Tag: Manchester Gullivers

Manchester Venues 142 to 144

Within the Northern Quarter as you progress away from the vibrant and busy Oldham Street down Hilton Street towards Stevenson Square you reach Manchester Corner Boy. The establishment for many years was the iconic Koffee Pot café before morphing into an American diner called West Corner in 2016, a place I visited once for a slightly non nutritious snack! A couple of years later it changed again into its current incarnation as an Irish bar and deli.

Corner Boy. Image Credit ilovemanchester.com

It is owned by nearby Hatters Hostel and is a homely venue with low lighting and mahogany décor, they have a small outside seating area and also serve traditional tucker such as Irish stew, colcannon, and soda bread and naturally a decent pint of the black stuff. There is a function room downstairs that can be hired out.

They undertake DJ sets on a weekend and occasionally also have live music and so it came to pass that after an excellent Black Doldrums gig at nearby Gullivers I landed in there to catch a portion of a soulful set by the Manchester based Olivia Joseph band.   

Beyond the pub you arrive instantly at Stevenson Square where during the pandemic they made the pro-active decision to pedestrianise the area to allow the suite of pubs in the vicinity to be able to have outside tables in a continental style. Thankfully as the world returned to normal, they maintained this sensible approach and as a result it can be a very lively area on a sunny afternoon with people sat out nursing cold beers and cocktails.

On the far angle of the square on the Piccadilly station side you would find Manchester Shack Bar and Grill, not to be mistaken with Dino’s Bar and Grill featured in the Thin Lizzy track ‘The Boys are Back in Town! It appeared to be modelled to a degree on an American diner with their award winning burgers and has seating outside on an astro-turf surface.

Manchester Shack Bar and Grill. Image Credit ilovemanchester.com

It had a large spacious bar area and there was a chilled vibe about the place. After a noisy Cheatahs gig at Soup Kitchen we dived in there for a flyer before sallying off for the last train home. Whilst in residence they had some acoustic acts on, and we saw two local singers called Josh Morrison and Ex Moxley.

In 2019 the original Hilton Street site closed but it quickly relocated over to High Street on the other side of the Northern Quarter and took over from where the Blue Pig used to be. Blue Pig was one of around dozen bars in NQ, Printworks, Heaton Moor and West Didsbury that was owned by the hospitality group Mark Andrew Developments (MAD Ltd) which unexpectedly went into liquidation at the tail end of 2018.  The Shack however is still standing strong to this day at its revised address.   

The concept and evolution of Manchester Feel Good Club commenced back in 2016. The owners and married couple Keira and Aimie Lawlor-Skillen were struggling with eating disorders and mental health issues and wanted to instil more positivity into their life so instigated the Feel Good name which started initially on Instagram, and which has now grown exponentially up to 335k followers. It evolved from there via a candle making business and then in 2020 by opening up a physical space which is located on Hilton Street.

Manchester Feel Good Club. Image Credit northernquartermanchester.com

The club is primarily a coffee shop and bar and generally closes at 6pm. However, on certain days it has after hour events including Mischief Cabaret and Queer open mic nights. They also have a clothing range and have billboards dotted about the city outlining their ongoing ethos.

In June this year Gill and I happened to be striding past on our way to another gig and were distracted by a vibrant atmosphere in the club. On stage was a trans artist called Miss Chief Cabaret whose character was created by Rupaul’s Drag Race alumni Banksie who featured in Series 5 of the television show.

This is the stage name for Jonathan Banks, who was born in Wigan and is now the artistic director of the venue Firehouse on Swan Street. He is 6 foot 8 inches tall but rises up to 7ft in heels and on the night, he was camping it up on stage and going down a storm with a highly animated audience who were living up to the name on the door!      

Manchester Venues 115 to 117

As cited in a previously blog, The Band on the Wall has recently been refurbished with a new site for gigs outside their main venue room, with an 80-person capacity. Thus, at the culmination of a gig I attended there recently we walked out into the Manchester Band on the Wall Bar and discovered a bonus band on the small stage called Black Cat Lion. I am assuming they only commenced playing when the band in the main room had finished their set.

Band on the Wall. Image Credit propermanchester.com

The last time I encountered an occurrence like that was when leaving Nottingham Rock City in the late 1990’s after watching a Spiritualised set to discover to my utter delight that the South London punks Snuff were in the middle of a thunderous set in a function room downstairs. That night I dived into the already fully functioning mosh pit and thoroughly enjoyed the half bonus gig and the standout was their cover of ‘I Think Were Alone Now’ with the vocals provided by a selected chap from the aforementioned pit!

Situated in a very old area of the Northern Quarter is Tariff St. I have also previously covered the bars and venues on this evocative ‘mill town’ thoroughfare, but I had never yet witnessed a gig at the Manchester Whiskey Jar Upstairs Bar, only having attended gigs in the downstairs space. The Whiskey Jar is housed in a Grade 1 listed textile mill, and it lives up to its name by having around 350 varieties of the hard stuff available, with representation from many continents.

Whiskey Jar bar. Image Credit creativetourist.com

On the same night of the above Band on the Wall gig I was navigating my route back to Manchester Piccadilly station for the late train home, and my attuned ears could hear music at ’100 yards’, much like Father Jack of Father Ted fame who could pick up the distinctive sound of a Sauvignon Blanc bottle at the same distance! Therefore, I had no choice but to undertake a quick detour into the Whiskey Bar to catch the last 1.5 songs of the Blues Kids set whilst still allowing enough time to enable myself to make the scheduled train without excessive scampering!

In November 2019 I attended at the last minute the Off the Record festival, an event for unsigned bands that takes place in a suite of venues in the Northern Quarter. I picked up my wristband from the hub venue of Gullivers about 6pm and decided to weave down Tib Street to my first venue. As I walked down I was distracted by a sign outside Manchester Matt & Phred’s.

Matt & Phred’s opened in its current format of a Jazz and Blues late night club in 2010 and holds live gigs 6 days a week. It has an appropriate low lit intimate setting with a 200 capacity and apparently provides fine cocktails and tasty pizzas. In its previous guise in 2007 Adele played two gigs there in a fortnight window and to have graced the stage there also are Rochdale’s Lisa Stansfield, Wynton Marsalis, Ed Harcourt, Mumford and Sons, Daniel Johnston and George Ezra.

Matt and Phreds. Image Credit DesignMyNight.com

Due to the genre of the music, I couldn’t see myself ever paying for and attending a gig there and had only once previously been in for a drink in an afternoon setting. However, returning to the previously mentioned sign outside which was providing an invite to attend a free early gig which happened to be at the exact point I was walking past.

Not wanting to look a gift horse in the mouth I entered the establishment and found a side wall to lean on. The act on stage were called Courteous Thief and transpired to be a folk singer who was a fisherman’s son from North Wales. He had already by that stage picked up support slots with Turin Brakes, Tom Hingley, Mark Morris and John Otway.