Gig Miscellaneous – Part 4

Being a Northern lad, food has always been a key component of the evening. The central port of call in Preston since the mid 80’s has been the always friendly, reliable Zagros outside the Dog and Partridge and yards from the bus stop for the last bus home. Fabulous pizzas (Tuna Fish and Prawn used to be a fave) and fine kebabs with devilish chilli sauce.

Myself pictured with Zagros owner three weeks ago. Image Credit Angie Keane

On early Manchester trips there were many mercy dashes to a Chinese in Prestwich prior to the 1am closing, sometimes without success. Looking at my early notes, Chicken Prawn Cashew Nuts and Egg Fried Rice appeared to be a staple choice, quite often in one tray to assist the consumption. When the stable trains were introduced China Town was regularly visited after the gig and I am sure over the years we have visited the majority of restaurants in the vicinity.

As an alternate the curry mile in Rusholme was also occasionally visited. Over the last 15 years the cheap and cheerful Umami Noodle Bar on Oxford Road has been the venue of choice, we should be gold card members by now, and until a recent menu change you could set your clock by my good pal John Dewhurst ordering a No 68, for the record the Chicken Katsu Curry.

In the Noodle Bar prior to recent gig with Uncle George. Image Credit John Dewhurst

At the gig, the age-old problem of incessant babblers (generating the question of why buy a ticket in the first place?) has always been rather annoying and I have challenged people in the past in this regard, but I tend to zone it out nowadays, unless it is excessive and continuous. A more recent millennial issue is the recording of entire gigs on phones but as I tend to attend gigs that attract more discerning indie types I have never really found this to be a major concern.

As gigs in the 80’s and 90’s used to start later, I encountered more support bands but now tend to arrive 5 minutes before the main act as to me there is more allure in a sociable chat in the boozer than waiting in the venue between bands. Generally, also the beer is cheaper outside the gig and I am not normally one to warble about beer prices because I tend to accept rightly or wrongly that it is just the way it is. However, a case in point here was on a recent visit to the Ritz where a pint accrued the remarkable sum of £6.15, which quite frankly chaps is not good enough!

I have always tried where possible to place myself near the front of the stage and there have been many mosh pits visited. Those visits have been less frequent recently however there was one particularly old fashioned pit at a Rumjacks gig attended with Paul Wilson a few weeks ago which incited me to participate fully for an hour (a substitute gym session?) though my body was screaming in protest the following morning.

This generated the question of whether I should still be in moshpits at 51, but I embrace the ethos that you should not be too old for anything and to me there is nothing more invigorating than being in the midst of like-minded souls with a proper noisy band on stage, I find it a cathartic experience. I am still planning to nick out of the nursing home when older to catch the 50th anniversary Mogwai tour! To close I heard a phrase recently mirroring that sentiment which was ‘Adventures before Dentures’ –which I think is a wholly commendable approach to adopt.  

Manchester Venue 6 – The Ritz (Part 2)

I have seen Black Rebel Motorcycle Club there twice and despite their arguably overlong sets they have always been compelling viewing. In 2009 I saw AC/DC wannabees Jet who alternated between ballads and rock tracks and produced a half decent performance with a proper strong vocal.

In 2011 I witnessed the Hold Steady who were going through a transitional phase as the keyboardist Franz Nicolay was undertaking a lengthy leave of absence. This altered the dynamic as it led to them resorting to a set list leaning towards their earlier albums as that suited their guitar led garage band sound, and as a result they were superb on the night.

I have also seen Fidlar, Maran Morris and Ryan Hurd, Arab Strap, Mark Lanegan, Band of Skulls, Joy Formidable. Go Team, Car Seat Headrest and Best Coast grace the stage there.

Nine years after my first visit, I saw Jesus and Mary Chain there in 1996. They were in the midst of touring ‘Stoned and Dethroned’, which is my favourite album alongside the startling aural onslaught that is contained in ‘Psychocandy’. Mary Chain gigs can historically be a bit of a lottery, but they were really accomplished and has thus far been my favourite live performance from them.

In 2018 I did a vintage double header within a few weeks of each other. First up was Belly who were excellent and Tanya Donnelly’s (previously Throwing Muses) voice was an absolute revelation. They also had the obligatory slightly bonkers bassist. To follow them was the Breeders with the Deal sisters in tow and they were enjoyable.

The best sound I encountered was at a British Sea Power show in 2017 with ‘super fan’ Graham Jones in attendance. Sometimes the sound can be a tad muddy here but every note was crystal clear that night. 

British Sea Power ticket stub. Image credit mdm.archive.co.uk

Dinosaur Jr in 2013 were good, playing a large portion of an early album ‘Bug’ containing their biggest tune ‘Freak Scene’. My most recent attendance were the thin young Dublin scamps Fontaines DC who despite sound difficulties were as good as ever and induced mothering reflexes from Gill and Tris as to whether they were eating square meals.

One of the more unusual ones was Wu Lyf in 2012. Their inexorable rise up to that point involving them building up a loyal fan base by playing guerrilla gigs under various Manchester railway arches.

It was the best crowd reaction I had seen for a while and they were quirky and good value. I can only assume that the conversion to standard indoor stages was a wrong move as they broke up a year later.

The inimitable Wu Lyf. Image Credit L’obs.

Prior to a Dandy Warhols gig in 2015 Uncle George and I had a flying dabble in the bookies and we had a never to be repeated hot streak resulting in half an hour later leaving with a not inconsiderable profit. The Warhols couldn’t live up to the earlier high in the evening.

Rocket from the Crypt were in town in 1998 and were tremendous as ever and on that particular tour they created a novelty. This being that the support band Beach Buggies, after their set decamped to outside each venue in an open lorry to play a bonus set. So at the point of departure  we discovered them across the road outside what subsequently became the Gorilla playing a short jaunty set and thus creating Manchester Venue 7 – Manchester Ritz Concourse.  

RFTC Flyer. Image Credit mdm.archive.co.uk

https://academymusicgroup.com/o2ritzmanchester/