Manchester Venue 74 Soup Kitchen – Part 1

The Soup Kitchen which has recently been rebranded simply as Soup resides deep in the Northern Quarter on Spear St, within stumbling distance of the Night and Day venue. During the Covid apocalypse an eminently sensible decision was made to pedestrianise the nearby Stevenson Square area to create a European style outdoor seating vibe and thankfully this ethos has been retained post-pandemic.

Manchester Soup Kitchen. Image Credit Pinterest.

The upstairs room is laid out in a canteen style with long wooden benches to create a communal atmosphere. It has decent but slightly overpriced tucker available and has a plethora of craft ales to imbibe. Downstairs resides the venue with a small bar to the right and stage to the left with a 150 capacity. When approaching the room limit, it can get very busy down in the slightly damp cellar setting.  The unisex toilets would be best quantified in the ‘basic’ category, but it all adds to the grungy allure of the place. They have a lot of upcoming bands and DJ’s who frequent their busy live roster.

I have attended Soup fourteen times in total and first heard of the venue when the much-hyped Milk Music from Washington DC played there on 17/05/12. They had only released a couple of early singles by this stage, and they had an engaging slacker vibe about them, despite the venue only being half full. There was little audience participation until they somewhat oddly woke from the slumber on the last song to create an impromptu mosh pit!

I must say since this gig the band completely dropped off my radar until I began researching this article and was surprised to find they are still in existence. I am just now listening to their debut album ‘Cruise Your Illusion’ which has shades of Neil Young, Dinosaur Jr and Meat Puppets therein which sounds like a tidy combination to me. They were supported on the night by an appearance from Eagulls who I cited in last week’s Beacons Festival review. They were my only two viewings of the Leeds based band, coincidentally within a couple of months of each other.

Milk Music. Image Credit VICE.

Many of my attendances have been part of multi event wristband events such as Dot to Dot or Off the Record festivals and one such appearance was a couple of years later to see Remember Remember. The Glasgow band was initially the brainchild of Graeme Rowland who released a 2008 album with participation from other collaborators. By the time I witnessed them in 2014 they had morphed into a seven-piece band and had just released their third album ‘Forgetting the Present’, before they subsequently split the following year.

They were on Rock Action roster run by Mogwai, with whom they had supported. They were also in the fully instrumental post-rock genre, but they were of a gentler variation than their label counterparts and I enjoyed their show.

A year later I saw Worriedaboutsatan from Bradford, their name deriving from a track by Belgium band Deus. They were formed by Gavin Millar around 2006, before being joined by Leeds College of Music pal Tom Ragsdale. They have a crossover post-rock/electronic template and have supported luminaries such as 65daysofstatic and Maybeshewill. They garnered considerable radio airplay, and their music has also somewhat bizarrely been featured on Coronation Street!  

Manchester Venues 38 and 39

Over the years, I have probably spent more time overall at Manchester Oxford Road train station, but I have still had a sustained period also in residence at Manchester Piccadilly station. This would either involve grabbing unwholesome late-night snacks prior to waiting for trains or undertaking a frantic lengthy scramble up the escalator to furthermost Platform 14 for last trains to Preston (many for the 1.24am ghost train!) or more latterly Platform 13 for trains out to our current digs in South Manchester.

One welcome change over the last 5 years is the removal of the annoying financial change for the courtesy of spending a penny! A couple of star spots whilst traversing the platforms there have been Graeme Souness and the Sunday Independent music critic Simon Price identified via his very distinctive hairdo.  

Upon departure from Piccadilly via the main entrance or through the adjacent car park drops you directly into the Northern Quarter. There is an abundant area of back streets and original industrial units and dark satanic mills at your disposal. As a result, it is the perfect backdrop for TV and movie filming with the list including the Crown, Peaky Blinders, Das Boot and the Captain America: The First Avenger film.  

One such street exemplifying the area is Tariff St. Your initial impression would be there is just industrial units but there is in fact a plethora of viable options. At the far end lies the Pen and Pencil which is a decent bar to visit.

At the other end is the Tariff and Dale bar which has been a very useful destination prior to a midnight train as most of the hostelries close to the station shut up shop at 11pm prompt. Next door is the Takk Coffee House which leans heavy on its Icelandic influences.

A further door down is the Kosmonaut bar which opened in 2011 and it merged into the area with its stripped-down floors, urban feel, and a terrific choice of craft ales on tap. It has been taken over in last couple of years by the Northern Monk brewery.  

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Manchester Kosmonaut. Image Credit Zomato.

It gained inclusion to the Dot-to-Dot roster for a couple of years with gigs taking place in the downstairs bar. Thus on 28/05/16 we saw Crosa Rosa, a very heavy local psychedelic three piece who were gathering some attention and featured on a Huw Stephens ‘Best of BBC Introducing’ that year. A couple of years later we saw three to four songs within a noisy chaotic set from another local band called the Threads.

Further down the street is located the Whiskey Jar. The bar has been converted from an old textile mill and we first visited the ground floor prior to a gig at the Soup Kitchen and living up to the Preston peasants that we are, we readily devoured the pies that were on the menu! This bar holds acoustic events, but I have only witnessed acts in the downstairs space.

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Whiskey Bar downstairs venue. Image Credit DesignMyNight.com

I initially visited there as part of the Carefully Planned Festival before it then also became part of the Dot-to-Dot schedule.

The first gig I saw there was with Uncle George and Dave Dyson on 19/10/14 and The Rattle were a very unusual combo consisting entirely of two female drummers. It was an interesting sight and sound initially but soon became a tad monotonous!

In 2016, I saw Bristol based Stevie Parker who provided an ethereal backdrop.  A couple of years later I saw a noisier 4-piece Manchester called Dear Caroline who broke up a year later. The final act I saw there was Sylvette an art rock band also based in Manchester. Google informs me they are still in existence and are playing the mighty Mad Ferret in Preston later this year.