Manchester Venues 63 and 64

Located deep in the Northern Quarter there used to reside the Cord Bar. It was situated on Dorsey Street off Tib Street, almost directly behind the Gullivers public house. Apparently at the start of the millennium, it was one of the ‘go to’ places in NQ as it was cited as a favoured DJ venue and like many in this area of town was a visiting spot for an embryonic Elbow.

It suffered declining numbers over the years and a reboot attempt under the name of NYQ in 2018 was unsuccessful, however I visited its latest incarnation a couple of weeks ago prior to watching the Courettes at Night and Day. It is now called Alvarium with a restaurant called Lazy Tony’s Lasagneria where we had a table by the old stage!   

I visited there three times under the auspices of the Dot to Dot and Carefully Planned multi venue festivals and quite liked the establishment as it always reminded of an archetypal New York diner style bar you would see on the American cop shows. The bands played in the downstairs bar, and this could be accessed via a choice of stairs at the front or rear of the venue.

Cord Bar. Image Credit tripadvisor.co.uk

My first attendance on 19/10/14 was accessed from the latter steps and the acts played in an alcove where rather quaintly and somewhat niffily the space for the small number of punters was located outside the lavatories! The artist was a young local acoustic artist called John Ainsworth who released his debut album the following year.

When I landed there a year later, I discovered the stage was in the same place but was now thankfully facing the opposite way into a larger less pungent room. We saw Howie Reeve, who is a self-titled acoustic bass troubadour from the South of Glasgow. In May 2016, on my final visit I witnessed another local musician called Sam Frost. 

Nearby in the famous Afflecks Palace block there is a fine basement bar and live music venue. The club has had a couple of entrances, either from Oldham Street or Tib Street. It has also had a few name changes over the years, originally a singular 500 capacity music venue called Moho, then a hybrid site called Manchester Dive NQ. It is now called Dive Bar and Grill and is more focussed on being a food/sports bar and it appears that live music is now longer on the roster, and it is a late-night DJ location only.   

My first visit in April 2012 was in the Moho moniker era and we accessed the gig from the Tib Street entrance, and I thought the place had a decent layout.

Manchester Dive NQ. Image Credit venuescanner.com

Now, from the starting point of being a humongous Mogwai fan I have always searched out other like-minded bands positioned in the post-rock genre. However, a few of these have turned out to be in the Mogwai lite category, God is an Astronaut and I so I Watch from Afar spring to mind.

An exception to this was the band that night with the vaguely threatening but musically promising name of This Will Destroy You from Texas. They were an excellent live band, and it looks like the band are still operational and under their revised name of TWDY they are scheduled to play the ArcTangent festival later in 2022. It was also jointly my 150th different venue and my 150th gig in Manchester.  

After the change to Dive NQ where they moved the stage to the front of the venue, I attended four other times between 2016 and 2019. The first was to see a local blues-rock band called Turrentine Jones. The second was to see a young Sheffield band called Exhort, who were perhaps unsurprisingly heavily influenced by Arctic Monkeys. This was prior to attending a Julia Jacklin gig.  

On the penultimate visit whilst at the Dot-to-Dot festival we saw local act China Lane led by Reuben Hester who apparently after the band disbanded appeared on the reality TV programme Little Mix the Search. This was just before walking across the road to Night and Day to catch a young astounding Fontaines DC for the first time. My final attendance there was to see Saytr Play.       

Manchester Venue 31 Night and Day – Part 2

My first visit to Night and Day Café was unusually to see a support band on 02/11/06. The band in question was the terrifically named post-rock outfit Amusement Parks on Fire from Nottingham. I had picked up on them via their second album Out of the Angeles with its distinctive sci-fi sleeve cover. They were a decent noisy live act with the venue only about a third full.

See the source image
Amusement Parks on Fire ‘Out of the Angeles’ album cover. Image Credit Discogs

For the main act Mumm Ra I recall there was a hugely overactive guitar tech thoroughly prepping the kit, unfortunately despite the odd moment the headliners were a tad limp and a bit twee for my tastes.

In May 2012 we headed in after another gig at the Soup Kitchen and caught a portion of Rooftop Runners set who were a Berlin based electronic combo comprising two Canadian brothers. We caught a further gig at Gulliver’s that night to complete a commendable trifecta. The following year we saw local act Egyptian Hip Hop who supported The Words.      

I also saw John Steele Singers, a non-descript six-piece from Brisbane in Australia and witnessed a decent fuzzy surf pop set called Get Inuit from Kent in 2015 as part of the Carefully Planned Festival.  

On a cold January night in January 2008 we decided ambitiously to do a double header of gigs which was deemed feasible by the virtue of Night and Day having later set times. So, after witnessing most of the Explosions in the Sky set at the Academy and additionally finding out North End had got an important victory over West Bromwich Albion, we jumped in a cab in true movie style and landed right on cue to see the much touted Glasvegas wander on stage.

The Glaswegians had a real presence about them, and this is surprisingly for me to say but on this occasion, they overcompensated with volume which resulted in them losing a degree of the subtlety of their self-titled debut album material. The song highlights on the night were ‘Geraldine’ and Stabbed’, the latter being a particularly dark heartfelt track.

See the source image
Glasvegas on stage. Image Credit GDR.

After the gig we ensconced to the bar and upon suddenly realising the late train was due we smuggled the remaining half bottles of Budvar out of the venue to accompany the walk back. Upon turning the corner to trot up the hill to Piccadilly station there was a young copper who on espying us had a big grin on his face due to the combined age of about 140 between the three of us. His opening riposte was ‘I am not going to have any trouble with you lads am I?’ to which he got three nods of assent and astutely asked us to lose the bottles at the bin 100 yards beyond him before we entered the station, a fine example of community policing if ever I saw one, so well done to him!   

On other visits I saw Low Island, an interesting Wrexham band called Gallops and an experimental project called Self Esteem consisting solely of Rebecca Lucy Taylor who was previously a member of Slow Club. I additionally saw Brad Stark and Seazoo, a quirky Welsh indie band. I witnessed a fine set from an Australian/Danish duo called Palace Winter who as a result of their quality I then made a conscious effort to see them in their own right a couple of years later.

It is now exactly a year to the day (13/03/20) since I saw my last gig of Nada Surf at Hop and Grape, which is naturally my longest ever gap between gigs. But there are now chinks of light on the horizon and I am hopeful of having my first vaccine soon. I have now started booking some gigs for later in the year which is very exciting!