Manchester Venue 70 – The Attic

Manchester Oxford Road train station opened in 1849 and was built in the renowned local slum area of ‘Little Ireland’ and was initially a single platform station. Over the intervening period the station expanded to five platforms, and I have caught trains from them all!

When I first used to commute over to gigs in Manchester from Preston in the mid 80’s we always needed someone to drive as the only alternate was an hourly train into Manchester Victoria. The opening of the 700m Windsor Link between Salford Crescent and Deansgate in 1988 vastly improved the situation as it connected lines to the north and south of Manchester, opening up routes from Preston into Oxford Road, Piccadilly, and the Airport. The train then became the chosen mode of transport for gig nights.   

I have always been fond of Oxford Road station it as it has been my most regular arrival/departure point for nearby venues Sound Control, Ritz, and Gorilla or to the four Academy venues a short walk away down Oxford Road. Some of this allure has waned slightly as it has now become my work commute point since moving to Manchester. The station is a Grade II listed building and as a result needs a little bit of love and constant repair and it can be a draughty place. It is still listed for expansion if the Northern Hub plans ever reach fruition. 

Oxford Road station. Image Credit manchesterhistory.net

There used to be an old piano near Platform 4 where you could occasionally hear drunken punters trying to embrace their inner Mozart! I also read somewhere that on a Motown tour including a very young Stevie Wonder in the 60’s, Martha Reeves and the Vandellas once stepped off onto the platform and played a set, which I am sure would have been a sight to behold.  

The station is built on a hill and as you exit the station there is a road that slopes downwards to the left bringing you out where the Cornerhouse Cinema used to be located and opposite the Palace Theatre. Years ago, I saw West Side Story there and recently saw School of Rock, which was superb fun and recommended. Just outside the entrance they have replaced the newsagent kiosk with a new vendor called Slice Pizza and Bread Bar, and you may be unsurprised to discover, I have already partaken of their wares prior to the last train departing.

If you head marginally right this takes you to the 56 steps (I have counted them!) leading down to a trio of pubs and Oxford Road. Many times, there has been a cheeky very late beer necessitating a scramble up these steps, then the incline and then up and down a further two flights of stairs and an additional 64 steps on to Platform 2 for the last Preston train. A couple of times, it was missed, and I recall one other time when I was holding the train doors ajar much to the platform staff’s chagrin as Gill and Uncle George flew down the stairs behind me!

At the bottom of the aforementioned steps immediately to your left is the grungy Salisbury pub, which has been a meeting point for many years, and they do support the local music scene by offering a reduction on the price of your pint via producing evidence of a gig ticket for that evening, for any venue.    

Directly opposite the Salisbury at either 50 New Wakefield Street or 50 Oxford Road (the official address is unclear!) are a set of spiral stairs taking you up to Manchester Attic, which sits adjacent and upstairs from the Thirsty Scholar pub. This venue fascinated me for many years due to its location, but we had never had a chance to visit as its primary function was a late-night dance club. However, good things come to those who wait as the Dot-to-Dot festival included it on their 2013 roster.

Myself pictured recently outside the Attic venue. Image Credit John Dewhurst.

Next to there but at a lower level is the Zombie Shack which I have never visited but it was included in the roster for the recent Neighbourhood Festival held in that area encompassing thirteen local venues.  

Thus, we finally headed upwards to the Attic venue though to be fair it was fairly nondescript as a small one room setting with a bar on the right and an alcove stage at the end of the room, but it was nevertheless a huge tick in the Jimmy gig roster! Searching the internet, it remains unclear whether the venue is still operational.

First on stage were the Rivals followed by the Thumpers (often known as THUMPERS), a London indie pop duo. One of their member was previously a drummer in Noah and the Whale. They subsequently split in 2018 with their final show taking place at the Lexington in London.

Pandemic Paean of Praise to a Plethora of Music Palaces

Recently there was the initially sad news revealed that the Deaf Institute and Gorilla venues in Manchester will not reopen post-pandemic. I have attended both venues many times and will cover their reviews in future blogs. This news coincided with further reports of the closure of the Welly and Polar Bear venues in Hull.

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Hull Welly. Image Credit Pinterest

Even though the decision of the Manchester sites was subsequently miraculously reversed four days later via the partial intervention of a Pandemic hero Tim Burgess it only serves to illustrate the real and present threat to the future of all venues.

The are some rays of light in that there has been tireless work undertaken by the save our venues campaign resulting in significant crowdfunding to save 140 venues from ‘imminent danger’. Also, the Government has stumped up some funding for the Arts including music venues which will only help if the money is distributed speedily and equitably.

These events give me cause to muse on the fact that many of the conurbations in Britain will contain at least one small essential music venue. To name but a few, the Mad Ferret in Preston, the Leadmill in Sheffield and the Trades Club in Hebden Bridge.

The venues are the absolute creative lifeblood of the industry and of the local community, impacting on nearby retail outlets and the continued employment of associated roles, including bar and security staff, roadies, agents and publicists to name a few more. It even provides an opportunity for those pesky touts!

They also provide a priceless opportunity for the hungry local talent to initially learn and hone their craft. Everyone must start somewhere, like a nurse takes blood for the first time, so must a band enter and exit stage left.     

All bands who have gone on to bigger things will have tales to tell. Using Oasis as an example, their roster of very early gigs contains stellar venues such as Club 57 and the Hippodrome in Oldham and the legendary Krazyhouse in Liverpool, which I have visited once in its nightclub capacity.

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Liverpool Krazyhouse. Image Credit The Tab

As the pandemic has progressed, I do appreciate that alternative approaches have been understandably sought out by musicians to replace the missing gigs as that remains their primary source of income. Personally though, I have struggled to hook into the numerous twitter and streaming events because to me there is nothing to replace a live gig at a venue where you can see the whites of the eyes of the band. I would contend there is only very limited enjoyment to watching a festival from your own living room.  

This incorporates all facets of the experience. The expectation before a much-anticipated band, the gibberish discussions in the pub before and after (maybe that’s just me!), the shared acquaintance with like-minded souls all there for a communal experience, the sweaty mosh pits, the hairs on the back of your neck standing up when you see a great band, even better when it is unexpected. All in all, some of the best nights of my life have been at live gigs.  

Unfortunately, due to their very nature music venues will probably be last to be reintroduced so that makes it even more imperative they are supported right now.  

Another negative by product of the current situation is that I am not adding any new gigs or venues to my roster thus I am continuing to delve through my archives, and I am hoping I do not run out of material in the interim. It is doubly frustrating as I was hoping to pass my 1000th gig this year.  Who could have predicted when I launched my blog last November that a pandemic would strike 4 months later!

Please stay safe kids and we will eventually arrive at the other end of this dark tunnel and will soon be back in those mosh pits.