Manchester Venue 59 Sound Control – Part 2

An early blog posting for you this week.

The Sound Control venue is in the perfect classic mould of being located within bumbling distance of the nearest train station. Others to fit these criteria locally are the Star and Garter (Piccadilly), Rebellion Bar (Deansgate), MEN Arena (Victoria) and Kings Arms (Salford Central).

So, much like Esha Ness’s ‘win’ in the Grand National and therefore discounting the ‘gig that never was’ outlined in the blog last week, I have attended the Sound Control Music Room a grand total of seven times.  

My first attendance was on a warm sunny June evening in 2011. On the journey over the train was extremely busy with gig goers and the reason for this significant commuter increase was that the reformed Take That were on a run of comeback dates over at the Etihad Stadium.

Our band of choice that night was the shoegaze gurus Pains of Being Pure at Heart. Now I saw this band five times in total during their career and a couple of those gigs stood out, an initial gobsmackingly fine performance in Chorlton which sat alongside this appearance as an absolute belter.

The reason that this duo of gigs succeeded was that the guitars were ramped up to 10 capturing the intended beautiful sonic fuzz that their sound clearly deserved. The set was in a good way still leaning very heavily on their astonishingly good eponymous debut record, which in my view is all killer no filler. They were supported by a local band called Raffles.  Uncle George had to scoot off prior to the end of their set as he was unfortunately on an early shift the next day, but we stayed for the duration before trekking up and catching the last train from Piccadilly.

Four months later, I saw the Canadian hardcore punks F##&£d Up who with their effervescent lead singer Pink Eyes and surging guitars certainly pack a punch. They are somewhat of an anachronism as their sound could be quantified in the category of intelligent hardcore music and they even start one album with a cheeky flute before the track morphs into something infinitely noisier!

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Pink Eyes in full flow. Image Credit Dreamstime.

Their big energetic tsunami of sound sucked me into the moshpit but that was curtailed prematurely as I toppled over, and I was proper sore and battered in the morning. Some naysayers may say moshpits should be avoided at the age of 43, but I eschew that point of view and eleven years on I will still partake if the mood takes me! Train constraints again meant we missed the tail end of the performance; a pattern was beginning to develop here at this venue.

Mainly due to the ongoing issues around enforced early departures we decided at our next attendance on 01/12/12 to grab a room for the night at Old Trafford Cricket Club, this being in the days when hotels rooms in Manchester were just about affordable, before they morphed into London prices.

The band in question was the rather terrific Raveonettes, the Danish shoegazing duo who had recently released their excellent sixth album Observator and they played a selection of tracks from said record with ‘Young and Cold’ being the highlight. It was a glacially cold night and after the gig we encountered the busiest ever metro in the whole of Christendom when commuting back to the digs.

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The Raveonettes on stage. Image Credit mxdwn.com

At the 2013 Dot to Dot event, we saw a singer songwriter called Billy Lockett from Northampton, who is a classical pianist. He was in the faux familiarity bracket that I can never warm to, in the mould of Newton Faulkner and Beans on Toast and a certain Ed Sheeran who appears to have made a career out of this genre!

Wickerman Festivals 10 and 11

In 2011, I was astonished to realise that we had reached the 10th anniversary edition of the Wickerman Festival, because there was initial doubt if it would survive past the first event.

There were the usual old timers on that year’s bill including Echo and the Bunnymen, The Damned, Pigeon Detectives, James, King Kurt, and the Coral. There were two enjoyable ska punk bands, Bombskare form Edinburgh and Spunge from Tewkesbury, and we witnessed Department S playing their famous number ‘Is Vic There?’ track released way back in 1980.

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Department S ‘Is Vic There?’ album cover. Image Credit Discogs.

Also in residence were The Hoosiers, The Moonzie Allstars, The Sundancer, Loose Kites, Rock System, The Hostiles, Katy Carr, Modhan, Discopolis and Homework. There was some ear shattering metal from Glasgow’s Desalvo, dreamy indie from French Wives and 60’s infused sounds from the Noisettes.   

Also playing were Endor Gun, Twin Atlantic, Bioorchestra, The Frues, The Capitols and Jack Townes. The highlight that particular year was a very fine engaging set from Feeder.

I recall there was an article in the local paper, the Dumfries and Galloway Gazette at the time asking for ever present attendees over the last decade, we didn’t put our names forward but the four of us must have been part of a very select crew in that particular club.

Other members of that exclusive crew were a trio of lads who we spotted over the years in various tents and in the Kirkcudbright pubs and we begin chatting with them and gleaned that they travelled up from Mansfield and stayed at Olive’s B&B in the town. They usually travelled without tickets and purchased some on arrival however that particular year the festival for the one time only was surprisingly sold out, thus they lost their ever-present attendance.

One of the newer members of our crew approached them and mentioned Mansfield only for us to discover a huge misconception that we had been wrong all these years and they actually derived from Pontefract! However, despite that geographical anomaly they shall always be known to us as the Mansfield boys!

Wickerman 11 had Skerryvore, Bis, Cast, Levellers, The Cats, The Razorbills, Moon Hey, Parrot, Fat Goth and Anderson McGinty Webster Ward and Fisher on the bill. The daddies of Wickerman, Castle Douglas’s pipe band the Dangleberries made an appearance after 5 years away with Dougie and Wee Dougie still in their extensive line up.

The Sharks, a rock band formed by ex-Free bassist in 1972 were playing alongside the punk contingent of Peter and the Test Tube Babies, The Blockheads and Johnny Robb’s Goldblade. The most woeful act was Newton Faulkner with his faux intimacy even employing a dubious prop of a drink’s cabinet on stage. We muttered ‘ye gods’ before shaking our heads and tromping off in disgust up the Wickerman hill, though there were lots of people singing every word, so what do we know!

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Newton Faulkner! Image Credit viagogo.co.uk

Also, in residence were The Lafontaines, United Fruit, Xavia, Kassidy, Andi Neate, The Darcy Da Silva Band, Duncan Maitland, Chris Bradley, Pronghorn, Janice Graham Band, Aaron Wright, The Mirror Trap, Martin John Henry, Chris Devotion & The Expectations, and the always entertaining Bad Manners.

As ever, there was a strong contingent of Scottish bands represented including Texas, Brown Bear and the Bandits from Ayrshire, the brilliantly titled Fridge Magnets from Aberdeen, and the ever-irrepressible View from Dundee. The post burning finale set was provided by the glitzy Scissor Sisters.