Tag: Manchester Thirsty Scholar

2023 Gigs – Part 2

This week I will complete the tale of gigs in 2023. In April I returned to the comforting environs of the Sounds from the Other City festival in Salford. In the Manchester Islington Mill Club I saw a local punky trio called Ether Mech. We then headed onto Manchester Pint Pot (downstairs) where I encountered Is33n (pronounced i-seen), an artist who has been supported by the Brighter Sound musical enterprise. Also, I saw Caitlin LM who doubles as an artist and music producer, and she had a chilled electronic vibe.

Up the steps I traversed into Manchester Pint Pot (upstairs) where I witnessed Spencer Cullum, a folk musician originally from Romford who relocated to Nashville to learn the ways of the ‘steel pedal’, to me one of the most distinctive sounding instruments in the world of music. Also playing up there was the Brown Brogues, a noisy two-piece garage rock band from Manchester, their sound somewhat reminiscent of the Kills.    

Brown Brogues. Image Credit heymanchester.com

We then pottered on to Manchester Five Four Studios 2 to see DEK (full name Dream English Kid) who had an electronic shoegaze sound with the shimmering vocals provided by Hannah Cobb, and they have had support slots with KVB and Whitelands. I also just discovered rather excitingly that they derive from my hometown of ‘Proud’ Preston. Next door in Manchester Five Four Studios 1 I saw the composer and producer plus44kaligula.

Now, one of the inherent requirements if you are playing one of these festivals is not to be tardy when your time slot is due as the gaps between bands are sharp and the set windows are short. As we entered Manchester St Phillips Church a band called Max Fulcrum and the Win were doing the exact opposite of this requirement with a staggering amount of ‘faffing about’! The driving force of the large ensemble is Dominic Rose, previously front man of Fake Turins.

St Phillips Church. Image Credit manchestereveningnews.co.uk

There was I thinking they may produce a sonic racket in the mould of Polyphonic Spree or Arcade Fire, though when they finally started up, I was crushingly disappointed as they were a very limp proposition resulting in me heading for the exit whilst muttering darkly under my breath about time wasters!  The final gig that day took place at the hub of Manchester Bexley Square where an acoustic guitarist called Kid Katharsis took to the stage.

There were a couple of low level gigs featuring local artists at Manchester Albert Schloss and we also caught a singer/songwriter called Will Doolan whilst on a night out in Manchester Head of Steam in Didsbury Village. Additionally, I had a couple of bonus gigs at Manchester Thirsty Scholar whilst waiting for the train after attending other shows in the city.

On a steaming hot July Sunday, we headed to Manchester Castle for a novel late afternoon gig. In advance, we grabbed some late lunch at the nearby Blue Eyed Panda Chinese restaurant in Ancoats. Whilst there I was checking on periodically on score flashes on Carlos Alcaraz’s dramatic win in the Wimbledon final taking place that day. The venue was busy and as a result it was ridiculously hot in there.

The support was a band called Supermilk who were originally in 2017 a solo project of Jake Popyura before moving into a full band formation from 2022. They were very enjoyable and engaging in a live setting. However, I have just picked up the very sad news that earliest this year Jake announced that he has a rare and terminal neurogenerative disorder.    

Supermilk. Image Credit cloutcloutclout.com

The headline act was Fortitude Valley who we had seen for the first time a year earlier, though I didn’t personally enjoy their performance as much on this occasion as I did at that thrilling first sighting.  

In September, Gill and I traversed over to the fair city of Lancaster with Marcus and Tris. Our destination was Lancaster Library for an afternoon show to witness Erland Cooper who was previously in The Magnetic North and Erland and the Carnival. He is a multi-instrumentalist producer from Orkney and incorporates a lot of nature aspects in his tunes. He gathered some publicity when he deleted all digital files and buried the only existing copy of his first album on the island and provided some treasure hunt clues which resulted in two chaps discovering them 18 months later.

He provided some lovely music but at times it was veering rather closely to being pretentious and self-indulgent. The support was a cellist from London called Midori Jaeger. Prior to the show we caught something more primal across the road in Lancaster John O Gaunt with music from Grunge God and Sheena.

We returned that way a month later for the Lancaster festival and visited Lancaster Jailor’s Barrel which is near the train station. It was previously known as the Robert Gillow but changed its name during the pandemic when they discovered that he was linked to the slave trade. On stage was a local acoustic guitarist called Keith Mitchell. Later that day I visited Lancaster Tap House where I saw Keith Riddle.

Manchester Venues 118 to 120

A couple of months ago in February 2024 I undertook a solo Friday night foray into the city to attend a gig at the Manchester Yes venue.  I had noted prior to setting out that there was an additional performance taking place in the Manchester Yes Roof Terrace which tallied up as my third separate venue in that establishment.  So up the stairs I headed to the top floor to catch Keltio (Nassa) & Josh.

Manchester Yes Roof Terrace. Image Credit Manchester Evening News

On that same night, in a break between sets of the band I had gone to see, I sallied next door to pay a quick visit to Manchester Lass O Gowrie. I have previously paid a fulsome homage in an earlier blog to this venue, and I will not repeat myself here, but suffice to say I have an enduring affection for this venerable old public house. It has many original features and was named after the title of a poem scribed by Scottish poet Lady Caroline Nairne.

The one element I had missed was the opportunity to catch live music there. This omission was rectified on this night by a performance from Tom Fairview and also by earlier performances in February 2022 from the Blues Boys and Tom Mooney who all played towards the back of the pub near the entrance to the beer garden area. To square the circle the latter performance referenced was prior to attending a Nordic Giants show at the Pink Room venue in Yes.

So, one further tale pertaining to Lass O Gowrie if I may. One of my very learned Twitter muso contacts Cath Aubergine brought to my attention a remarkable and unexpected gig she attended there in 2012. There was apparently a monthly residency around that time run by Valentine Records called TAGO>MAGO>, at their final event they became aware of the fact that Damo Suzuki of Can fame was in the country and remarkably managed to persuade him to play a backstreet pub in Manchester.

Lass O Gowrie pub with the Yes venue in the foreground. Image Credit oxfordroadcorridor.com

In my previous Lass O Gowrie blog, I told the story of seeing the cast of Coronation Street in residence at the pub. This must have been a running theme as on the night of the Damo gig the cast of Waterloo Road had a bit of a do there and some of the crew were still in the venue when the gig took place.

When you reach the bottom of the steps adjacent to Manchester Oxford Road station you discover a triangle of pubs, The Salisbury, Thirsty Scholar and Manchester Grand Central. The latter named is a four-storey building located on Oxford Road directly opposite the Principal Hotel. The pub is placed within what was known in 1820 as ‘Little Ireland’, an exceedingly poverty hit slum area at that time. In 1900 the landlord Peter Bostock was listed as one of the licensees who were suspected of selling unadulterated beer which resulted in arsenic poising causing 70 deaths.

It has had many names over the years, Oxford Wine Bar, The Oxford, Schooner Inn, Cork & Screw, The Shady Lady and Beef & Barley (a Steak House). The current name was based on the proximity to the nearby station and a nod to the more well known New York train station. They used to have a club downstairs called Subway which closed in 2002 but there is current talk of possibly reopening it.  The pub was a regular stopping point for punters visiting prior to attending the now defunct Jillys Rockworld nightclub.

Grand Central pub. Image Credit myhospitalitysolutions.co.uk

The musical genre of the establishment is strictly in the rock/metal domain, similar to the Pub in Lancaster. They used to hold a Tuesday night Battle for Bloodstock event with local bands competing for a slot at the Bloodstock Metal Festival in Derby. Additionally, bands play free of charge on a Thursday though that seems to have thinned out in recent years.

I have attended three times, and they are all either before or after scheduled gigs at nearby venues. My first attendance was in November 2012 prior to a Tame Impala gig at the Ritz and the band on stage that night were called Gridlocked. I visited four months later and saw Deformation of Man from Sheffield and their heavy sound had them being hailed as the Steel City’s answer to Lamb of God. My final appearance was in July 2018 where I witnessed another noisy combo called Prometheus.