Manchester Venues 108 to 109

In the 1990’s the regular pre-gig haunt when visiting the various branches of Manchester Academy was the Jabez Clegg public house. As that establishment gradually declined and subsequently closed, we then discovered the allure of Manchester Big Hands.

The pub is located at the top end of Oxford Road opposite the Red Chilli Chinese restaurant. It opened its doors in 2001 with the concept of creating a NYC dive bar, the kind of equivalent place where you would have expected the Strokes in their early days to have gathered and discussed the concept of their debut album, over a few cold beers!

It has battered low strung sofas where you can babble nonsense with like-minded punters and suits me down to a T. It does remind me somewhat of a bar version of the Raiders/Warehouse nightclub in Preston.  In more recent years it has the welcome addition of a heated outdoor rooftop space which you reach once you have navigated the cramped steps taking you upstairs.

Big Hands bar. Image Credit reddit.com

Some bands tend to attend there post -performance but in that regard, I have only personally seen Tad Kubler of Hold Steady and the 6 music DJ Marc Reilly. They possess a terrific noisy jukebox that at times has free credits available for communal use, though some younger punters are confused by the sheer concept of a jukebox! It became a tradition for a spell to ensure we had played ‘Hells Bell’s by AC/DC before we departed.   

One particular Sunday we were in residence prior to a Meat Puppets show and remarkably our group of three were the only punters in, the DJ had just finished playing a vinyl record and I asked whether they could switch the jukebox on. They willingly complied and the track I had selected ‘Black Math’ by White Stripes came on at ear shattering volume, which they then respectfully only turned it down by a smidge!

They occasionally have bands playing there, and I have been fortunate to randomly catch a few whilst imbibing a couple of pre-gig scoops. The musical acts squeeze into the slightly raised area at the back of the bar and in keeping with the ethos of the establishment they are normally thunderously loud.

Big Hands bar. Image Credit oxfordroadcorridor.com

The first in 2017 prior to a Helmet gig was a three-piece from Oldham called Hopper Propelled Electric and they produced a noisy sludgy sound reminiscent of early Stooges. In 2019 I saw a local band called Lurker and in 2021 saw an act called World without Frontiers. A few weeks ago, prior to a Therapy? gig I saw a couple of bands called Pray for Mojo and Swamp Kids.

In 2018 the original jukebox was stolen and unfortunately was never recovered. This coincided with the death of the bar owner Scott Alexander from cancer at the tragically young age of 43.  He was close friends with the members of Elbow and is thought to be referenced in their song Some Riot in the line of ‘Tall Gentle Boy’. Scott also owned the sister bar Temple of Convenience down near Oxford Road station.

Temple of Convenience Bar. Image Credit manchestersfinest.com

Now I have spoken previously about the merits of this establishment so will not duplicate that here. However, one tale relates to me and Uncle George being outside the Manchester Temple Of Convenience Bar Entrance and encountering a busker called William who asked us to name a tune and George challenged him with two obscure tunes, (so obscure neither of us to this day can recall the songs!). William without batting an eyelid instantly played vibrant versions of those songs to a rapt audience of two punters. For that very reason alone I have allowed him inclusion onto my gig list.   

Manchester Venue 74 Soup Kitchen – Part 1

The Soup Kitchen which has recently been rebranded simply as Soup resides deep in the Northern Quarter on Spear St, within stumbling distance of the Night and Day venue. During the Covid apocalypse an eminently sensible decision was made to pedestrianise the nearby Stevenson Square area to create a European style outdoor seating vibe and thankfully this ethos has been retained post-pandemic.

Manchester Soup Kitchen. Image Credit Pinterest.

The upstairs room is laid out in a canteen style with long wooden benches to create a communal atmosphere. It has decent but slightly overpriced tucker available and has a plethora of craft ales to imbibe. Downstairs resides the venue with a small bar to the right and stage to the left with a 150 capacity. When approaching the room limit, it can get very busy down in the slightly damp cellar setting.  The unisex toilets would be best quantified in the ‘basic’ category, but it all adds to the grungy allure of the place. They have a lot of upcoming bands and DJ’s who frequent their busy live roster.

I have attended Soup fourteen times in total and first heard of the venue when the much-hyped Milk Music from Washington DC played there on 17/05/12. They had only released a couple of early singles by this stage, and they had an engaging slacker vibe about them, despite the venue only being half full. There was little audience participation until they somewhat oddly woke from the slumber on the last song to create an impromptu mosh pit!

I must say since this gig the band completely dropped off my radar until I began researching this article and was surprised to find they are still in existence. I am just now listening to their debut album ‘Cruise Your Illusion’ which has shades of Neil Young, Dinosaur Jr and Meat Puppets therein which sounds like a tidy combination to me. They were supported on the night by an appearance from Eagulls who I cited in last week’s Beacons Festival review. They were my only two viewings of the Leeds based band, coincidentally within a couple of months of each other.

Milk Music. Image Credit VICE.

Many of my attendances have been part of multi event wristband events such as Dot to Dot or Off the Record festivals and one such appearance was a couple of years later to see Remember Remember. The Glasgow band was initially the brainchild of Graeme Rowland who released a 2008 album with participation from other collaborators. By the time I witnessed them in 2014 they had morphed into a seven-piece band and had just released their third album ‘Forgetting the Present’, before they subsequently split the following year.

They were on Rock Action roster run by Mogwai, with whom they had supported. They were also in the fully instrumental post-rock genre, but they were of a gentler variation than their label counterparts and I enjoyed their show.

A year later I saw Worriedaboutsatan from Bradford, their name deriving from a track by Belgium band Deus. They were formed by Gavin Millar around 2006, before being joined by Leeds College of Music pal Tom Ragsdale. They have a crossover post-rock/electronic template and have supported luminaries such as 65daysofstatic and Maybeshewill. They garnered considerable radio airplay, and their music has also somewhat bizarrely been featured on Coronation Street!