Manchester Venues 166 to 167

Directly outside the Manchester Oxford Road station in an old coffee shop and cycle hub they have now opened the Oxford Road Tap which completes the trilogy of tap bars at Manchester stations alongside the already existing Victoria and Piccadilly Tap. I have had one visit thus far to this small tidy craft beer spot where it has a large repurposed National Rail sign and also a live timetable, so you know exactly how much time you have to drain your pint!

Oxford Road Tap. Image Credit uk.news.yahoo.com

Opposite the train station access road and the Palace Theatre you will find the Grade II listed Principal Manchester building, though it is more widely known as the Refuge Assurance building. The Refuge company was founded in 1858 and moved to its Oxford Road location in 1890.

After purchasing the site, they worked with the renowned Victorian architect Alfred Waterhouse in designing their new head office, whose previous work included London’s Natural History Museum. The grand ornate high ceiling interior was built in 1895. There were further extensions in 1905 and 1912, the latter incorporating the impressive 220ft baroque clock tower which formed the new main entrance, with clock quarters stylised with a Manchester bee, which is now synonymous with many other contemporary artefacts in the city. The latest incarnation accommodated up to 1900 clerks.

During the Second World War they constructed two air raid shelters in the basement but thankfully avoided any direct hits. The Refuge company relocated to Wilmslow in 1987, the building then becoming Charterhouse Hotel and in 1996 it was renamed as the Palace Hotel. It changed hands again in 2016 with the Manchester Refuge Bar taking over one half of the building.

Refuge Bar. Image Credit we-heart.com

There are many separate spaces in this vast space, and these include the public bar that you encounter immediately upon entry. Behind there is the Dining Room where we have visited once for a very decent Sunday lunch, it is exceedingly popular, and we had to book a couple of months in advance. Next to there is the Winter Garden area and there is additionally the Den and a Private Dining Room which can both be booked with capacities of 80 and 10 respectively.  

I had walked past this building for many years on the way to the station, but it was around 2018, a couple of years after opening, before I finally made a visit to the bar. It is also handy as an alternate though tad expensive venue to contrast the nearby fine grungy pubs and has been utilised prior to late trains and for post Ritz and Gorilla gig drinks.

They have regular DJ’s on there but in April 2024, the day we sampled our Sunday fodder, I was delighted to find that my ‘bonus gig’ banner was flashing as there was a jazz band playing in the main bar.

The aforementioned attached Manchester Principal Hotel (now renamed post-covid as the Kimpton Clocktower Hotel) was subject to an extensive £25m refurbishment in 2016 which resulted in the creation of the largest hotel ballroom in the whole of the Northwest of England. The hotel is alleged to be haunted by a grieving war widow who committed suicide by throwing herself down the staircase from the top floor and this area was only accessible to the menfolk at that time! Room 261 is also to be avoided with reports of the sounds of children playing in the hours of darkness.  

The annual Manchester Literature festival has been in place since 2006 and was built on the legacy of its forerunner the Manchester Poetry festival. It is a two-week multi venue event that occurs every October and also provides a year-round Creative Learning programme which supports the next generation of readers and writers.

Principal Hotel. Image Credit Country and Town House Magazine

One of the selected venues for the 2018 event was the Principal Hotel. Marcus had a spare ticket for an audience with the Wedding Present lead singer Dave Gedge and this took place in one of the numerous function rooms on a Sunday afternoon.

As we exited the lift I ran into Jo Davies (nee Brewer) who was one of the large crew that I used to attend the Raiders/Warehouse indie nightclub with in the early 1990’s. I was a regular there between 1985 and my last attendance on John Dewhurst’s stag do in 2005. I know the next generation of sons and daughters now attend, though I did hear last week from one of those old timers on a recent attendance that one of the DJ’s was playing Taylor Swift, by heck that would never have happened in my day!

Dave was there to talk about a book he had recently penned with the interviewer Richard Houghton called ‘All The Songs Sound The Same’. The theme of the tome was to present 300 Wedding Present stories from fans, friends and band members including one from our current PM Sir Keir Starmer. He then followed the chat by playing acoustic versions of four of the band’s finest tunes.     

2023 Gigs – Part 1

Continuing the theme of previous years, I will now cover the 2023 gigs attended at venues already reviewed in previous blogs. Because I am sure you are desperate to know lets firstly cover the numbers bit! It turned out to be a record breaking year in that I attended 128 gigs in total which also encompassed 70 new venues.

So, I shall start with the familiar haunt of Manchester Academy 2 and cover my 41st and 42nd visits to that venue. In the cold depths of mid-winter in January Marcus and I headed there to witness the Delgados who are a four-piece band from Glasgow who produce some imaginative music. They formed in 1994 before disbanding in 2005 and then subsequently reformed in 2022 hence this comeback tour.

The Delgados. Image Credit nme.com

I had seen them once before on our honeymoon at Dublin Mean Fiddler in 1998 where they were on an excellent double bill with Nottingham’s Six By Seven. I thoroughly enjoyed their current incarnation as they cut an engaging presence on stage in front of a responsive crowd just glad to witness them back on the gig circuit and their tour culminated with a date in their home city.

The other attendance to Academy 2 also involved a further lengthy gap from my first sighting, in this case 20 years and one week exactly from when I witnessed the Northern Irish combo Therapy? at Preston Mill. Now to be fair I have always been fairly ambivalent about this band and their show on the night unfortunately didn’t alter my viewpoint.  

Prior to the gig there was an obligatory visit to the nearby mecca Manchester Big Hands where they periodically have live bands playing at the end of the room. That night I encountered a noisy Warrington psych rock band called Pray for Mojo who earlier in the year had graced the stage at Manchester Psych Fest. In 2022, they had released their debut album titled ‘Welcome to Mojopia’. They were supported by Swamp Kids.  

I shall now return to the Academy complex with a visit to Manchester Club Academy with the more than welcome return of the Raveonettes. The Copenhagen duo of Sune Rose Wagner and Sharin Foo were back on the circuit after a 4 year sabbatical. They were in fine form and played a greatest hits set with my personal highlight being one of their early singles ‘That Great Love Sound’. They were supported by local noiseniks Dr Dr.   

The Raveonettes. Image Credit discogs

Prior to night one of my Mogwai triple bill (over four nights and two cities) Gill and I grabbed a table and had an aperitif in the Manchester Blues Kitchen Bar. The act on stage whilst we primed ourselves for the upcoming aural assault were called Cry Wolf.   

The next gig derived from my very learned musical twitter (I still call it twitter!) pal @parramaterial who recommended Black Doldrums on their latest tour that included a date at Manchester Gullivers. Thus, the troops were enlisted and four of us popped over to have a gander and they were wholly worthy of the effort. Black Doldrums are a North London trio who released their debut album ‘Dead Awake’ in 2022 and they created a hugely enjoyable psych shoegaze cacophony on the night.

Black Doldrums. Image Credit louderthanwar.com

In June I had a foray over to Manchester Didsbury Park Green for the summer festival where a lass called Sally Smith was playing.  The following week another twitter recommendation resulting in four of us attending Manchester Yes Pink Room to watch Screaming Females. Their driving force was Marissa Paternoster who initially formed the band in 2005 at a high school in New Jersey.

Obscure fact time, she was referenced as the 77th greatest guitarist of all time in the Spin magazine in 2012. They released eight albums in total, all on the terrifically named Don Giovanni record label. I happened to catch them and their very decent stagecraft on their final ever tour as they subsequently broke up later in the year. 

The next two gigs to cover took place at Manchester Ritz where Tony Dewhurst, Rick Clegg, Barry Jury and I (Gang of Four) went to watch the Gang of Four who entertained with their angular post-punk sound. In October we managed to purchase tickets to see the Pretenders and the eternally youthful Chrissie Hynde. Unusually, on arrival the queue snaked back to beyond the Sainsburys on the corner, but we managed to enter the establishment just in time for their excellent show and her voice still sounds terrific. She dedicated one song to Johnny Marr, who was in the audience watching on his birthday.