waterhouse in designing their new head office, whose previous work included London’s Natural History Museum. The grand ornate high ceiling interior was built in 1895. There were further extensions in 1905 and 1912, the latter incorporating the impressive 220ft baroque clock tower which formed the new main entrance, with clock quarters stylised with a Manchester bee, which is now synonymous with many other contemporary artefacts in the city. The latest incarnation accommodated up to 1900 clerks.

During the Second World War they constructed two air raid shelters in the basement but thankfully avoided any direct hits. The Refuge company relocated to Wilmslow in 1987, the building then becoming Charterhouse Hotel and in 1996 it was renamed as the Palace Hotel. It changed hands again in 2016 with the Manchester Refuge Bar taking over one half of the building.

Refuge Bar. Image Credit we-heart.com

There are many separate spaces in this vast space, and these include the public bar that you encounter immediately upon entry. Behind there is the Dining Room where we have visited once for a very decent Sunday lunch, it is exceedingly popular, and we had to book a couple of months in advance. Next to there is the Winter Garden area and there is additionally the Den and a Private Dining Room which can both be booked with capacities of 80 and 10 respectively.  

I had walked past this building for many years on the way to the station, but it was around 2018, a couple of years after opening, before I finally made a visit to the bar. It is also handy as an alternate though tad expensive venue to contrast the nearby fine grungy pubs and has been utilised prior to late trains and for post Ritz and Gorilla gig drinks.

They have regular DJ’s on there but in April 2024, the day we sampled our Sunday fodder, I was delighted to find that my ‘bonus gig’ banner was flashing as there was a jazz band playing in the main bar.

The aforementioned attached Manchester Principal Hotel (now renamed post-covid as the Kimpton Clocktower Hotel) was subject to an extensive £25m refurbishment in 2016 which resulted in the creation of the largest hotel ballroom in the whole of the Northwest of England. The hotel is alleged to be haunted by a grieving war widow who committed suicide by throwing herself down the staircase from the top floor and this area was only accessible to the menfolk at that time! Room 261 is also to be avoided with reports of the sounds of children playing in the hours of darkness.  

The annual Manchester Literature festival has been in place since 2006 and was built on the legacy of its forerunner the Manchester Poetry festival. It is a two-week multi venue event that occurs every October and also provides a year-round Creative Learning programme which supports the next generation of readers and writers.

Principal Hotel. Image Credit Country and Town House Magazine

One of the selected venues for the 2018 event was the Principal Hotel. Marcus had a spare ticket for an audience with the Wedding Present lead singer Dave Gedge and this took place in one of the numerous function rooms on a Sunday afternoon.

As we exited the lift I ran into Jo Davies (nee Brewer) who was one of the large crew that I used to attend the Raiders/Warehouse indie nightclub with in the early 1990’s. I was a regular there between 1985 and my last attendance on John Dewhurst’s stag do in 2005. I know the next generation of sons and daughters now attend, though I did hear last week from one of those old timers on a recent attendance that one of the DJ’s was playing Taylor Swift, by heck that would never have happened in my day!

Dave was there to talk about a book he had recently penned with the interviewer Richard Houghton called ‘All The Songs Sound The Same’. The theme of the tome was to present 300 Wedding Present stories from fans, friends and band members including one from our current PM Sir Keir Starmer. He then followed the chat by playing acoustic versions of four of the band’s finest tunes.     

Manchester Venue 135 – Bread Shed

On the opposite side of Grosvenor Street from the Deaf Institute venue you will find the Sand Bar. This is one of the many hostelries within the Oxford Road corridor, but it is a singular Manchester institution and one of my fave places to visit. It came into existence in the mid-90’s and I have been attending there for pre-gig drinks for many years. It is housed in an old industrial mill with an olde world feel and has an unprepossessing and almost hidden entrance. They have always served fine beers and was the first place that I was aware of that stocked continental lagers and was the location of my first sampling of the Bavarian Schneider Weisse wheat beer!  

Manchester Sand Bar. Image Credit flickr.com

On the next corner is another watering hole with the previously very simplistic name of ‘The Pub’. It is housed in a Grade II listed building, and they regularly have quiz nights and open mic nights, this one being more of a sporadically visited hostelry. A recent artistic addition to their side wall in May this year was a large mural of Kurt Cobain. At the back of this pub for many years there was a nightclub called the Zoo, now a singular music venue called Manchester Bread Shed.

I first visited the venue in its Zoo nightclub phase as part of the Dot to Dot festival event in 2013 and the act on stage was Beans on Toast which is the stage name of folk singer Jay McAllister who derives from Braintree in Essex. He is a prolific musician and has recorded fifteen albums since 2005 and has a liking for releasing them on his birthday of 1st December.

The Bread Shed. Image Credit designmynight.com

To be honest, he was not my cup of Yorkshire Tea though there were many punters in there who were lapping up his performance. On a personal front, my day improved dramatically immediately after as I caught a startlingly good Wolf Alice set across the road in the Deaf Institute.

In August 2017 the site rebooted as the Bread Shed and the owners Stonegate Pub Company spent £450k on upgrades. The unusual name derived from the history of the building as in the 1900’s it was the Duncan & Foster bakery site. This was also reflected in the attached pub revising its name to the Flour & Flagon. It was set up as an events space with a 480 capacity and beyond the live music they also reinstated the XS Malarkey comedy night that had for a short period been rehomed at the Comedy Store.   

Prior to attending a Fontaines DC gig at Gorilla in 2019 I cheekily blagged my way into the venue and caught a portion of a pretty woeful Iron Maiden tribute who were at the same low calibre level of the ‘legendary’ Damascus gig (my third ever gig) at Preston Clouds in 1984!   

My next visit was in October 23 where Marcus and Anita attended with Gill and I. Marcus had some ticket issues on the door but managed to negotiate his way in. The band we had come to see was the Boo Radleys who I was witnessing after a 29-year sabbatical as I had not seen them since two gigs in 1994. They were on a rotating joint headline tour and were the support on the night and were in excellent form with the fabulous ‘Lazarus’ being performed towards the end of their set.  

The headliners were Cud who are an electro indie band from Leeds who I had surprisingly never seen before. They formed in 1987, broke up in 1995, but reformed again in 2006. In their first incarnation they undertook a cover of Hot Chocolate’s ‘You Sexy Thing’ which garnered a number 20 position in John Peel’s festive fifty in 1988. Their lead singer is Carl Puttnam who can be marmite to some people, and I honestly didn’t approach them with high expectations. However, these chaps could play and were seriously good fun, reminding me of the vibrancy of Electric Six’s live performances.   

Cud band. Image Credit 3loopmusic.com

My latest visit was in April this year to see the ska/punk sounds of Snuff for the eighth time. Just when I was thinking the audience were very quiet on the first three tracks and not resembling an archetypal Snuff crowd they then played ‘Soul Limbo’ cricket theme, and the place went ballistic! So much so the instantly created moshpit had a kick back and Uncle George was knocked back onto the floor and temporarily flattened, but he is literally made of Teflon so bounced straight back up again! I had a rare foray into the pit myself for a few tracks and as ever thoroughly enjoyed their show!