Manchester Venues 38 and 39

Over the years, I have probably spent more time overall at Manchester Oxford Road train station, but I have still had a sustained period also in residence at Manchester Piccadilly station. This would either involve grabbing unwholesome late-night snacks prior to waiting for trains or undertaking a frantic lengthy scramble up the escalator to furthermost Platform 14 for last trains to Preston (many for the 1.24am ghost train!) or more latterly Platform 13 for trains out to our current digs in South Manchester.

One welcome change over the last 5 years is the removal of the annoying financial change for the courtesy of spending a penny! A couple of star spots whilst traversing the platforms there have been Graeme Souness and the Sunday Independent music critic Simon Price identified via his very distinctive hairdo.  

Upon departure from Piccadilly via the main entrance or through the adjacent car park drops you directly into the Northern Quarter. There is an abundant area of back streets and original industrial units and dark satanic mills at your disposal. As a result, it is the perfect backdrop for TV and movie filming with the list including the Crown, Peaky Blinders, Das Boot and the Captain America: The First Avenger film.  

One such street exemplifying the area is Tariff St. Your initial impression would be there is just industrial units but there is in fact a plethora of viable options. At the far end lies the Pen and Pencil which is a decent bar to visit.

At the other end is the Tariff and Dale bar which has been a very useful destination prior to a midnight train as most of the hostelries close to the station shut up shop at 11pm prompt. Next door is the Takk Coffee House which leans heavy on its Icelandic influences.

A further door down is the Kosmonaut bar which opened in 2011 and it merged into the area with its stripped-down floors, urban feel, and a terrific choice of craft ales on tap. It has been taken over in last couple of years by the Northern Monk brewery.  

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Manchester Kosmonaut. Image Credit Zomato.

It gained inclusion to the Dot-to-Dot roster for a couple of years with gigs taking place in the downstairs bar. Thus on 28/05/16 we saw Crosa Rosa, a very heavy local psychedelic three piece who were gathering some attention and featured on a Huw Stephens ‘Best of BBC Introducing’ that year. A couple of years later we saw three to four songs within a noisy chaotic set from another local band called the Threads.

Further down the street is located the Whiskey Jar. The bar has been converted from an old textile mill and we first visited the ground floor prior to a gig at the Soup Kitchen and living up to the Preston peasants that we are, we readily devoured the pies that were on the menu! This bar holds acoustic events, but I have only witnessed acts in the downstairs space.

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Whiskey Bar downstairs venue. Image Credit DesignMyNight.com

I initially visited there as part of the Carefully Planned Festival before it then also became part of the Dot-to-Dot schedule.

The first gig I saw there was with Uncle George and Dave Dyson on 19/10/14 and The Rattle were a very unusual combo consisting entirely of two female drummers. It was an interesting sight and sound initially but soon became a tad monotonous!

In 2016, I saw Bristol based Stevie Parker who provided an ethereal backdrop.  A couple of years later I saw a noisier 4-piece Manchester called Dear Caroline who broke up a year later. The final act I saw there was Sylvette an art rock band also based in Manchester. Google informs me they are still in existence and are playing the mighty Mad Ferret in Preston later this year.

Manchester Venue 31 Night and Day – Part 2

My first visit to Night and Day Café was unusually to see a support band on 02/11/06. The band in question was the terrifically named post-rock outfit Amusement Parks on Fire from Nottingham. I had picked up on them via their second album Out of the Angeles with its distinctive sci-fi sleeve cover. They were a decent noisy live act with the venue only about a third full.

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Amusement Parks on Fire ‘Out of the Angeles’ album cover. Image Credit Discogs

For the main act Mumm Ra I recall there was a hugely overactive guitar tech thoroughly prepping the kit, unfortunately despite the odd moment the headliners were a tad limp and a bit twee for my tastes.

In May 2012 we headed in after another gig at the Soup Kitchen and caught a portion of Rooftop Runners set who were a Berlin based electronic combo comprising two Canadian brothers. We caught a further gig at Gulliver’s that night to complete a commendable trifecta. The following year we saw local act Egyptian Hip Hop who supported The Words.      

I also saw John Steele Singers, a non-descript six-piece from Brisbane in Australia and witnessed a decent fuzzy surf pop set called Get Inuit from Kent in 2015 as part of the Carefully Planned Festival.  

On a cold January night in January 2008 we decided ambitiously to do a double header of gigs which was deemed feasible by the virtue of Night and Day having later set times. So, after witnessing most of the Explosions in the Sky set at the Academy and additionally finding out North End had got an important victory over West Bromwich Albion, we jumped in a cab in true movie style and landed right on cue to see the much touted Glasvegas wander on stage.

The Glaswegians had a real presence about them, and this is surprisingly for me to say but on this occasion, they overcompensated with volume which resulted in them losing a degree of the subtlety of their self-titled debut album material. The song highlights on the night were ‘Geraldine’ and Stabbed’, the latter being a particularly dark heartfelt track.

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Glasvegas on stage. Image Credit GDR.

After the gig we ensconced to the bar and upon suddenly realising the late train was due we smuggled the remaining half bottles of Budvar out of the venue to accompany the walk back. Upon turning the corner to trot up the hill to Piccadilly station there was a young copper who on espying us had a big grin on his face due to the combined age of about 140 between the three of us. His opening riposte was ‘I am not going to have any trouble with you lads am I?’ to which he got three nods of assent and astutely asked us to lose the bottles at the bin 100 yards beyond him before we entered the station, a fine example of community policing if ever I saw one, so well done to him!   

On other visits I saw Low Island, an interesting Wrexham band called Gallops and an experimental project called Self Esteem consisting solely of Rebecca Lucy Taylor who was previously a member of Slow Club. I additionally saw Brad Stark and Seazoo, a quirky Welsh indie band. I witnessed a fine set from an Australian/Danish duo called Palace Winter who as a result of their quality I then made a conscious effort to see them in their own right a couple of years later.

It is now exactly a year to the day (13/03/20) since I saw my last gig of Nada Surf at Hop and Grape, which is naturally my longest ever gap between gigs. But there are now chinks of light on the horizon and I am hopeful of having my first vaccine soon. I have now started booking some gigs for later in the year which is very exciting!