Tag: Manchester Ritz

Manchester Venue 129 – Cathedral

In 1215, Manchester Cathedral was built in the centre of the city with additions to the original design being built at periodic intervals over the next three centuries. It survived damage in the Civil War, the IRA bombing in 1996 and the Second World War, the latter causing extensive destruction that required a further 20 years to restore. Following the Arena bombing in May 2017 the Glade of Light memorial was built outside to commemorate the victims. The church is currently one of the fifteen Grade I listed buildings in Manchester and is situated behind the famous Sinclair’s Oyster Bar.

Manchester Cathedral. Image Credit hoteles.com

In the last 15 years the Cathedral has branched out and begun to showcase live music. My first attendance there was in 2012 where I encountered my pal Rick Clegg and his daughter Charlotte on the train over as they were heading on to an alternate Vaccines gig at Manchester Ritz. We parlayed in the pub over a couple of scoops and then headed separate ways.

A couple of years earlier I had attended my debut ecclesiastical event at St Phillips Church in Salford when watching Wooden Shjips. This was a similar set up with slightly more challenges in regard to viewing the stage due to the proliferation of pillars.

The band performing was Dirty Three, an Australian instrumental rock band I had seen once previously 12 years earlier. Their first ever gig took place on ANZAC Day on 25th April 1992 where Warren Ellis utilised a guitar pick up to his violin which created their trademark feedback driven sound which is a sight to behold when they are in their full flow of 10 minute opuses.

Dirty Three. Image Credit fromthearchives.com

Warren was born in Ballarat, Victoria, coincidentally a town Gill and I stayed in when we visited Australia, and he has also been a dual member of Nick Cave and the Bad Seeds since 1994.  They are a terrific and thunderous live act, and on the night, the journalist/musician John Robb was also in attendance, with whom I had a decent chat.  

The second and currently latest visit was as part of the Manchester Dot to Dot festival in 2016. As ever, my gig ‘addiction’ resulted in a co-ordinated effort to attend all of the twenty geographically disparate city centre venues during the day, which was a logistical challenge.

Never one who has been able to embrace Gordon Gekko’s ethos of ‘lunch is for wimps’; a food stop was taken at the excellent chippy that used to be located at the city end of Oldham Street. This was immediately prior to heading over to the Cathedral, which for the record was number eleven on the venue hit list. The fish and chips were still being munched as I stood outside, and I could hear the band ending their set.

My instant thoughts were that I had made a major tactical error, and this would forever be classed as a ‘missed gig’, but I wandered in any way to pray for a miracle! Due to the nature of the event, there was very strict time periods allocated to each set, but remarkably in this case the gig gods were smiled benignly on me as the band returned to the stage for an unprecedented encore of one additional song.

The act on stage was Sundara Karma, who are an indie band from Reading. I had caught them very early in their career as they had only formed the previous year and were just at that stage leaving secondary school and it was five years prior to releasing their debut album ‘Youth is Only Ever Fun in Retrospect’. They were obviously acquiring some hype as they incited a very enthusiastic crowd reaction. With the near miss thus averted I progressed on to achieve the full twenty venues, ending the gig quest in Manchester Texture in the Northern Quarter.  

Sundara Karma. Image Credit schonmagazine.com

Gill and I had tickets for one other event there which was to see Low in April 2022 however we ended up being double booked so therefore could not attend. This was seven months before Mimi Parker’s tragic untimely death leaving me with memories of previous great Low shows I had been fortunate to witness, particularly at Manchester Hop and Grape and Lancaster Library.

Manchester Venues 118 to 120

A couple of months ago in February 2024 I undertook a solo Friday night foray into the city to attend a gig at the Manchester Yes venue.  I had noted prior to setting out that there was an additional performance taking place in the Manchester Yes Roof Terrace which tallied up as my third separate venue in that establishment.  So up the stairs I headed to the top floor to catch Keltio (Nassa) & Josh.

Manchester Yes Roof Terrace. Image Credit Manchester Evening News

On that same night, in a break between sets of the band I had gone to see, I sallied next door to pay a quick visit to Manchester Lass O Gowrie. I have previously paid a fulsome homage in an earlier blog to this venue, and I will not repeat myself here, but suffice to say I have an enduring affection for this venerable old public house. It has many original features and was named after the title of a poem scribed by Scottish poet Lady Caroline Nairne.

The one element I had missed was the opportunity to catch live music there. This omission was rectified on this night by a performance from Tom Fairview and also by earlier performances in February 2022 from the Blues Boys and Tom Mooney who all played towards the back of the pub near the entrance to the beer garden area. To square the circle the latter performance referenced was prior to attending a Nordic Giants show at the Pink Room venue in Yes.

So, one further tale pertaining to Lass O Gowrie if I may. One of my very learned Twitter muso contacts Cath Aubergine brought to my attention a remarkable and unexpected gig she attended there in 2012. There was apparently a monthly residency around that time run by Valentine Records called TAGO>MAGO>, at their final event they became aware of the fact that Damo Suzuki of Can fame was in the country and remarkably managed to persuade him to play a backstreet pub in Manchester.

Lass O Gowrie pub with the Yes venue in the foreground. Image Credit oxfordroadcorridor.com

In my previous Lass O Gowrie blog, I told the story of seeing the cast of Coronation Street in residence at the pub. This must have been a running theme as on the night of the Damo gig the cast of Waterloo Road had a bit of a do there and some of the crew were still in the venue when the gig took place.

When you reach the bottom of the steps adjacent to Manchester Oxford Road station you discover a triangle of pubs, The Salisbury, Thirsty Scholar and Manchester Grand Central. The latter named is a four-storey building located on Oxford Road directly opposite the Principal Hotel. The pub is placed within what was known in 1820 as ‘Little Ireland’, an exceedingly poverty hit slum area at that time. In 1900 the landlord Peter Bostock was listed as one of the licensees who were suspected of selling unadulterated beer which resulted in arsenic poising causing 70 deaths.

It has had many names over the years, Oxford Wine Bar, The Oxford, Schooner Inn, Cork & Screw, The Shady Lady and Beef & Barley (a Steak House). The current name was based on the proximity to the nearby station and a nod to the more well known New York train station. They used to have a club downstairs called Subway which closed in 2002 but there is current talk of possibly reopening it.  The pub was a regular stopping point for punters visiting prior to attending the now defunct Jillys Rockworld nightclub.

Grand Central pub. Image Credit myhospitalitysolutions.co.uk

The musical genre of the establishment is strictly in the rock/metal domain, similar to the Pub in Lancaster. They used to hold a Tuesday night Battle for Bloodstock event with local bands competing for a slot at the Bloodstock Metal Festival in Derby. Additionally, bands play free of charge on a Thursday though that seems to have thinned out in recent years.

I have attended three times, and they are all either before or after scheduled gigs at nearby venues. My first attendance was in November 2012 prior to a Tame Impala gig at the Ritz and the band on stage that night were called Gridlocked. I visited four months later and saw Deformation of Man from Sheffield and their heavy sound had them being hailed as the Steel City’s answer to Lamb of God. My final appearance was in July 2018 where I witnessed another noisy combo called Prometheus.