Tag: Morrissey

Manchester Venue 138 – St James and Emmanuel Parish Church

In the centre of Didsbury Village, School Lane crosses over at the traffic lights onto Barlow Moor Road where you will pass the slightly battered establishment of the Nelson public house. This is currently one of the stops on the famous Didsbury Dozen beer route which has been in place for decades, the dozen being subject to subtle changes as one place opens, and another closes. The crawl has seen a recent upturn in more youthful groups undertaking a Saturday sally round, which has been viewed as a positive as it maintains a steady footfall for the hostelries, but also a negative due to an increase in drunken antics.    

On the other side of the street is Manchester St James and Emmanuel Parish Church which is in front of Didsbury Library. It is the second oldest church in Manchester, with some elements dating back to 1275 and the Grade II listed building was extensively refurbished in 1986 and is affiliated to four local schools. It also contains a bell tower with the six bells originally being cast in Gloucester in 1727.

St James and Emmanuel Church. Image Credit didsburycivicsociety.org

This building has previous pandemic connotations for myself as I had one of my vaccinations here and also undertook a couple of shifts as a Covid volunteer. I have also attended the café located within.

A small matter of a few weeks ago we were in that very area when we discovered the residents were currently in thrall to the Didsbury Pride event taking place that day. Immediately sensing a bonus gig, I navigated the security into an extremely busy area behind the church where there many stalls of varying merchandise and also a stage at the very back where the Didsbury Choir were undertaking a jaunty set. Afterwards by chance we saw Tris and Ross perched outside the nearby Head of Steam so grabbed the chance to have a cheeky cold one with them!

Continuing down the road takes you past a couple of cafes including the bohemian bar and book shop Art of Tea and then onto the traffic lights with Palatine Road. If you take a left turn, and on that stretch of the highway, you can see on the right the remnants of Fridays nightclub which opened originally under the name of Riverside in the 1970’s. It was a renowned venue in the 1980’s and 90’s and many punters who survived the aforementioned Dozen gravitated there after closing time.

Fridays Nightclub. Image Credit manchestereveningnews.co.uk

It was made up of three separate rooms and based on the testimonials it sounded abundantly ‘cheesy’ with the traditional sticky floors and on Thursday nights all drinks were 80p until midnight. It also apparently had a draconian dress code in place. It continued into the new century and in 2010 launched a Polish party night to welcome people in the Manchester area who derived originally from Eastern Europe. It finally closed in 2016 before morphing into Bar Rogue which at some unspecified stage subsequently closed for good.

Further down Barlow Moor Road you arrive upon the Grade II listed Woodstock Arms which has a large outdoor area primed for summer drinking. I recall watching Portugal lose to Uruguay there in the red hot summer World Cup of 2018. It is also one of the prime locations used on the popular TV series Cold Feet and they also utilised houses on the streets nearby.

If you head across the busy Princess Parkway you reach the Southern Cemetery, which is the largest municipal cemetery in the United Kingdom and second largest in Europe. Notable people buried there are John Rylands, Sir Matt Busby, L.S Lowry, Tony Wilson and Joy Division and New Order’s manager Rob Gretton.   

‘Cemetry Gates’. Image Credit blog.sevenpounds.com

The location was also the inspiration for local miserabilist Morrissey to warble the opening lines ‘A dreaded sunny day, so I meet you at the cemetery gates’ on the Smith’s track ‘Cemetry Gates’. The title track apparently being deliberately misspelt and is based on Morrissey’s walks there with his photographer friend Linder Sterling who he initially met at a Sex Pistols sound check in 1976. Linder was also the frontwoman of post-punk band Ludus and designed the cover for one of the Buzzcocks early singles.   

Manchester Venues 84 to 85

At the rear of the previously reviewed Blues Kitchen venue on Quay St lies Artillery St which runs into Longworth St. It is a hidden unprepossessing street with many industrial units and at its intersection resides the renowned Rafa’s Tapas restaurant. I have never sampled their wares and have heard it is a challenge to book due to the enduring demand for punters to find a table. My preferred Tapas option is either one of the Evuna’s in town or nearer home the terrific Casa De Moor in Heaton Moor.

Rafa’s restaurant. Image Credit Yell.

Next to there is the ‘superclub’ History nightclub which unsurprisingly I have never felt the need to visit! Back round the corner on Artillery Street you would have found Manchester Sub 61, a very short-lived gig venue, and I can now source only scant information on its history, but it looks like it existed between approximately 2009 and 2010.

They did hold a regular indie-rock night there which was showcased as the ‘Little Black Book’ and also operated as a Visual Arts space for local artists to exhibit. It is listed as a basement club, but I have memories of heading upstairs so perhaps the venue had a separate gig room. Apart from the gig I attended the only other band I can reference playing there was Chameleons Vox in December 2009.

On 25/09/09 I met up with Uncle George in the Old Monkey pub on Portland Street after he had been watching the cricket at nearby Old Trafford. I mentioned I had just heard of this new venue, and we decided to go and check it out. The venue was housed in an industrial unit redolent of what a New York apartment looks like when portrayed in the movies.

The first support was Die Der Daus, the name translates from German as three different descriptors of ‘The’, namely the Masculine, Feminine and Neuter Noun versions. The main support were called  Tamallas.

The headline act was Doll and the Kicks from Brighton who were a four-piece formed in 2005 and were personally chosen to support Morrissey on his 2009 European tour. They had just released their self-titled debut album and disbanded in 2011 but it does like they subsequently reformed and are still active.

Doll and the Kicks on stage at Sub 61. Image Credit flickr.

In a half empty venue Hannah Scanlon (Doll) was an engaging energetic presence on stage and their music had elements of Be Your Own Pet, Blondie and Yeah Yeah Yeahs, the latter perhaps reflecting the aforementioned NY vibe of the venue.

Manchester Satan’s Hollow is situated just off Princess Street between China Town and the Gay Village and a stone’s throw away from the nearby Night People venue. It was opened in 2000 and is firmly in the rock/metal genre. They have club nights and also a regular roster of gigs.

The entrance aims to exemplify the gates of hell replete with devil horn insignia and inside is an archetypal ‘toilet circuit’ venue with sticky floors and lamentable beer. We visited there on 06/02/10 on a whim as we were passing, and the chance presented itself to tick off the venue on the Jimmy roster. We were en route to our debut attendance at Sound Control.

Looking at the archive listing of gigs that have taken place in the venue, one caught my eye when I saw Leatherface performed there in 2007. I quite liked their material, but I am more of a fan of their spin off band Former Cellmates and particularly their terrific 2008 album ‘Who’s Dead and What’s to Pay’.

  

Manchester Satans Hollow. Image Credit homes4u.co.uk

The band on stage during our visit was Envy of The State, a rock band from the musical backwater of Telford and the band were unmemorable but there was the novelty of having a stage in the middle of the room allowing you to stand behind the band and watch them from a rarely seen angle!